Bands
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Bands
Grateful Dead
Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h65188
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k226
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k401
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k303
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k468
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.5k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k306
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k142
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k204
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h75283
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k362
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k146
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k178
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.7k536
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k237
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k257
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.7k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k924
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h42945
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.1k942
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k813
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k306
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k213
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k278
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h946128
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29117
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:52:25
SBD
Rating:
9.23 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-07-31.sbd.miller.32353.sbeok.flac16
Source:
SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD D
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Transferrer: Kevin Tobin
3:59:00
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-07-31.dts.tobin.121838.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin
Taper Notes:
View NotesAudience Source: (shnid = 115499) source: aud 1st gen reel Alan Bershaw's copy master taped by Jim Anderson lineage: aud>binaural mics*on dummy head>sony tc-152 cassette master> playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips> cdr>eac>flac reel transfer by Alan Bershaw seed by Rob Berger 2011-08-03 Soundboard Source: (shnid = 32353) Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller [email protected] February 9, 2006 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-APR-2012 --------------------------------------------------------- Audio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. ----------------------------------------------------------- Front Left Channel -0db SBD Right Channel -0db SBD Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
3:59:14
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1974-07-31.121836.matrix.tobin.flac16
Source:
1 SBD + 1 AUD Matrix 2 Source Mix(40%-SBD/60%-AUD)
Taper Notes:
View NotesAudio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. Brokedown House Production
Transferrer: Phil Matera** [email protected]
3:50:39
SBD
Transferrer:
Phil Matera** [email protected]
SHNID:
gd1974-07-31.sbd.matera.112951.flac16
Source:
The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000
Taper Notes:
View NotesKnown Anomalies: 1. Beginning of Scarlet is clipped -- slight bit of diginoise too 2. Reel flip in the middle of Row Jimmy 3. Warble/ Mixing problems in Jack Straw 4 Cut in the beginning of WRS Prelude
Source 5 of 9
3:52:55
SBD
Rating:
9.28 / 25 ratings
SHNID:
gd74-07-31.sbd.ziggy.1019.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR> DATx> CD> DAT> CD> EAC> SHN
Taper Notes:
View NotesSBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies
Taper: Jim & Laurie Cooper
4:02:57
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136162.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim & Laurie Cooper
4:02:56
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136161.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim Anderson
3:58:15
Rating:
9.00 / 6 ratings
Taper:
Jim Anderson
Transferrer:
Rob Berger;Alan Bershaw
SHNID:
gd1974-07-31.115499.aud-anderson.bershaw-berger.flac16
Source:
source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
Taper Notes:
View Notesnotes: *You will want to check out this recording with headphones to really appreciate it's unique way of capturing the wall of sound. For this reason please do not eq or otherwise remaster this tape. Please refrain from use in matrix projects. Do not listen to while operating heavy machinery. May cause excitability in older Dead Heads.
Taper: Bill Degen
3:09:41
Rating:
8.43 / 17 ratings
Taper:
Bill Degen
SHNID:
gd74-07-31.degen.weiner.gdADT.7363.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMC > 7in Reel > DAT > WAV > SHN
Taper Notes:
View NotesAudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner