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1991
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June 16th
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1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1991
9/26/91
extended tuning
7:13
Jack Straw
5:49
Cold Rain And Snow
9:24
Wang Dang Doodle
9:44
Candyman
10:20
Mexicali Blues >
13:48
Cumberland Blues
6:42
Picasso Moon
5:10
Box Of Rain
0:50
tuning
15:27
preamble > Dark Star >
6:47
Saint Of Circumstance >
12:33
Eyes Of The World >
12:18
Drums >
8:10
Space >
7:27
The Other One >
6:27
Dark Star
5:46
Attics Of My Life >
6:34
Good Lovin'
2:14
encore break~~
5:15
Brokedown Palace >
3:27
And We Bid You Good Night
0:26
FIN
View on archive.org
Sources
Taper: PO and Stucco TINA Holmes
2:35:14
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-09-26.138152.dsbd.GEMS.flac16
Source:
DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
Taper Notes:
View Notesa project **GEMS** Beta-DATmania Release April 20, 2017 Band: Jerry Garcia Bob Weir Phil Lesh Bill Kreutzmann Mickey Hart Vince Welnick Bruce Hornsby Sound: Dan Healy originally shared at www.shnflac.net
Transferrer: Hunter Seamons
2:41:48
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1991-09-26.mtx.seamons.95247.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] July 22, 2006 Notes: -- Last 2 seconds of Cumberland supplied by Jeff Fishman's source -- Most of d2t01 supplied by Jeff Fishman's source ---------------------------------------------------- AUD: Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to Keith Litzenberger for recording the show and providing the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) October 11, 2008 Notes: 1) SBD source was about 1.5% fast. 2) Cut in the SBD between Cumberland and Moon, before encores, and for the first two minutes of the recording. Brief cut in the SBD near the end of Saint. Sizable Cuts in SBD and AUD during Space - these cuts did not overlap, so the whole song is now present. Brief dropout in the AUD mid Attics. 3) Because of just plain weirdness in the Tuning track of the SBD in set 2, which was mostly the Fishman patch, I opted to only have the AUD play. 4) I noticed some faint clicks/static in the SBD here and there.
Taper: Mr. Currier
2:37:46
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-26.AKG451.Currier.Keo.124759.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!This is Mr. Currier's last recorded and seen GD show, what an awesome show to be at for his last one! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: jb
2:37:21
Taper:
jb
Transferrer:
Keo
SHNID:
gd1991-09-26.Nak300CP4.JB.Keo.121759.Flac1644
Source:
Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to JB for recording and giving me the OK to share any of his sources we can find which were gave and scattered amongst our friends! Plenty of sources circulate for this date but a new Nak300/CP4 source on metal tapes were begging to be transferred and shared.Some higher recording levels present after the space in "The Other One",but still an excellent recording and share from JB's Masters! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: jb
2:37:21
Taper:
jb
Transferrer:
Keo
SHNID:
gd1991-09-26.Nak300CP4.JB.Keo.121758.Flac2496
Source:
Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to JB for recording and giving me the OK to share any of his sources we can find which were gave and scattered amongst our friends! Plenty of sources circulate for this date but a new Nak300/CP4 source on metal tapes were begging to be transferred and shared.Some higher recording levels present after the space in "The Other One",but still an excellent recording and share from JB's Masters! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Transferrer: Dan Haugh and Jamie Waddell
2:49:04
Rating:
8.86 / 9 ratings
Transferrer:
Dan Haugh and Jamie Waddell
SHNID:
gd1991-09-26.mtx.haugh.101543.flac16
Source:
Matrix of Soundboard (shnid 95534) and Front of Board Audience (shnid 101443)
Taper Notes:
View NotesMatrix Notes: This Matrix Recording is a mix of the soundboard source at 60 % and the audience source at 40%. Mix down was -2 dB on the SBD and -7 dB on AUD. The audience source used was the master 16bit/48kHz file that supplied shnid 101443. The SBD source was Sample Rate Converted for the synch work as the original transfers were no longer available. All mixing after a bit rate conversion to 24bit/48kHz by Amdig ([email protected]) - Set One "Crowd & Tuning" First 2:19 is AUD source only. Completed the transition with crossfade to the SBD. - "Cumberland Blues" Missing 1:34 of crowd (tape flip) after song. Patched with AUD and crossfaded the transitions to the SBD. - Set Two "Crowd & Tuning" First 1:34 is AUD source only. Completed the transition with crossfade to the SBD. - "St. Of Circumstance" A subsecond dropout .917 was missing from SBD. Patched with AUD and crossfaded the transitions to the SBD. - "Space" Missing 26.156 from SBD (tape flip). Patched with AUD and crossfaded the transitions to the SBD. - "Good Lovin'" from SBD Missing 44.451 of crowd after song. Patched with AUD and crossfaded the transitions to the SBD. Editing and Mastering on FOB and Final Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT - 44.1kHz SRC and POWR-3 Dither Encoding in TradersLilHelper FLAC Level 8 SBE Free Meta-Data Tagging with Tag & Rename by Jamie Waddell
Taper: James Young and Clay Brennecke
2:42:07
Rating:
8.00 / 1 rating
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-26.fob.bk4011.brennecke-young.gems.101443.flac16
Source:
Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.