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June 7th
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1991
9/25/91
crowd - tuning
2:09
Help On The Way ->
3:52
Slipknot! ->
5:25
Franklin's Tower ->
10:45
Walkin' Blues
7:51
It Must Have Been The Roses ->
5:45
Dire Wolf
3:59
Queen Jane Approximately
7:38
Tennessee Jed ->
7:49
The Music Never Stopped
9:07
crowd - tuning
1:01
Victim or The Crime ->
9:08
Crazy Fingers ->
9:41
Playing in The Band ->
9:25
Terrapin Station ->
18:19
Drums ->
10:07
Space ->
8:55
That Would Be Something ->
3:52
Playing in The Band reprise ->
5:24
China Doll ->
5:43
Throwing Stones ->
8:59
Not Fade Away
7:28
NFA chant
3:07
The Mighty Quinn (Quinn The Eskimo)
5:26
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:45:14
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 25, 2020
SHNID:
gd1991-09-25.149681.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:14
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 25, 2020
SHNID:
gd1991-09-25.149672.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Taper: PO and Stucco TINA Holmes
2:47:10
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-09-25.138151.dsbd.GEMS.flac16
Source:
DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
Taper Notes:
View Notesa project **GEMS** Beta-DATmania Release April 20, 2017 Band: Jerry Garcia Bob Weir Phil Lesh Bill Kreutzmann Mickey Hart Vince Welnick Bruce Hornsby Sound: Dan Healy originally shared at www.shnflac.net
Taper: Dan Rogosa
2:49:33
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-25.156464.sennME88.ragosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan Rogosa for providing his recording. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2022
Taper: Tim Dalton
2:50:55
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-09-25.148726.Neumann.Dalton-Miller-Noel.t-flac1648
Source:
Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT
Lineage:
Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesMaster Digital Audience recording by Tim Dalton Transfer by Charlie Miller Edited & Mastered w/ Adobe Audition by Joe Noel January 06, 2020 Notes: - Thanks to Tim for sharing his Master DAT's - Thanks to Charlie for his work on the transfer. - Officially released as Dick's Picks 17. - A series of level adjustment in s1t02 have been smoothed over. - The jam after Terrapin is with entire band then without Garcia then with Hornsby and the drummers. - Location not listed, sounds OTS to me - 1st of 16 performances of That Would Be Something
Taper: Dave Boedicker
2:47:54
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1991-09-25.148533.dak.boedicker.flac1644
Source:
Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes(1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section M, Row K,Seat 10.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Dire Wolf"(Beginning Of Next Song "Queen Jane Approximately Faded In(Only 1st Second Or two Missing) 2)Tape Flip During Drums 3)Tape Flip During "Not Fade Away Chant" 5)Short "Mind Left Body Jam" After "Space" Enjoy!!
Taper: Dan Liff
2:45:33
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1991-09-25.139839.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
Taper: James Young and Clay Brennecke
2:49:52
Rating:
9.00 / 2 ratings
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-25.fob.bk4011.brennecke-young.gems.101442.flac
Source:
Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.
Taper: Andrew F
2:49:38
Rating:
10.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-25.schoeps.andrewf.84858.sbeok.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do not downsample and recirculate these files for CDR... - Dropout (0.702 second) in Tennessee Jed at 1:06.384 (mended together). - Soundforge used to make fades, and to mend dropout. - TLH used for FLAC compression and making checksums.
Taper: Andrew F
2:49:39
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-25.aud.andrewf.84857.sbeok.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge
Taper Notes:
View NotesNotes: - Dropout (0.702 second) in Tennessee Jed at 1:06.384 (mended together). - Soundforge used to make fades, and to mend dropout. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.
Source 11 of 11
2:38:26
Rating:
7.86 / 15 ratings
SHNID:
gd91-09-25.nak.dodd.16667.sbeok.shnf
Source:
Nakamichi CM300 + CP4REAR > d-5>cm >cdrTaped and discs kindly provided by Mark HorvathEac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd
Taper Notes:
View NotesNakamichi CM300 + CP4REAR > d-5>cm >cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd