Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:52:25
SBD
Rating:
9.23 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-07-31.sbd.miller.32353.sbeok.flac16
Source:
SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD D
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Transferrer: Kevin Tobin
3:59:00
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-07-31.dts.tobin.121838.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin
Taper Notes:
View NotesAudience Source: (shnid = 115499) source: aud 1st gen reel Alan Bershaw's copy master taped by Jim Anderson lineage: aud>binaural mics*on dummy head>sony tc-152 cassette master> playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips> cdr>eac>flac reel transfer by Alan Bershaw seed by Rob Berger 2011-08-03 Soundboard Source: (shnid = 32353) Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller [email protected] February 9, 2006 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-APR-2012 --------------------------------------------------------- Audio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. ----------------------------------------------------------- Front Left Channel -0db SBD Right Channel -0db SBD Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
3:59:14
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1974-07-31.121836.matrix.tobin.flac16
Source:
1 SBD + 1 AUD Matrix 2 Source Mix(40%-SBD/60%-AUD)
Taper Notes:
View NotesAudio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. Brokedown House Production
Transferrer: Phil Matera** [email protected]
3:50:39
SBD
Transferrer:
Phil Matera** [email protected]
SHNID:
gd1974-07-31.sbd.matera.112951.flac16
Source:
The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000
Taper Notes:
View NotesKnown Anomalies: 1. Beginning of Scarlet is clipped -- slight bit of diginoise too 2. Reel flip in the middle of Row Jimmy 3. Warble/ Mixing problems in Jack Straw 4 Cut in the beginning of WRS Prelude
Source 5 of 9
3:52:55
SBD
Rating:
9.28 / 25 ratings
SHNID:
gd74-07-31.sbd.ziggy.1019.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR> DATx> CD> DAT> CD> EAC> SHN
Taper Notes:
View NotesSBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies
Taper: Jim & Laurie Cooper
4:02:57
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136162.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim & Laurie Cooper
4:02:56
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136161.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim Anderson
3:58:15
Rating:
9.00 / 6 ratings
Taper:
Jim Anderson
Transferrer:
Rob Berger;Alan Bershaw
SHNID:
gd1974-07-31.115499.aud-anderson.bershaw-berger.flac16
Source:
source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
Taper Notes:
View Notesnotes: *You will want to check out this recording with headphones to really appreciate it's unique way of capturing the wall of sound. For this reason please do not eq or otherwise remaster this tape. Please refrain from use in matrix projects. Do not listen to while operating heavy machinery. May cause excitability in older Dead Heads.
Taper: Bill Degen
3:09:41
Rating:
8.43 / 17 ratings
Taper:
Bill Degen
SHNID:
gd74-07-31.degen.weiner.gdADT.7363.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMC > 7in Reel > DAT > WAV > SHN
Taper Notes:
View NotesAudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner