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Today In History
June 8th
Years
1995
29.8k
PlaybackListensHours
48h53971
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k133
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k301
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k266
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.9k822
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.4k681
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k189
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78686
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k159
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h989129
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k186
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k190
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.9k237
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8k860
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k195
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k226
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.5k3k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k396
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.7k862
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k488
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k317
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k171
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.8k473
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k376
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h62887
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10814
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h16913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1985
6/27/85
Crowd/Tuning
0:52
In The Midnight Hour >
3:56
Bertha >
5:03
Little Red Rooster
8:02
"Get Down From The Balcony" >
1:13
Stagger Lee >
6:35
El Paso
5:31
Crazy Fingers >
8:33
Supplication >
4:34
High Time
8:15
Hell In A Bucket >
7:14
Don't Ease Me In
3:32
Crowd/Tuning
1:43
Feel Like A Stranger >
8:36
Eyes Of the World >
9:02
Goin' Down The Road Feeling Bad >
4:26
Man Smart (Woman Smarter) >
6:53
Drums >
11:25
Space >
7:12
Truckin' >
7:14
Spoonful >
4:35
Black Peter >
8:00
Turn On Your Lovelight
8:20
E1: Johnny B. Goode >
4:46
E2: It's All Over Now, Baby Blue
7:45
FIN
View on archive.org
Sources
Taper: Steve Marcus copied Don Pearson's masters
2:39:21
SBD
Taper:
Steve Marcus copied Don Pearson's masters
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 13, 2024
SHNID:
gd1985-06-27.169156.SPAC.SaratogaSprings.NY.sbd.pearson.marcus.miller.t-flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Chris Ladner and the Oade brothers for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- This is 169092 2496 > 1648
Taper: Steve Marcus copied Don Pearson's masters
2:39:21
SBD
Taper:
Steve Marcus copied Don Pearson's masters
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 13, 2024
SHNID:
gd1985-06-27.169092.sbd1.pearson.marcus.miller.flac24
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Chris Ladner and the Oade brothers for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:40:54
SBD
Rating:
8.81 / 28 ratings
Transferrer:
Charlie Miller
SHNID:
gd85-06-27.sbd.miller.27863.sbeok.flacf
Source:
<b>flac16</b> SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD);
Lineage:
Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Transferrer: Hunter Seamons
2:41:23
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-27.mtx.seamons.fix.92963.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper: DAT kindly provided for transfer by M.Townshend
2:36:57
SBD
Taper:
DAT kindly provided for transfer by M.Townshend
Transferrer:
Chris Ladner
SHNID:
gd1985-06-27.sbd.gmb.79558.flac24
Source:
SBD > MC > DAT(48KHz)
Lineage:
Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II.
Taper Notes:
View NotesComments: First 11 seconds of d1t01 are spliced from previously circulating SBD source which was uprendered to 24/96 using Waves IDR. This source has less hiss than the other good sounding circulating sources and the lineage does not mention a VHS tape.
Taper: DAT kindly provided for transfer by M.Townshend
2:36:52
SBD
Rating:
9.00 / 8 ratings
Taper:
DAT kindly provided for transfer by M.Townshend
Transferrer:
C.Ladner
SHNID:
gd1985-06-27.sbd.gmb.79382.flac16
Source:
SBD > MC > DAT(48KHz)
Lineage:
DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC
Taper Notes:
View NotesComments: First 11 seconds of d1t01 are spliced from previously circulating SBD source. This source from my listening has less hiss than the other good sounding circulating sources and better stereo imaging. **GEMS** www.shnflac.net October 2006
Source 7 of 27
2:35:54
SBD
Rating:
8.48 / 22 ratings
SHNID:
gd85-06-27.sbd.clugston.6104.sbeok.shnf
Source:
Amy's Soundboard VHS > Cassette > DAT> CDR
Taper Notes:
View NotesAmy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston
Taper: Michael Hessberg
2:33:17
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-27.154536.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:11 patch in "Supplication", as well as a 0:37 patch in "Drums" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Michael Hessberg
2:33:17
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-27.154535.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:11 patch in "Supplication", as well as a 0:37 patch in "Drums" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Robert Bryant
2:34:18
Taper:
Robert Bryant
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1985-06-27.145345.aud.bryant.miller.sirmick.flac16
Lineage:
Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesNotes: - There were a number of small dropouts in the left channel of "In The Midnight Hour", "Bertha", "High Time" and "Feel Like A Stranger" Both channels have been patched with shnid 135270 - Thank you Mark McCue and Alex Ford. - Tape pauses have been smoothed out. Thanks to Joe B. Jones for his help with pitch correction. Thanks to Robert Bryant for this source and thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2018
Taper: Robert Bryant
2:34:18
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-06-27.141598.aud.bryant.miller.sirmick.flac2496
Taper Notes:
View NotesNotes: - There were a number of small dropouts in the left channel of "In The Midnight Hour", "Bertha", "High Time" and "Feel Like A Stranger" Both channels have been patched with shnid 135270 - Thank you Mark McCue and Alex Ford. - Tape pauses have been smoothed out. Thanks to Joe B. Jones for his help with pitch correction. Thanks to Robert Bryant for this source and thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2018
Source 12 of 27
2:30:05
SHNID:
gd1985-06-27.176765.AT835-AKG12E..Ackerman.noel.t-flac2448
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
2:39:19
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
SHNID:
gd1985-06-27.158250.NAK300.Anon-Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Dolby B On) Location: Mics on Shure s15 stands (up high), approx. 25' from repeaters, front of lawn.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - tape pauses in set 1 were cross faded - pitch corrected Thanks to; - Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer. - Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
2:39:19
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
SHNID:
gd1985-06-27.158249.NAK300.Anon-Noel.t-flac16
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Dolby B On) Location: Mics on Shure s15 stands (up high), approx. 25' from repeaters, front of lawn.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - tape pauses in set 1 were cross faded - pitch corrected - dithered using dBpoweramp Thanks to; - Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer. - Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
2:35:05
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-27.152627.akgc422-davis-murtha.holbrook.flac2448
Source:
Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesFourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP *** Bobby: Ugh, Ugh, the management has requested that you don't hang off there. //+ tape flip; missed start / tape paused to save tape // tape flip ||| tape stopped/started on master; Rt channel missing 8 seconds
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
2:35:05
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-27.152626.akgc422-davis-murtha.holbrook.flac1644
Source:
Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesFourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP *** Bobby: Ugh, Ugh, the management has requested that you don't hang off there. //+ tape flip; missed start / tape paused to save tape // tape flip ||| tape stopped/started on master; Rt channel missing 8 seconds
Taper: Mark McCue
2:33:31
Rating:
9.00 / 2 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-06-27.135270.senn441.mccue.ford.flac24
Source:
MAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
Taper Notes:
View NotesComments: - I started transferring and or editing Mark McCue’s personal cassette collection in 2005. This source fits in the top ten out of all of them (sound and performance quality). I’d like to thank Mark and all of his friends who made these tapes with such love and care. Working on the recordings has brought so much fun and enjoyment into my life. It all started because they couldn’t get their hands on enough great sounding tapes from recent tours. So, they went up front and did it themselves. Alex Ford - February 24, 2016. Notes: - * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz - # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez
Taper: Mark McCue
2:33:30
Rating:
8.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-06-27.135268.senn441.mccue.ford.sbeok.flac16
Source:
MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
Taper Notes:
View NotesComments: - I started transferring and or editing Mark McCue’s personal cassette collection in 2005. This source fits in the top ten out of all of them (sound and performance quality). I’d like to thank Mark and all of his friends who made these tapes with such love and care. Working on the recordings has brought so much fun and enjoyment into my life. It all started because they couldn’t get their hands on enough great sounding tapes from recent tours. So, they went up front and did it themselves. Alex Ford - February 24, 2016. Notes: - * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz - # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez
Taper: chasingwilma
2:27:44
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-06-27.126238.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:33:42
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-27.121563.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:21:09
Taper:
Bob Morris
SHNID:
gd1985-06-27.nak300.morris.114489.flac24
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper Notes:
View NotesNotes: - Splices in High Time (0:03), GDTR (4:08), and Baby Blue (5:40). - Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris. - Thanks to Sam for help. - Transfer (Nov 2009) & 2496 conversion / edits (Jun 2011) by Bob Morris.
Taper: Greg Holtz
2:35:07
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1985-06-27.aud.Holtz.Nak100s.112499.flac16
Source:
Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC;
Lineage:
MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz
Taper: Bob Morris
2:22:09
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-06-27.nak300.morris.106788.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flips patched w/ ID 25000 (Soundforge 9.0) in High Time (0:03-0:16), GDTR (4:09-4:14), Baby B (5:39-6:33; ID27863). Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris.
Taper: See Notes
2:43:37
Rating:
9.00 / 3 ratings
Taper:
See Notes
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-27.mtx.seamons.92645.sbeok.flac16
Source:
Matrix (See Notes)
Lineage:
See Notes
Taper: Tony Suraci
2:26:46
Rating:
8.00 / 1 rating
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-06-27.nak-beyer.tonys.79597.sbeok.flac16
Source:
Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Oade Brothers
2:36:34
Rating:
7.50 / 6 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-27.oade-schoeps.sacks.25000.sbeok.flacf
Source:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesSchoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks ([email protected])
Source 27 of 27
2:26:10
Rating:
8.00 / 6 ratings
SHNID:
gd85-06-27.aud.connor.7006.sbeok.shnf