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Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h55375
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h995133
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k439
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.7k490
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6k751
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.6k594
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k345
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1k122
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.6k403
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h977109
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.5k416
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k171
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k149
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k246
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.8k453
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k218
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.5k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.4k2.7k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22324
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.5k468
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h7.2k1k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.2k278
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k170
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k169
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42955
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11515
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41427
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1368
30d63237
2 shows
2 tapes
1991
12/30/91
Tuning
3:01
Touch Of Grey
7:09
Wang Dang Doodle
9:11
Row Jimmy
11:32
Big River ->
5:24
Maggie's Farm
8:00
Ramble On Rose
10:22
Just Like Tom Thumb's Blues
5:26
Bird Song ->
13:15
The Promised Land
4:56
Tuning
2:08
China Cat Sunflower ->
6:32
I Know You Rider
6:13
Samson And Delilah
7:41
Ship Of Fools
8:09
Saint Of Circumstance ->
7:23
Dear Prudence Jam ->
3:39
Drums ->
20:37
Space ->
10:25
The Last Time ->
7:22
Stella Blue ->
9:49
Turn On Your Lovelight
7:11
Crowd/Tuning
4:10
The Weight
6:07
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:56:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 10, 2020
SHNID:
gd1991-12-30.151629.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA cuts out for 6 seconds during Drums -- Dear Prudence Jam and Drums with Airto Moreira on drums and vocals -- Multiple masters were used to make this show complete -- 150859 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:56:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 10, 2020
SHNID:
gd1991-12-30.150859.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA cuts out for 6 seconds during Drums -- Dear Prudence Jam and Drums with Airto Moreira on drums and vocals -- Multiple masters were used to make this show complete
Transferrer: Kevin Tobin
2:57:53
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135054.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> 5.1 LPCM Surround Sound (48k) - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound Mix 5.1 LPCM (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:57:54
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135052.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -1db Right Channel SBD -1db Center Mixed to mono -1db SBD Surround Left Channel -0db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:57:54
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1991-12-30.135051.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(53%-SBD/47%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-JAN-2016 - Trader Little Helper - Tagged 18-JAN-2016 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD 0 SET TWO Stereo Matrix SBD -1 AUD 0 --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
3:05:42
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-12-30.sbd.miller.32574.sbeok.flac16
Source:
SBD (Ultra-Matrix) -> Master Dat (44.1k) D
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus ->
Taper Notes:
View NotesNotes: -- Seamless transition between Discs 2 and 3. -- d3t02 & d3t03 With Airto Moreira on Drums and Vocals.
Taper: Tim Dalton
3:03:07
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-12-30.148758.FOB.Schoeps.Dalton-Miller-Noel.t-flac1648
Source:
(FOB) Schoeps MK-4 > Oade Custom Pre Amp > Sony D3 > Master DAT (see notes)
Lineage:
DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesMaster Digital Audience Recording by Tim Dalton Transfer by Charlie Miller Edited & Mastered w/ Adobe Audition by Joe Noel January 12, 2020 Notes: - Thanks to Tim for sharing his DAT - Thanks to Charlie for his work on the transfer. - No recording info was provided with this DAT. - Best guess is its Schoeps. It sounds identical to Tim's 12/28 recording. * w/ Airto Moreira
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
3:04:34
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered by Joe Noel April 30, 2020
SHNID:
gd1991-12-30.150304.FOB.DFC.BK4011.Buick.Noel.t-flac1648
Source:
B&K4011 (@110-ORTF) > MIT shotgun XLR > TAO/Oadie PS > MIT shotgun XLR > Panasonic SV255 > Master DAT (BüStand)
Lineage:
Transfer: Master DAT > Peter Oshman's Panasonic SV3800 > S/PDIF(16bit 48kHz) > Edirol R4 > WAV48/16; (Set 1-tape 1 transfer: 2019-07-14; Set 2-tape 2 transfer: 2019-06-11)
Taper Notes:
View NotesProduction Notes by Marcus Buick (2019-04-29) Night 3 of 4. My 1st show was 12-30-1985, so technically, this was my sixth Deadversary! The 30th fell on a Monday night, and recovering from the weekend was occurring for some, while others were just getting ready to ramp it up for New Year’s! Any four-day run of shows in the Bay Area took a certain stamina, but New Year’s shows always took that little je ‘ne sais quoi! Priority tickets (and the people who wait in line to get them) are required for getting ‘the spot’; most who que in line for these rarities are gunning for the rail but the most ardent tapers know that to get FOB DFC, priority tickets are an essential part of the equation. In addition to securing ‘the spot’ the recordist’s support crew are equally vital; That barrier between the mics and the unknowing public, for who taping is usually a non-consideration more than a nuisance, is a primary concern for capturing the accuracy of the music with absolute minimal distraction. Balloon pops, claps, yammerings-on, and laughing are the sounds to minimize, which only a support crew can do, once mics have been hoisted. The reason I point this out is even though I am a recordist of this event I was, in no way, alone. The amount of people that had a hand in making this recording is easily a dozen (if not two). I won’t name everyone here; They know who they are! The main reason I got into taping the Dead was for the sonics; The accuracy of a Meyer Sound PA (in Quad) on a good night cannot be beat. I believe the Drums & amp; Space performance this evening reaches a level of dynamics uncommon in most human experiences; This recording demonstrates acoustics that can test high performance reproduction systems as well as bodily organs due to bone conduction! The performance is strong, there are no technical issues, and this is a fine capture of this event! Additional Notes: - Thanks to Marcus Buick for sharing his Master DAT - Thanks to John Ammons for coordinating these efforts - Thanks to Pete Oshman for the use of the SV3800 * w/ Airto Moreira (drums & vocals)
Taper: Marcus Buick and James Young
3:03:35
Rating:
9.00 / 2 ratings
Taper:
Marcus Buick and James Young
Transferrer:
Jamie Waddell
SHNID:
gd1991-12-30.fob.bk4011.buick-young.gems.105000.flac16
Source:
B&K4011s > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
Source 10 of 10
3:04:15
Rating:
4.33 / 6 ratings
SHNID:
gd91-12-30.b_ks.georges.6812.sbeok.shnf
Source:
FOB/DFChand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified)DAT master > 1 clone played back through an Edirol UA-5,hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHNseekable SHN files encoded w/Mkw-act.
Taper Notes:
View NotesFOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act.