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June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1985
6/14/85
SGT. Pepper's Lonely Hearts Club Band/Crowd/Tuning
3:51
Dancing In The Street
7:02
West LA Fadeaway
7:23
CC Rider
6:28
Peggy O
6:53
Hell In A Bucket
8:00
Keep On Growing >
5:05
Stagger Lee >
5:15
Let It Grow >
11:16
Deal
6:33
Space
1:26
Morning Dew
11:35
Playin' In The Band >
10:41
China Doll >
9:32
Drums >
9:22
Space >
8:02
Truckin' >
6:29
Smokestack Lightning >
4:17
Comes A Time >
5:41
Sugar Magnolia
9:27
E: Keep Your Day Job
4:33
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Joe Noel
2:27:24
SBDREMASTER
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-14.145575.SBD.remaster.Miller.Noel.t-flac1648
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction Additional notes: - emphasis corrected Patch info: - shnid: 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN) - s1t01; all - s2t01; start - 01:06 Patch notes: - shnid 117028 was speed corrected & noise removal was performed to create a seamless blend. Edited & patched with Audacity by Joe Noel February 26, 2019
Transferrer: Charlie Miller
2:25:18
SBD
Transferrer:
Charlie Miller
SHNID:
gd1985-06-14.135656.sbd.miller.flac1648
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:25:17
SBD
Rating:
4.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-14.135615.sbd-new.miller.flac16
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:28:08
SBD
Rating:
8.50 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-14.sbd.miller.117028.flac16
Source:
SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN
Lineage:
SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Encore on end of Set 1 to fit show into 2 discs -- Encore can be re-joined with set 2 seamlessly -- This is a re-master of shnid=13747 -- There was an equipment break after Hell In A Bucket -- Fixed swapped channels, corrected pitch, fixed uneven levels and cleaned flaws -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlier Miller and Joe Noel
1:20:12
SBD
Transferrer:
Charlier Miller and Joe Noel
SHNID:
gd1985-06-14.145329.s2-complete.SBD.Miller.Noel.t-flac1648
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction Patch info: - shnid: 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN) - s2t01; all Patch notes: - shnid 117028 was speed corrected & noise removal was performed to create a seamless blend. - the patched was created with Audacity by Joe Noel Feb. 19, 2019
Taper: See info files for details
2:34:36
SBD
Rating:
9.60 / 5 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-06-14.matrix.chappell.85831.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: This show was plagued by technical issues in the first set, causing the band to take a break mid-set, only to come back to the stage and breakout Keep On Growing. Stagger Lee and Comes A Time enjoy 3 and 5 year resurrections respectively. Great second set Dew opener. Jerry is low in the mix for most of the show (something slighly enhanced by the matrix, but not much), and I assume this had to do with the technical issues which by the next night seemed to be fully resolved. Both SBD sources were synched to the AUD. Set 1 SBD through Peggy-O was pitched up between 2 and 17 cents, and from Bucket until the end of the set the SBD was pitched down between 4 and 14 cents. Set 2 SBD was pitched up around 12 cents, and the McCue AUD was used to patch crowd/tuning for the Sgt Pepper's 20th anniversary opening reference, s1t07 (mid 1st set break), the tuning for set 2 opener, and a little crowd at the very end to enhance the fadeout. No EQ was applied, and very spare Waves L2 limiting was employed to the matrix mix. Thanks to Randy Carman for the SBD source. Thanks to Jim and Doug Oade for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks for tracking it. Thanks to Mark McCue and crew for taping the AUD used to patch, and Alex Ford for transferring and seeding it. Enjoy! -Chappy
Source 7 of 28
2:27:41
SBD
Rating:
8.83 / 24 ratings
SHNID:
gd85-06-14.sbd.carman.13747.sbeok.shnf
Source:
SBD > DAT > CDR/?
Taper Notes:
View NotesSource: SBD > DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman [email protected]
Taper: Bill Bradt
2:28:51
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.174160.neumann.km84i.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master soundboard cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the Neumann KM84i source which supplies a 0:10 patch in "Drums" - Technical difficulties between "Hell In A Bucket" and "Keep On Growing" - Pitch corrected Mastered by Scott Clugston August 2025
Taper: Bill Bradt
2:28:51
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.174159.neumann.km84i.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master soundboard cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the Neumann KM84i source which supplies a 0:10 patch in "Drums" - Technical difficulties between "Hell In A Bucket" and "Keep On Growing" - Pitch corrected Mastered by Scott Clugston August 2025
Taper: Chris Hecht
2:28:26
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.167248.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:36 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Chris Hecht
2:28:26
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.167247.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:36 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Mark Severson
2:55:22
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-14.148769.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Drums" - Pre-Show Press Conference included - Equipment break after "Hell In A Bucket" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:55:22
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-14.148768.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Drums" - Pre-Show Press Conference included - Equipment break after "Hell In A Bucket" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Robert Bryant
1:04:48
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #132932 (Schoeps) - s1t01; 07:15 - end - s1t06; start - 01:23 Notes: - files have been speed corrected - tape pauses have been cross faded - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 * technical problems cause the band to leave the stage * first of only four performances
Taper: Robert Bryant
1:04:48
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-14.140888.s1.unkown.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #132932 (Schoeps) - s1t01; 07:15 - end - s1t06; start - 01:23 Notes: - files have been speed corrected - tape pauses have been cross faded * technical problems cause the band to leave the stage * first of only four performances
Taper: Rango Keshavan
2:26:20
Rating:
10.00 / 2 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1985-06-14.sony220t.keshavan.miller.105542.flac16
Source:
Sony ECM-220T -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Encore on end of Set 1 to fit show into 2 discs -- Encore can be re-joined with set 2 seamlessly -- Equipment break after Hell In A Bucket -- Thanks to Rango Keshavan for lending me his masters
Taper: Recorded, Transferred & Mastered by Anon
2:32:35
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
SHNID:
gd1985-06-14.152788.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
Source:
Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area. - Thanks to the Oade Bros & all involved with the patch source. - Tapes pauses/flips have been cross faded where applicable. - This source has been pitch corrected. - There was an equipment breakdown after Hell in a Bucket. * first performance - China Doll ends with a percussion jam lead by Brent. - 24/48 > dBpoweramp > 16/48
Taper: Anon
2:32:35
Taper:
Anon
Transferrer:
Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
SHNID:
gd1985-06-14.152641.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area. - Thanks to the Oade Bros & all involved with the patch source. - Tapes pauses/flips have been cross faded where applicable. - This source has been pitch corrected. - There was an equipment breakdown after Hell in a Bucket. * first performance - China Doll ends with a percussion jam lead by Brent.
Transferrer: Dan McDonald
2:33:59
Rating:
10.00 / 1 rating
Transferrer:
Dan McDonald
SHNID:
gd1985-06-14.132932.schoeps.Oades.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald; All editing and sound alteration done with Diamond Cut Forensics 8.5. The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence
Taper Notes:
View NotesMastering by Dan McDonald All editing and sound alteration done with Diamond Cut Forensics 8.5. -The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence. -After Hell in a Bucket, the band left the stage to fix equipment problems. There was a break in recording. Slight editing for flow. -The space before the encore was editedto make it flow more smoothly, cut out blank spots. metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Transferrer: Andrew F. and Andrew F
2:28:00
Transferrer:
Andrew F. and Andrew F
SHNID:
gd1985-06-14.nak300.andrewf.130924.flac1644
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014
Taper Notes:
View NotesNotes: We were half-way up OTS center with mics at 6-feet and angled downwards slightly. Patches from ID-24451, intro 0:57 > 1:10, and ID-105542, intro 2:11 > 4:12, C.C.Rider 0:00 > 0:05, echo 0:00 > 0:04, barbed wire 0:00 > 0:06, Space 0:09 > 0:30, and Space 5:16 > 5:21. CDRs: Overburn 2nd Set, or put encore onto end of Disc One.
Taper: Andrew F
2:27:59
Rating:
10.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F.
SHNID:
gd1985-06-14.nak300.andrewf.130923.flac2448
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 08/2014
Taper Notes:
View NotesNotes: We were half-way up OTS center with mics at 6-feet and angled downwards slightly. Patches from ID-24451, intro 0:57 > 1:10, and ID-105542, intro 2:11 > 4:12, C.C.Rider 0:00 > 0:05, echo 0:00 > 0:04, barbed wire 0:00 > 0:06, Space 0:09 > 0:30, and Space 5:16 > 5:21.
Taper: Danny Thompson
2:23:23
Taper:
Danny Thompson
Transferrer:
Joe D'Amico
SHNID:
gd1985-06-14.126338.akg.thompson.damico.flac16
Source:
Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper
Taper Notes:
View NotesTHIS RECORDING CAME FROM THE 2ND DECK UHER CR 160 WHICH WAS PATCHED OUT OF KEN MANCE UHER CR 240. RECORDING MADE FROM TAPERS SECTION. Sgt Peppers Playing Right Before Dancin'. Also Equipment Problems During 1st Set Band Left The Stage After Hell In A Bucket Until Problems Where Fixed .
Taper: Danny Thompson
2:23:23
Rating:
8.00 / 2 ratings
Taper:
Danny Thompson
Transferrer:
Joe D'Amico
SHNID:
gd1985-06-14.126336.akg.thompson.damico.flac24
Source:
Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper
Taper Notes:
View NotesTHIS RECORDING CAME FROM THE 2ND DECK UHER CR 160 WHICH WAS PATCHED OUT OF KEN MANCE UHER CR 240. RECORDING MADE FROM TAPERS SECTION. Sgt Peppers Playing Right Before Dancin'. Also Equipment Problems During 1st Set Band Left The Stage After Hell In A Bucket Until Problems Where Fixed . *First 15 Seconds of Tuning Spliced In From Schoeps source
Taper: Da Weez
2:26:34
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-14.111797.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: anonymous taper, Jamie Poris, Mark Severson
2:26:29
Rating:
8.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1985-06-14.nak700.anon-severson-poris.lmpp.97221.flac16
Source:
3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )
Lineage:
MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Huge thanks to the Anon Taper for supplying the masters made with Mark Severson and Jamie Poris - Tape flips crossfaded where applicable. - patch in space from shnID 4978 (due to a very unfortunate tape player malfunction) - Day Job from ShnID 4978 - In the first tape, there is an odd clicking noise. It's not a digital anomaly as it's on the masters. Not sure exactly what it is. I've tried to attentualte, but it's still there. Not a major issue, but worth noting. -------------------------------------------------------------- - Taped by He who wishes to remain nameless, Mark Severson, Jamie Poris - Transferred and Edited by Bgreen (On The ** LMPP ** Edit Station) - Tracked, flac'ed, and packed by Evan K (AKA spaceboy) - First seeded to www.shnflac.net Feb. 2009 - Brought To You By Live Music Preservation Project - questions/comments: -contact [email protected]
Taper: Adam, Justin & Monica
2:18:05
Taper:
Adam, Justin & Monica
Transferrer:
Alex Ford
SHNID:
gd1985-06-14.senn441.mccue.ford.32867.sbeok.flac16
Source:
Sennheiser 441's > Sony D5 > Sony D5 > Cassettes
Lineage:
Cassettes>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC> HD>CDR>EAC>WinXP Pro>Flac Frontend>FLAC16.
Taper Notes:
View NotesNotes: - first "Keep On Growing" - last Comes A Time" 10/02/80 - last Stagger Lee 08/10/82 - * d1t08 Stagger Lee missing first few seconds, fades in - ^ Jam at beginning of Drums is with Brent, Mickey & Bill - # d2t05 Space missing last few seconds - Drums > Space were split with CD Wave Editor
Taper: Oade Brothers
2:33:34
Rating:
9.33 / 3 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-14.oade-schoeps.sacks.24451.sbeok.flacf
Source:
Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source 28 of 28
2:26:13
Rating:
9.25 / 8 ratings
SHNID:
gd85-06-14.oade.sacks.4978.sbeok.shnf
Source:
Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section
Lineage:
Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks
Taper Notes:
View NotesSchoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks