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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
6/14/85
Tuning
2:53
Dancing In The Street
7:03
West L.A. Fadeaway
7:35
C C Rider
6:30
Peggy-O
6:49
Hell In A Bucket
7:29
Keep On Growing ->
5:04
Stagger Lee ->
5:12
Let It Grow ->
11:16
Deal
6:20
Tuning
4:22
Morning Dew ->
1:33
Playing In The Band ->
11:27
China Doll ->
10:38
Drums ->
9:28
Space ->
8:36
Truckin' ->
8:50
Smokestack Lightnin' ->
6:13
Comes A Time ->
4:20
Sugar Magnolia
5:37
Keep Your Day Job
9:05
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Joe Noel
2:27:24
SBDREMASTER
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-14.145575.SBD.remaster.Miller.Noel.t-flac1648
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction Additional notes: - emphasis corrected Patch info: - shnid: 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN) - s1t01; all - s2t01; start - 01:06 Patch notes: - shnid 117028 was speed corrected & noise removal was performed to create a seamless blend. Edited & patched with Audacity by Joe Noel February 26, 2019
Transferrer: Charlier Miller and Joe Noel
1:20:12
SBD
Transferrer:
Charlier Miller and Joe Noel
SHNID:
gd1985-06-14.145329.s2-complete.SBD.Miller.Noel.t-flac1648
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction Patch info: - shnid: 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN) - s2t01; all Patch notes: - shnid 117028 was speed corrected & noise removal was performed to create a seamless blend. - the patched was created with Audacity by Joe Noel Feb. 19, 2019
Taper: See info files for details
2:34:36
SBD
Rating:
9.60 / 5 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-06-14.matrix.chappell.85831.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: This show was plagued by technical issues in the first set, causing the band to take a break mid-set, only to come back to the stage and breakout Keep On Growing. Stagger Lee and Comes A Time enjoy 3 and 5 year resurrections respectively. Great second set Dew opener. Jerry is low in the mix for most of the show (something slighly enhanced by the matrix, but not much), and I assume this had to do with the technical issues which by the next night seemed to be fully resolved. Both SBD sources were synched to the AUD. Set 1 SBD through Peggy-O was pitched up between 2 and 17 cents, and from Bucket until the end of the set the SBD was pitched down between 4 and 14 cents. Set 2 SBD was pitched up around 12 cents, and the McCue AUD was used to patch crowd/tuning for the Sgt Pepper's 20th anniversary opening reference, s1t07 (mid 1st set break), the tuning for set 2 opener, and a little crowd at the very end to enhance the fadeout. No EQ was applied, and very spare Waves L2 limiting was employed to the matrix mix. Thanks to Randy Carman for the SBD source. Thanks to Jim and Doug Oade for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks for tracking it. Thanks to Mark McCue and crew for taping the AUD used to patch, and Alex Ford for transferring and seeding it. Enjoy! -Chappy
Taper: Bill Bradt
2:28:51
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.174160.neumann.km84i.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master soundboard cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the Neumann KM84i source which supplies a 0:10 patch in "Drums" - Technical difficulties between "Hell In A Bucket" and "Keep On Growing" - Pitch corrected Mastered by Scott Clugston August 2025
Taper: Bill Bradt
2:28:51
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.174159.neumann.km84i.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master soundboard cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the Neumann KM84i source which supplies a 0:10 patch in "Drums" - Technical difficulties between "Hell In A Bucket" and "Keep On Growing" - Pitch corrected Mastered by Scott Clugston August 2025
Taper: Mark Severson
2:55:22
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-14.148769.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Drums" - Pre-Show Press Conference included - Equipment break after "Hell In A Bucket" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:55:22
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-14.148768.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Drums" - Pre-Show Press Conference included - Equipment break after "Hell In A Bucket" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Recorded, Transferred & Mastered by Anon
2:32:35
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
SHNID:
gd1985-06-14.152788.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
Source:
Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area. - Thanks to the Oade Bros & all involved with the patch source. - Tapes pauses/flips have been cross faded where applicable. - This source has been pitch corrected. - There was an equipment breakdown after Hell in a Bucket. * first performance - China Doll ends with a percussion jam lead by Brent. - 24/48 > dBpoweramp > 16/48
Taper: Anon
2:32:35
Taper:
Anon
Transferrer:
Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
SHNID:
gd1985-06-14.152641.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area. - Thanks to the Oade Bros & all involved with the patch source. - Tapes pauses/flips have been cross faded where applicable. - This source has been pitch corrected. - There was an equipment breakdown after Hell in a Bucket. * first performance - China Doll ends with a percussion jam lead by Brent.
Transferrer: Dan McDonald
2:33:59
Rating:
10.00 / 1 rating
Transferrer:
Dan McDonald
SHNID:
gd1985-06-14.132932.schoeps.Oades.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald; All editing and sound alteration done with Diamond Cut Forensics 8.5. The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence
Taper Notes:
View NotesMastering by Dan McDonald All editing and sound alteration done with Diamond Cut Forensics 8.5. -The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence. -After Hell in a Bucket, the band left the stage to fix equipment problems. There was a break in recording. Slight editing for flow. -The space before the encore was editedto make it flow more smoothly, cut out blank spots. metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: anonymous taper, Jamie Poris, Mark Severson
2:26:29
Rating:
8.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1985-06-14.nak700.anon-severson-poris.lmpp.97221.flac16
Source:
3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )
Lineage:
MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Huge thanks to the Anon Taper for supplying the masters made with Mark Severson and Jamie Poris - Tape flips crossfaded where applicable. - patch in space from shnID 4978 (due to a very unfortunate tape player malfunction) - Day Job from ShnID 4978 - In the first tape, there is an odd clicking noise. It's not a digital anomaly as it's on the masters. Not sure exactly what it is. I've tried to attentualte, but it's still there. Not a major issue, but worth noting. -------------------------------------------------------------- - Taped by He who wishes to remain nameless, Mark Severson, Jamie Poris - Transferred and Edited by Bgreen (On The ** LMPP ** Edit Station) - Tracked, flac'ed, and packed by Evan K (AKA spaceboy) - First seeded to www.shnflac.net Feb. 2009 - Brought To You By Live Music Preservation Project - questions/comments: -contact [email protected]