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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h62984
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.3k378
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.1k277
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k291
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k377
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k428
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.6k333
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.2k146
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h6.8k867
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h85597
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.6k426
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.1k493
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k148
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k186
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k226
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h6.9k798
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.3k184
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.6k220
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.5k1.3k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.5k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41742
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.3k418
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.5k594
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.7k342
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k150
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.6k196
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.7k269
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h813100
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11116
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25318
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1985
4/4/85
Alabama Getaway
5:32
Jack Straw
6:53
Dire Wolf
3:15
El Paso
5:10
She Belongs To Me
6:40
My Brother Esau
6:08
Friend Of The Devil
8:40
Lost Sailor >
6:52
Saint Of Circumstance >
6:56
Deal
7:25
tuning
2:36
I Need A Miracle >
3:29
Crazy Fingers >
7:48
Samson And Delilah
7:48
He's Gone >
9:03
Goin' Down The Road Feeling Bad >
9:12
Drums >
6:28
Space >
7:08
The Wheel >
3:33
Black Peter >
7:36
Around And Around >
3:41
Turn On Your Lovelight
8:34
Encore U.S. Blues
5:09
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] March 27, 2021
2:32:37
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 27, 2021
SHNID:
gd1985-04-04.152459.sbd.pcm.miller.flac1644
Source:
SBD > PCM Master (Sony Betamax) > DAT Clone (44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
Source 2 of 22
2:28:45
SBD
Rating:
8.67 / 3 ratings
SHNID:
gd1985-04-04.149449.sbd.miller.clugston.flac16
Taper Notes:
View NotesNotes: - Probably a cassette master with a cassette generation, maybe two. It's possible the sets are from different sources, as the channels needed to be corrected for the 1st set and the pitch changed for the 2nd set - Thanks to Charlie Miller for this upgrade, which he found hidden away on a harddrive - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:08 of "Friend Of The Devil", the set break announcemnet, some crowd and the first few notes of "I Need A Miracle" (0:13 total), as well as "Drums > Space" and the beginning of "The Wheel (11:17 total) - This transcription includes the "US Blues" encore - Pitch corrected Mastered by Scott Clugston April 2020
Transferrer: bzlrbi
2:18:02
SBD
Rating:
9.00 / 3 ratings
Transferrer:
bzlrbi
Lineage:
XLII tapes BX-300 w/o Dolby on playback > Philips standalone CDR > CDWav to split and encode as Flac (level 5).
Taper Notes:
View NotesThis is likely from the same source as the ciruclating soundboards, but without the apparent Dolby Abuse on the others. Discussing it with the friend I got this from, we think it's no more than 4 or 5 generations. Obvious care was exercised in handing this down the line... probably nothing but Maxells and Nakamichi cassette decks were used. It sounds very nice! Except for: ## --there is a very unfortunate cut in She Belongs to Me at 4:06.56, which lasted for 5.48 seconds. It appears that someone forgot to "pop the top" off their cassette, so I suspect it's not present on the master (wherever that might be). --there is some "rolling hiss" at the beginning of Miracle. Chalk this one up to the ravages of time on cassettes. ** --segments of Drums and Space are obviously missing. The right channel is missing for a few seconds at the beginning of Space. There is a cut between Space and the intro to The Wheel. I have made no attempts at patching these. --there is no tuning or crowd noise at end of set 1, beginning of set 2 or before the encore. All the songs are there in full, however. My hope is that this seed will get people to check their cassette collections. Does anyone have a better version of this?
Transferrer: Bill Tetzeli
2:26:39
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1985-04-04.sbd.tetzeli-orig-fix-11704.33816.shnf
Source:
fix of shnid = 11704
Taper Notes:
View Notes----------------------------------------------------------- Okay, here's the damage I (un)did to this source. I patched in the missing space from Doug Oade's excellent recording. In order to match the levels with Drums at the beginning and Wheel at the end, I had to put up with a certain amount of clipping on the drums during the space set - just where the snares are hit really hard. It's worth it, though, first to make the transitions smoother, second to illustrate how an AUD can shine. Doug Oade was obviously not using any limiter, which Amy probably was, at least for her recording - you can instantly tell the difference in clarity. A local soundman friend of mine once told me, "I don't mix for tapes, I mix for the room". Soundboard snobs take heed! I also eliminated a short gap at the end of The Wheel, restoring the seamless transition into Stella Blue. The gap was possibly a TAO artifact. The US Blues encore from the original fileset is probably also from the Oade AUD. Bill Tetzeli ([email protected]) 3/23/2006 -----------------------------------------------------------
Source 5 of 22
2:21:18
SBD
Rating:
6.67 / 9 ratings
SHNID:
gd85-04-04.sbd.willy.11704.sbeok.shnf
Source:
SBD>HiFi Video (Lighting crew)>MC>CDR
Taper Notes:
View NotesSBD>HiFi Video (Lighting crew)>MC>CDR; Missing Space (tape flip); via Tommy Danscuk; Seeded to etree by Willy
Taper: Bruce Barnum
1:04:41
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-04-04.151192.nak701s.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 2496
Taper Notes:
View NotesPitch corrected using the Oade PCM. Thanks to Charlie Miller for the C > D transfer. Levels on this recording were extremely low, and tending to wander a bit from left to right. In two places, the left channel dropped almost completely for a second or two, and has been replaced by the right. Ozone maximizer used to bring everything up and even it out a bit. Sounds much better now.
Taper: Bruce Barnum
1:04:41
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-04-04.151191.nak701s.barnum.miller.flac16
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 2496
Taper Notes:
View NotesPitch corrected using the Oade PCM. Thanks to Charlie Miller for the C > D transfer. Levels on this recording were extremely low, and tending to wander a bit from left to right. In two places, the left channel dropped almost completely for a second or two, and has been replaced by the right. Ozone maximizer used to bring everything up and even it out a bit. Sounds much better now.
Taper: Rob Hunt and Ted Mattes
2:30:22
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-04.149316.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:51 patch in "Drums" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Rob Hunt and Ted Mattes
2:30:22
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-04.149315.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:51 patch in "Drums" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Robert Bryant
2:27:53
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master audience cassette source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid77029 Sennheiser 421 source which supplies a 0:36 patch in "Drums" Mastered by Scott Clugston January 29, 2018
Taper: Robert Bryant
2:27:53
Rating:
10.00 / 1 rating
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master audience cassette source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid77029 Sennheiser 421 source which supplies a 0:36 patch in "Drums" Mastered by Scott Clugston January 29, 2018
Taper: Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:25:36
Taper:
Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-04.152128.beyerm88.holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row)
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesopen the text files for tour stories
Taper: Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:25:36
Taper:
Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-04.152127.beyerm88.holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row)
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesopen the text files for tour stories
Taper: Doug Lamarre
2:25:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-04.145469.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:25:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-04.145468.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Ray Ackerman
2:27:11
Taper:
Ray Ackerman
Transferrer:
Ray Ackerman
SHNID:
gd1985-04-04.132860.at-akg.ackerman.flac1644
Taper Notes:
View NotesNote: ID-23848 patches; Jack Straw 0:18 > 0:27, Sailor 0:00 > 0:09, and Drums 6:40 > 6:54. Left cross-faded onto Right partial drop-out: Dire Wolf 3:04 > El Paso 1:02.
Taper: chasingwilma
2:23:03
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-04-04.124813.chasingwilma.flac24
Source:
lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:26:32
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-04-04.118787.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Greg Holtz
2:23:21
Rating:
6.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1985-04-04.nak100.holtz.jaz.95626.flac16
Source:
Nakamichi CM 100's with CP-4 shotguns -> D-5
Lineage:
Master Cassettes (Maxell Metaxial 90) -> Tascam 112 -> RCA to XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Wave Lab 5.0 -> R8brainPro 16bit 44.1kHz -> Traders Little Helper flac 8
Taper Notes:
View NotesCross fades applied between most songs do to tape pauses.
Taper: Joe D'Amico
2:24:42
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-04.nak300.damico.87352.sbeok.flac16
Source:
nak 300 mics > sony d-6 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade
2:28:37
Rating:
9.50 / 5 ratings
Taper:
Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade
Transferrer:
Alex Ford
SHNID:
gd1985-04-04.senn421.mccue.ford.77029.sbeok.flac
Source:
MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s
Lineage:
Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16
Taper Notes:
View NotesNotes: - 2 patches were made to compensate for tape flips using the Oade AUD source (SHNID=23848) on track d1t08 (08:33-09:05) and track d3t03 (06:38-07:23). - There were SBE's and they were fixed and verified with Trader's Little Helper. - Files were encoded @ level 6. - Mark's personal photos from 4/4/85 at the Biltmore Hotel and a CD cover are included with this fileset. - Mark asked each band member separately to play Crazy Fingers. He really bugged Jerry in the hotel elevator on the way to the show. He told them about being shut out of Richmond '83 (last time played) and wanting them to play it. They all said they'd talk to the other band members. And so it was...
Taper: Oade Brothers
2:33:15
Rating:
8.69 / 27 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-04-04.oade-schoeps.sacks.23848.sbeok.flacf
Source:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac