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Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1974
10/18/74
Intro > Around & Around
5:40
Sugaree
9:57
Mexicali Blues
3:21
Peggy O
7:36
Beat It On Down The Line
3:42
Brown Eyed Women
4:52
Cumberland Blues
6:24
El Paso
4:30
Tennessee Jed
8:46
Jack Straw
5:56
Row Jimmy
9:43
Weather Report Suite Prelude > Part 1 > Let It Grow
16:10
Seastones (Phil & Ned) >
19:46
Space > Jam >
19:03
Dark Star >
24:10
Morning Dew
13:44
Crowd/Tuning
0:47
Promised Land >
3:06
Bertha >
5:20
Greatest Story Ever Told
5:35
Ship Of Fools
7:07
Not Fade Away >
8:51
Goin' Down The Road Feeling Bad >
7:42
One More Saturday Night
4:45
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:41:11
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.110771.flac16
Source:
Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Dat (44.1k) Set 3: SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC
Taper Notes:
View NotesNotes: -- Tracked by set, not by disc -- This transfer is much better than the previous transfer -- The first 2:14 of the show is patched from an audience recording -- The first 18 minutes of Set 2 is patched from the Set 1 SBD source -- 2 seconds of diginoise in Seastones (19:23 - 19:25) -- Set 1 was pitch corrected with Adobe Audition v3.0 -- The patch in the beginning of Seastones was also pitch corrected -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:20:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.miller.34950.shnf
Source:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat D
Lineage:
Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN
Taper Notes:
View NotesNotes: --Beer Barrel Polka after Sugaree
Transferrer: Charlie Miller
3:38:16
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd74-10-18.sbd.miller.21785.sbeok.shnf
Source:
Soundboard
Lineage:
Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
Taper Notes:
View NotesSet I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
Taper: DAT from David Hollister
3:20:24
SBD
Taper:
DAT from David Hollister
Transferrer:
Charlie Miller
SHNID:
gd1974-10-18.sbd.hollister-miller.21213.shnf
Source:
SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN
Transferrer: Jamie Waddell and Matt Smith
3:27:23
SBD
Rating:
9.78 / 10 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1974-10-18.111459.gems.BOSWELL-SMITH.flac24
Source:
Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
Taper Notes:
View NotesI really don't know the exact lineage but they were drawn from the multitracks. All I know is these were dubs from Jerry's own reels back in early 1979. They were probably "work tapes" for the film soundtrack. I'm convinced these have not seen the light of day until now. Reason being at the time(late 70's) the circulating sources for this run of shows was drawn from cassettes via Rob Bertrando so when Will Boswell dubbed these everyone already had them in pretty good quality and keep in mind this was before tape trading was organized to the point that one could "pick and choose" the way it is now. Besides, Wilson was starting up a family during that period so as every father knows, things have to take a back seat for a period of time in order to raise kids so they sat in his workshop until I borrowed them around 2007 . If you want a version that "puts you there", these are it as the reel sources for this run of shows are incredibly clean with nice bottom and fairly rich highs esp. the 24/96 version.. Just hear the "warm" tone of Jerry's guitar during 'Morning Dew' and you'll soon realize how nice these really are!! - Matt Smith December 31, 2010
Source 6 of 12
3:38:17
SBD
Rating:
9.54 / 13 ratings
SHNID:
gd74-10-18.sbd.bertha-ashley.22796.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> MDAT (44.1k)> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesBertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
Source 7 of 12
2:00:58
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd74-10-18.sbd.romanski.5436.sbeok.shnf
Source:
Soundboard
Lineage:
SBD MR > PCM > DAT> CDR
Taper Notes:
View Notesset 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- <a href="http://www.gratefuldead.com" rel="ugc nofollow">go buy it</a>; see public commnets for flaw note on d2t5
Transferrer: via A. Fink, R. Nayfield, M. Ferguson
2:00:58
SBD
Rating:
9.43 / 7 ratings
Transferrer:
via A. Fink, R. Nayfield, M. Ferguson
SHNID:
gd1974-10-18.sbd.fink-nayfield-ferguson.225.shnf
Source:
Soundboard
Lineage:
MR > PCM > DAT 44.1kHz > CD
Taper: Louis Falanga
3:26:33
Rating:
10.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176647.sony.ecm250.falanga.menke.miller.clugston.flac2496
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: Louis Falanga
3:26:33
Taper:
Louis Falanga
Transferrer:
Bob Menke, Charlie Miller, Scott Clugston
SHNID:
gd1974-10-18.176646.sony.ecm250.falanga.menke.miller.clugston.flac1648
Source:
Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Louis Falanga (RIP) for the master cassette recording - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the soundboard source which supplies the first 1:18 of "Seastones", as well as an 0:11 patch in "Dark Star" - "Beer Barrel Polka" tuning after "Sugaree" - Ned Lagin on electric piano and synthesizer for "Seastones" - Missing "US Blues" encore - Pitch corrected - First audience source in general circulation (4/2025) Mastered by Scott Clugston April 2025
Taper: BEAR
2:33:40
Rating:
9.33 / 9 ratings
Taper:
BEAR
Transferrer:
Jamie Waddell and Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110558.flac24
Source:
RECORDING AND MIX BY BEAR Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010
Taper: BEAR
2:33:51
Rating:
8.57 / 8 ratings
Taper:
BEAR
Transferrer:
Jim Blackwood
SHNID:
gd1974-10-18.BEAR.gems.110515.flac16
Source:
RECORDING AND MIX BY BEAR. Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
Taper Notes:
View Notes- Missing Some Stuff...we chose to patch nothing. - Sound quality is very good, exactly as the tape sounds - Cumberland Blues starts in wierd, as is from tape - NFA starts in muffled for about 10 seconds a **Project GEMS** Original Art by GYRO www.shnflac.net October 2010