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June 6th
Years
1995
29.8k
PlaybackListensHours
48h1.2k165
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63090
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.4k862
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.5k320
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.5k729
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.9k384
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k156
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.6k291
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85396
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k244
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k183
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k241
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k308
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.9k693
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k187
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k425
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k708
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87973
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.7k588
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k616
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k252
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.3k1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k624
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51562
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12819
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31422
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1985
4/4/85
Alabama Getaway >
5:51
Jack Straw
8:00
Dire Wolf >
3:22
El Paso >
5:22
She Belongs To Me
7:41
My Brother Esau
6:08
Friend Of The Devil
8:58
Lost Sailor >
6:15
Saint Of Circumstance >
7:55
Deal
7:42
Crowd
1:07
I Need A Miracle >
3:36
Crazy Fingers >
8:04
Samson & Delilah
7:58
He's Gone >
9:09
Goin' Down The Road Feeling Bad >
9:35
Drums >
7:15
Space >
5:26
The Wheel >
5:30
Black Peter >
7:44
Around & Around >
3:47
Turn On Your Lovelight
8:56
E: US Blues
5:01
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] March 27, 2021
2:32:37
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 27, 2021
SHNID:
gd1985-04-04.152459.sbd.pcm.miller.flac1644
Source:
SBD > PCM Master (Sony Betamax) > DAT Clone (44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
Source 2 of 22
2:28:45
SBD
Rating:
8.67 / 3 ratings
SHNID:
gd1985-04-04.149449.sbd.miller.clugston.flac16
Taper Notes:
View NotesNotes: - Probably a cassette master with a cassette generation, maybe two. It's possible the sets are from different sources, as the channels needed to be corrected for the 1st set and the pitch changed for the 2nd set - Thanks to Charlie Miller for this upgrade, which he found hidden away on a harddrive - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:08 of "Friend Of The Devil", the set break announcemnet, some crowd and the first few notes of "I Need A Miracle" (0:13 total), as well as "Drums > Space" and the beginning of "The Wheel (11:17 total) - This transcription includes the "US Blues" encore - Pitch corrected Mastered by Scott Clugston April 2020
Transferrer: bzlrbi
2:18:02
SBD
Rating:
9.00 / 3 ratings
Transferrer:
bzlrbi
Lineage:
XLII tapes BX-300 w/o Dolby on playback > Philips standalone CDR > CDWav to split and encode as Flac (level 5).
Taper Notes:
View NotesThis is likely from the same source as the ciruclating soundboards, but without the apparent Dolby Abuse on the others. Discussing it with the friend I got this from, we think it's no more than 4 or 5 generations. Obvious care was exercised in handing this down the line... probably nothing but Maxells and Nakamichi cassette decks were used. It sounds very nice! Except for: ## --there is a very unfortunate cut in She Belongs to Me at 4:06.56, which lasted for 5.48 seconds. It appears that someone forgot to "pop the top" off their cassette, so I suspect it's not present on the master (wherever that might be). --there is some "rolling hiss" at the beginning of Miracle. Chalk this one up to the ravages of time on cassettes. ** --segments of Drums and Space are obviously missing. The right channel is missing for a few seconds at the beginning of Space. There is a cut between Space and the intro to The Wheel. I have made no attempts at patching these. --there is no tuning or crowd noise at end of set 1, beginning of set 2 or before the encore. All the songs are there in full, however. My hope is that this seed will get people to check their cassette collections. Does anyone have a better version of this?
Transferrer: Bill Tetzeli
2:26:39
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1985-04-04.sbd.tetzeli-orig-fix-11704.33816.shnf
Source:
fix of shnid = 11704
Taper Notes:
View Notes----------------------------------------------------------- Okay, here's the damage I (un)did to this source. I patched in the missing space from Doug Oade's excellent recording. In order to match the levels with Drums at the beginning and Wheel at the end, I had to put up with a certain amount of clipping on the drums during the space set - just where the snares are hit really hard. It's worth it, though, first to make the transitions smoother, second to illustrate how an AUD can shine. Doug Oade was obviously not using any limiter, which Amy probably was, at least for her recording - you can instantly tell the difference in clarity. A local soundman friend of mine once told me, "I don't mix for tapes, I mix for the room". Soundboard snobs take heed! I also eliminated a short gap at the end of The Wheel, restoring the seamless transition into Stella Blue. The gap was possibly a TAO artifact. The US Blues encore from the original fileset is probably also from the Oade AUD. Bill Tetzeli ([email protected]) 3/23/2006 -----------------------------------------------------------
Source 5 of 22
2:21:18
SBD
Rating:
6.67 / 9 ratings
SHNID:
gd85-04-04.sbd.willy.11704.sbeok.shnf
Source:
SBD>HiFi Video (Lighting crew)>MC>CDR
Taper Notes:
View NotesSBD>HiFi Video (Lighting crew)>MC>CDR; Missing Space (tape flip); via Tommy Danscuk; Seeded to etree by Willy
Taper: Bruce Barnum
1:04:41
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-04-04.151192.nak701s.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 2496
Taper Notes:
View NotesPitch corrected using the Oade PCM. Thanks to Charlie Miller for the C > D transfer. Levels on this recording were extremely low, and tending to wander a bit from left to right. In two places, the left channel dropped almost completely for a second or two, and has been replaced by the right. Ozone maximizer used to bring everything up and even it out a bit. Sounds much better now.
Taper: Bruce Barnum
1:04:41
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-04-04.151191.nak701s.barnum.miller.flac16
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 2496
Taper Notes:
View NotesPitch corrected using the Oade PCM. Thanks to Charlie Miller for the C > D transfer. Levels on this recording were extremely low, and tending to wander a bit from left to right. In two places, the left channel dropped almost completely for a second or two, and has been replaced by the right. Ozone maximizer used to bring everything up and even it out a bit. Sounds much better now.
Taper: Rob Hunt and Ted Mattes
2:30:22
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-04.149316.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:51 patch in "Drums" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Rob Hunt and Ted Mattes
2:30:22
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-04.149315.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:51 patch in "Drums" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Robert Bryant
2:27:53
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master audience cassette source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid77029 Sennheiser 421 source which supplies a 0:36 patch in "Drums" Mastered by Scott Clugston January 29, 2018
Taper: Robert Bryant
2:27:53
Rating:
10.00 / 1 rating
Taper:
Robert Bryant
Transferrer:
Scott Clugston and Charlie Miller
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master audience cassette source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid77029 Sennheiser 421 source which supplies a 0:36 patch in "Drums" Mastered by Scott Clugston January 29, 2018
Taper: Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:25:36
Taper:
Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-04.152128.beyerm88.holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row)
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesopen the text files for tour stories
Taper: Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:25:36
Taper:
Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-04.152127.beyerm88.holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row)
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesopen the text files for tour stories
Taper: Doug Lamarre
2:25:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-04.145469.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:25:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-04.145468.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Ray Ackerman
2:27:11
Taper:
Ray Ackerman
Transferrer:
Ray Ackerman
SHNID:
gd1985-04-04.132860.at-akg.ackerman.flac1644
Taper Notes:
View NotesNote: ID-23848 patches; Jack Straw 0:18 > 0:27, Sailor 0:00 > 0:09, and Drums 6:40 > 6:54. Left cross-faded onto Right partial drop-out: Dire Wolf 3:04 > El Paso 1:02.
Taper: chasingwilma
2:23:03
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-04-04.124813.chasingwilma.flac24
Source:
lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:26:32
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-04-04.118787.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Greg Holtz
2:23:21
Rating:
6.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1985-04-04.nak100.holtz.jaz.95626.flac16
Source:
Nakamichi CM 100's with CP-4 shotguns -> D-5
Lineage:
Master Cassettes (Maxell Metaxial 90) -> Tascam 112 -> RCA to XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Wave Lab 5.0 -> R8brainPro 16bit 44.1kHz -> Traders Little Helper flac 8
Taper Notes:
View NotesCross fades applied between most songs do to tape pauses.
Taper: Joe D'Amico
2:24:42
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-04.nak300.damico.87352.sbeok.flac16
Source:
nak 300 mics > sony d-6 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade
2:28:37
Rating:
9.50 / 5 ratings
Taper:
Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade
Transferrer:
Alex Ford
SHNID:
gd1985-04-04.senn421.mccue.ford.77029.sbeok.flac
Source:
MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s
Lineage:
Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16
Taper Notes:
View NotesNotes: - 2 patches were made to compensate for tape flips using the Oade AUD source (SHNID=23848) on track d1t08 (08:33-09:05) and track d3t03 (06:38-07:23). - There were SBE's and they were fixed and verified with Trader's Little Helper. - Files were encoded @ level 6. - Mark's personal photos from 4/4/85 at the Biltmore Hotel and a CD cover are included with this fileset. - Mark asked each band member separately to play Crazy Fingers. He really bugged Jerry in the hotel elevator on the way to the show. He told them about being shut out of Richmond '83 (last time played) and wanting them to play it. They all said they'd talk to the other band members. And so it was...
Taper: Oade Brothers
2:33:15
Rating:
8.69 / 27 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-04-04.oade-schoeps.sacks.23848.sbeok.flacf
Source:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac