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June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1985
6/14/85
Pre-Show Prees Conference/Interview
22:47
Sgt. Pepper's / Crowd
4:44
Dancing In The Street
7:25
West LA Fadeaway
8:34
CC Rider
6:37
Peggy O
6:56
Hell In A Bucket
7:06
Keep On Growing >
5:07
Stagger Lee >
5:21
Let It Grow >
11:18
Deal
6:39
Space
1:36
Morning Dew >
11:42
Playin' In The Band >
10:53
China Doll >
9:42
Drums >
9:20
Space >
7:53
Truckin' >
7:02
Smokestack Lightning >
4:17
Comes A Time >
5:50
Sugar Magnolia
9:08
Encore Break
1:01
Keep Your Day Job
4:24
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Joe Noel
2:27:24
SBDREMASTER
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-14.145575.SBD.remaster.Miller.Noel.t-flac1648
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction Additional notes: - emphasis corrected Patch info: - shnid: 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN) - s1t01; all - s2t01; start - 01:06 Patch notes: - shnid 117028 was speed corrected & noise removal was performed to create a seamless blend. Edited & patched with Audacity by Joe Noel February 26, 2019
Transferrer: Charlie Miller
2:25:18
SBD
Transferrer:
Charlie Miller
SHNID:
gd1985-06-14.135656.sbd.miller.flac1648
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:25:17
SBD
Rating:
4.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-14.135615.sbd-new.miller.flac16
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:28:08
SBD
Rating:
8.50 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-14.sbd.miller.117028.flac16
Source:
SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN
Lineage:
SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Encore on end of Set 1 to fit show into 2 discs -- Encore can be re-joined with set 2 seamlessly -- This is a re-master of shnid=13747 -- There was an equipment break after Hell In A Bucket -- Fixed swapped channels, corrected pitch, fixed uneven levels and cleaned flaws -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlier Miller and Joe Noel
1:20:12
SBD
Transferrer:
Charlier Miller and Joe Noel
SHNID:
gd1985-06-14.145329.s2-complete.SBD.Miller.Noel.t-flac1648
Source:
SBD -> Cassette Master (Dolby B) -> Dat (48k)
Lineage:
Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k
Taper Notes:
View NotesNotes: -- This is an uncirculated sources which is an upgrade -- There was an equipment break after Hell In A Bucket -- Thanks to Joe B. Jones for his help with the pitch correction Patch info: - shnid: 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN) - s2t01; all Patch notes: - shnid 117028 was speed corrected & noise removal was performed to create a seamless blend. - the patched was created with Audacity by Joe Noel Feb. 19, 2019
Taper: See info files for details
2:34:36
SBD
Rating:
9.60 / 5 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-06-14.matrix.chappell.85831.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: This show was plagued by technical issues in the first set, causing the band to take a break mid-set, only to come back to the stage and breakout Keep On Growing. Stagger Lee and Comes A Time enjoy 3 and 5 year resurrections respectively. Great second set Dew opener. Jerry is low in the mix for most of the show (something slighly enhanced by the matrix, but not much), and I assume this had to do with the technical issues which by the next night seemed to be fully resolved. Both SBD sources were synched to the AUD. Set 1 SBD through Peggy-O was pitched up between 2 and 17 cents, and from Bucket until the end of the set the SBD was pitched down between 4 and 14 cents. Set 2 SBD was pitched up around 12 cents, and the McCue AUD was used to patch crowd/tuning for the Sgt Pepper's 20th anniversary opening reference, s1t07 (mid 1st set break), the tuning for set 2 opener, and a little crowd at the very end to enhance the fadeout. No EQ was applied, and very spare Waves L2 limiting was employed to the matrix mix. Thanks to Randy Carman for the SBD source. Thanks to Jim and Doug Oade for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks for tracking it. Thanks to Mark McCue and crew for taping the AUD used to patch, and Alex Ford for transferring and seeding it. Enjoy! -Chappy
Source 7 of 28
2:27:41
SBD
Rating:
8.83 / 24 ratings
SHNID:
gd85-06-14.sbd.carman.13747.sbeok.shnf
Source:
SBD > DAT > CDR/?
Taper Notes:
View NotesSource: SBD > DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman [email protected]
Taper: Bill Bradt
2:28:51
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.174160.neumann.km84i.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master soundboard cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the Neumann KM84i source which supplies a 0:10 patch in "Drums" - Technical difficulties between "Hell In A Bucket" and "Keep On Growing" - Pitch corrected Mastered by Scott Clugston August 2025
Taper: Bill Bradt
2:28:51
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.174159.neumann.km84i.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Neumann KM84i mics > Sony D5M
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master soundboard cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht and Charlie Miller for the Neumann KM84i source which supplies a 0:10 patch in "Drums" - Technical difficulties between "Hell In A Bucket" and "Keep On Growing" - Pitch corrected Mastered by Scott Clugston August 2025
Taper: Chris Hecht
2:28:26
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.167248.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:36 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Chris Hecht
2:28:26
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-14.167247.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:36 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2023
Taper: Mark Severson
2:55:22
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-14.148769.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Drums" - Pre-Show Press Conference included - Equipment break after "Hell In A Bucket" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:55:22
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-14.148768.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Drums" - Pre-Show Press Conference included - Equipment break after "Hell In A Bucket" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Robert Bryant
1:04:48
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #132932 (Schoeps) - s1t01; 07:15 - end - s1t06; start - 01:23 Notes: - files have been speed corrected - tape pauses have been cross faded - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 * technical problems cause the band to leave the stage * first of only four performances
Taper: Robert Bryant
1:04:48
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-14.140888.s1.unkown.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #132932 (Schoeps) - s1t01; 07:15 - end - s1t06; start - 01:23 Notes: - files have been speed corrected - tape pauses have been cross faded * technical problems cause the band to leave the stage * first of only four performances
Taper: Rango Keshavan
2:26:20
Rating:
10.00 / 2 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1985-06-14.sony220t.keshavan.miller.105542.flac16
Source:
Sony ECM-220T -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Encore on end of Set 1 to fit show into 2 discs -- Encore can be re-joined with set 2 seamlessly -- Equipment break after Hell In A Bucket -- Thanks to Rango Keshavan for lending me his masters
Taper: Recorded, Transferred & Mastered by Anon
2:32:35
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
SHNID:
gd1985-06-14.152788.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
Source:
Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area. - Thanks to the Oade Bros & all involved with the patch source. - Tapes pauses/flips have been cross faded where applicable. - This source has been pitch corrected. - There was an equipment breakdown after Hell in a Bucket. * first performance - China Doll ends with a percussion jam lead by Brent. - 24/48 > dBpoweramp > 16/48
Taper: Anon
2:32:35
Taper:
Anon
Transferrer:
Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
SHNID:
gd1985-06-14.152641.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area. - Thanks to the Oade Bros & all involved with the patch source. - Tapes pauses/flips have been cross faded where applicable. - This source has been pitch corrected. - There was an equipment breakdown after Hell in a Bucket. * first performance - China Doll ends with a percussion jam lead by Brent.
Transferrer: Dan McDonald
2:33:59
Rating:
10.00 / 1 rating
Transferrer:
Dan McDonald
SHNID:
gd1985-06-14.132932.schoeps.Oades.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald; All editing and sound alteration done with Diamond Cut Forensics 8.5. The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence
Taper Notes:
View NotesMastering by Dan McDonald All editing and sound alteration done with Diamond Cut Forensics 8.5. -The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence. -After Hell in a Bucket, the band left the stage to fix equipment problems. There was a break in recording. Slight editing for flow. -The space before the encore was editedto make it flow more smoothly, cut out blank spots. metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Transferrer: Andrew F. and Andrew F
2:28:00
Transferrer:
Andrew F. and Andrew F
SHNID:
gd1985-06-14.nak300.andrewf.130924.flac1644
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014
Taper Notes:
View NotesNotes: We were half-way up OTS center with mics at 6-feet and angled downwards slightly. Patches from ID-24451, intro 0:57 > 1:10, and ID-105542, intro 2:11 > 4:12, C.C.Rider 0:00 > 0:05, echo 0:00 > 0:04, barbed wire 0:00 > 0:06, Space 0:09 > 0:30, and Space 5:16 > 5:21. CDRs: Overburn 2nd Set, or put encore onto end of Disc One.
Taper: Andrew F
2:27:59
Rating:
10.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F.
SHNID:
gd1985-06-14.nak300.andrewf.130923.flac2448
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 08/2014
Taper Notes:
View NotesNotes: We were half-way up OTS center with mics at 6-feet and angled downwards slightly. Patches from ID-24451, intro 0:57 > 1:10, and ID-105542, intro 2:11 > 4:12, C.C.Rider 0:00 > 0:05, echo 0:00 > 0:04, barbed wire 0:00 > 0:06, Space 0:09 > 0:30, and Space 5:16 > 5:21.
Taper: Danny Thompson
2:23:23
Taper:
Danny Thompson
Transferrer:
Joe D'Amico
SHNID:
gd1985-06-14.126338.akg.thompson.damico.flac16
Source:
Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper
Taper Notes:
View NotesTHIS RECORDING CAME FROM THE 2ND DECK UHER CR 160 WHICH WAS PATCHED OUT OF KEN MANCE UHER CR 240. RECORDING MADE FROM TAPERS SECTION. Sgt Peppers Playing Right Before Dancin'. Also Equipment Problems During 1st Set Band Left The Stage After Hell In A Bucket Until Problems Where Fixed .
Taper: Danny Thompson
2:23:23
Rating:
8.00 / 2 ratings
Taper:
Danny Thompson
Transferrer:
Joe D'Amico
SHNID:
gd1985-06-14.126336.akg.thompson.damico.flac24
Source:
Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper
Taper Notes:
View NotesTHIS RECORDING CAME FROM THE 2ND DECK UHER CR 160 WHICH WAS PATCHED OUT OF KEN MANCE UHER CR 240. RECORDING MADE FROM TAPERS SECTION. Sgt Peppers Playing Right Before Dancin'. Also Equipment Problems During 1st Set Band Left The Stage After Hell In A Bucket Until Problems Where Fixed . *First 15 Seconds of Tuning Spliced In From Schoeps source
Taper: Da Weez
2:26:34
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-14.111797.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: anonymous taper, Jamie Poris, Mark Severson
2:26:29
Rating:
8.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1985-06-14.nak700.anon-severson-poris.lmpp.97221.flac16
Source:
3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )
Lineage:
MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Huge thanks to the Anon Taper for supplying the masters made with Mark Severson and Jamie Poris - Tape flips crossfaded where applicable. - patch in space from shnID 4978 (due to a very unfortunate tape player malfunction) - Day Job from ShnID 4978 - In the first tape, there is an odd clicking noise. It's not a digital anomaly as it's on the masters. Not sure exactly what it is. I've tried to attentualte, but it's still there. Not a major issue, but worth noting. -------------------------------------------------------------- - Taped by He who wishes to remain nameless, Mark Severson, Jamie Poris - Transferred and Edited by Bgreen (On The ** LMPP ** Edit Station) - Tracked, flac'ed, and packed by Evan K (AKA spaceboy) - First seeded to www.shnflac.net Feb. 2009 - Brought To You By Live Music Preservation Project - questions/comments: -contact [email protected]
Taper: Adam, Justin & Monica
2:18:05
Taper:
Adam, Justin & Monica
Transferrer:
Alex Ford
SHNID:
gd1985-06-14.senn441.mccue.ford.32867.sbeok.flac16
Source:
Sennheiser 441's > Sony D5 > Sony D5 > Cassettes
Lineage:
Cassettes>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC> HD>CDR>EAC>WinXP Pro>Flac Frontend>FLAC16.
Taper Notes:
View NotesNotes: - first "Keep On Growing" - last Comes A Time" 10/02/80 - last Stagger Lee 08/10/82 - * d1t08 Stagger Lee missing first few seconds, fades in - ^ Jam at beginning of Drums is with Brent, Mickey & Bill - # d2t05 Space missing last few seconds - Drums > Space were split with CD Wave Editor
Taper: Oade Brothers
2:33:34
Rating:
9.33 / 3 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-14.oade-schoeps.sacks.24451.sbeok.flacf
Source:
Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source 28 of 28
2:26:13
Rating:
9.25 / 8 ratings
SHNID:
gd85-06-14.oade.sacks.4978.sbeok.shnf
Source:
Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section
Lineage:
Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks
Taper Notes:
View NotesSchoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks