Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1974
Sources
Transferrer: Charlie Miller
3:52:25
SBD
Rating:
9.23 / 40 ratings
Transferrer:
Charlie Miller
SHNID:
gd1974-07-31.sbd.miller.32353.sbeok.flac16
Source:
SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD D
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Transferrer: Kevin Tobin
3:59:00
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1974-07-31.dts.tobin.121838.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin
Taper Notes:
View NotesAudience Source: (shnid = 115499) source: aud 1st gen reel Alan Bershaw's copy master taped by Jim Anderson lineage: aud>binaural mics*on dummy head>sony tc-152 cassette master> playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips> cdr>eac>flac reel transfer by Alan Bershaw seed by Rob Berger 2011-08-03 Soundboard Source: (shnid = 32353) Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller [email protected] February 9, 2006 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-APR-2012 --------------------------------------------------------- Audio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. ----------------------------------------------------------- Front Left Channel -0db SBD Right Channel -0db SBD Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
3:59:14
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1974-07-31.121836.matrix.tobin.flac16
Source:
1 SBD + 1 AUD Matrix 2 Source Mix(40%-SBD/60%-AUD)
Taper Notes:
View NotesAudio Patches: 1) Between Scarlet Begonias and Me And My Uncle, 17.969 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Me And My Uncle. 2) Between It Must Have Been The Roses and Mexicali Blues, 25.101 seconds were missing from the Audience source and was filled in with audio from the Soundboard source. This included first notes of Mexicali Blues. 3) Matrix\DTS were synced using the Audience as a reference. The sbd was running slightly slow for disk 1, slower for disk 2, changing to slightly faster for disk 3 and then faster for disk 4. Brokedown House Production
Transferrer: Phil Matera** [email protected]
3:50:39
SBD
Transferrer:
Phil Matera** [email protected]
SHNID:
gd1974-07-31.sbd.matera.112951.flac16
Source:
The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000
Taper Notes:
View NotesKnown Anomalies: 1. Beginning of Scarlet is clipped -- slight bit of diginoise too 2. Reel flip in the middle of Row Jimmy 3. Warble/ Mixing problems in Jack Straw 4 Cut in the beginning of WRS Prelude
Source 5 of 9
3:52:55
SBD
Rating:
9.28 / 25 ratings
SHNID:
gd74-07-31.sbd.ziggy.1019.sbeok.shnf
Source:
Soundboard
Lineage:
SBDMR> DATx> CD> DAT> CD> EAC> SHN
Taper Notes:
View NotesSBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies
Taper: Jim & Laurie Cooper
4:02:57
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136162.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim & Laurie Cooper
4:02:56
Rating:
10.00 / 1 rating
Taper:
Jim & Laurie Cooper
Transferrer:
Rob Berger
SHNID:
gd1974-07-31.136161.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes: some wind noise in 1st set, but a great in your face fob when it counts. really good job taping a fine wall o’ sound show.
Taper: Jim Anderson
3:58:15
Rating:
9.00 / 6 ratings
Taper:
Jim Anderson
Transferrer:
Rob Berger;Alan Bershaw
SHNID:
gd1974-07-31.115499.aud-anderson.bershaw-berger.flac16
Source:
source: aud 1st gen reel; master taped by Jim Anderson;
Lineage:
aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
Taper Notes:
View Notesnotes: *You will want to check out this recording with headphones to really appreciate it's unique way of capturing the wall of sound. For this reason please do not eq or otherwise remaster this tape. Please refrain from use in matrix projects. Do not listen to while operating heavy machinery. May cause excitability in older Dead Heads.
Taper: Bill Degen
3:09:41
Rating:
8.43 / 17 ratings
Taper:
Bill Degen
SHNID:
gd74-07-31.degen.weiner.gdADT.7363.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMC > 7in Reel > DAT > WAV > SHN
Taper Notes:
View NotesAudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner