Bands
Featured
Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h49568
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.4k396
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k313
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k314
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k385
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k394
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k363
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k164
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k975
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h957109
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3k350
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.9k572
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k160
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k191
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k230
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.4k981
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k197
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k242
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.1k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h48850
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.7k470
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k650
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k381
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.6k172
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k215
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k277
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h832102
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12318
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21216
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h382
7d1128
30d63237
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:52:25
SBD
Rating:
9.23 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-07-31.sbd.miller.32353.sbeok.flac16
Source:
SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD D
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Transferrer: Kevin Tobin
3:59:00
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-07-31.dts.tobin.121838.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin
Taper Notes:
View NotesAudience Source: (shnid = 115499) source: aud 1st gen reel Alan Bershaw's copy master taped by Jim Anderson lineage: aud>binaural mics*on dummy head>sony tc-152 cassette master> playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips> cdr>eac>flac reel transfer by Alan Bershaw seed by Rob Berger 2011-08-03 Soundboard Source: (shnid = 32353) Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller [email protected] February 9, 2006 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-APR-2012 --------------------------------------------------------- Audio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. ----------------------------------------------------------- Front Left Channel -0db SBD Right Channel -0db SBD Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
3:59:14
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1974-07-31.121836.matrix.tobin.flac16
Source:
1 SBD + 1 AUD Matrix 2 Source Mix(40%-SBD/60%-AUD)
Taper Notes:
View NotesAudio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. Brokedown House Production
Transferrer: Phil Matera** [email protected]
3:50:39
SBD
Transferrer:
Phil Matera** [email protected]
SHNID:
gd1974-07-31.sbd.matera.112951.flac16
Source:
The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000
Taper Notes:
View NotesKnown Anomalies: 1. Beginning of Scarlet is clipped -- slight bit of diginoise too 2. Reel flip in the middle of Row Jimmy 3. Warble/ Mixing problems in Jack Straw 4 Cut in the beginning of WRS Prelude
Source 5 of 9
3:52:55
SBD
Rating:
9.28 / 25 ratings
SHNID:
gd74-07-31.sbd.ziggy.1019.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR> DATx> CD> DAT> CD> EAC> SHN
Taper Notes:
View NotesSBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies
Taper: Jim & Laurie Cooper
4:02:57
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136162.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim & Laurie Cooper
4:02:56
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136161.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim Anderson
3:58:15
Rating:
9.00 / 6 ratings
Taper:
Jim Anderson
Transferrer:
Rob Berger;Alan Bershaw
SHNID:
gd1974-07-31.115499.aud-anderson.bershaw-berger.flac16
Source:
source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
Taper Notes:
View Notesnotes: *You will want to check out this recording with headphones to really appreciate it's unique way of capturing the wall of sound. For this reason please do not eq or otherwise remaster this tape. Please refrain from use in matrix projects. Do not listen to while operating heavy machinery. May cause excitability in older Dead Heads.
Taper: Bill Degen
3:09:41
Rating:
8.43 / 17 ratings
Taper:
Bill Degen
SHNID:
gd74-07-31.degen.weiner.gdADT.7363.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMC > 7in Reel > DAT > WAV > SHN
Taper Notes:
View NotesAudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner