Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h815113
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h61086
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.4k581
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k351
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.4k1.1k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.6k347
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k363
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k146
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k254
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h88698
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k210
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1k137
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k191
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k218
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k295
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.7k621
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.2k296
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h16.4k2.3k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.7k518
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h81175
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.4k558
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k599
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k226
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k960
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k377
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41650
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10915
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22417
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h503
7d1066
30d56034
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:52:25
SBD
Rating:
9.23 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-07-31.sbd.miller.32353.sbeok.flac16
Source:
SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD D
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Transferrer: Kevin Tobin
3:59:00
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-07-31.dts.tobin.121838.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin
Taper Notes:
View NotesAudience Source: (shnid = 115499) source: aud 1st gen reel Alan Bershaw's copy master taped by Jim Anderson lineage: aud>binaural mics*on dummy head>sony tc-152 cassette master> playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips> cdr>eac>flac reel transfer by Alan Bershaw seed by Rob Berger 2011-08-03 Soundboard Source: (shnid = 32353) Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller [email protected] February 9, 2006 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-APR-2012 --------------------------------------------------------- Audio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. ----------------------------------------------------------- Front Left Channel -0db SBD Right Channel -0db SBD Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
3:59:14
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1974-07-31.121836.matrix.tobin.flac16
Source:
1 SBD + 1 AUD Matrix 2 Source Mix(40%-SBD/60%-AUD)
Taper Notes:
View NotesAudio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. Brokedown House Production
Transferrer: Phil Matera** [email protected]
3:50:39
SBD
Transferrer:
Phil Matera** [email protected]
SHNID:
gd1974-07-31.sbd.matera.112951.flac16
Source:
The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000
Taper Notes:
View NotesKnown Anomalies: 1. Beginning of Scarlet is clipped -- slight bit of diginoise too 2. Reel flip in the middle of Row Jimmy 3. Warble/ Mixing problems in Jack Straw 4 Cut in the beginning of WRS Prelude
Source 5 of 9
3:52:55
SBD
Rating:
9.28 / 25 ratings
SHNID:
gd74-07-31.sbd.ziggy.1019.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR> DATx> CD> DAT> CD> EAC> SHN
Taper Notes:
View NotesSBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies
Taper: Jim & Laurie Cooper
4:02:57
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136162.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim & Laurie Cooper
4:02:56
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136161.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim Anderson
3:58:15
Rating:
9.00 / 6 ratings
Taper:
Jim Anderson
Transferrer:
Rob Berger;Alan Bershaw
SHNID:
gd1974-07-31.115499.aud-anderson.bershaw-berger.flac16
Source:
source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
Taper Notes:
View Notesnotes: *You will want to check out this recording with headphones to really appreciate it's unique way of capturing the wall of sound. For this reason please do not eq or otherwise remaster this tape. Please refrain from use in matrix projects. Do not listen to while operating heavy machinery. May cause excitability in older Dead Heads.
Taper: Bill Degen
3:09:41
Rating:
8.43 / 17 ratings
Taper:
Bill Degen
SHNID:
gd74-07-31.degen.weiner.gdADT.7363.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMC > 7in Reel > DAT > WAV > SHN
Taper Notes:
View NotesAudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner