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Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h56777
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k262
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k304
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k194
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h2.9k423
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.8k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.5k312
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k136
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k246
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h82894
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k195
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.6k655
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k156
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k150
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k239
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k298
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k214
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k254
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12k1.6k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h35237
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4.2k555
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k278
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k201
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k203
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k160
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h69387
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8814
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42427
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1991
9/21/91
Hell In A Bucket
7:34
They Love Each Other
9:48
Minglewood Blues
7:58
Peggy O
6:40
Just Like Tom Thumb’s Blues
6:16
Cassidy
7:41
Deal
7:00
Uncle John’s Band
8:22
Saint Of Circumstance
7:20
Eyes Of The World > Hornsby Jam >
16:24
drums >
21:06
space >
8:33
The Other One >
8:02
Wharf Rat >
10:46
One More Saturday Night
5:25
e: It’s All Over Now Baby Blue
7:20
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:29:46
SBD
Rating:
6.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020
SHNID:
gd1991-09-21.150164.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:29:45
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020
SHNID:
gd1991-09-21.149996.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View Notes-- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Taper: PO and Stucco TINA Holmes
2:30:32
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-09-21.138148.dsbd.GEMS.flac16
Source:
DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
Taper Notes:
View Notesa project **GEMS** Beta-DATmania Release April 20, 2017 Band: Jerry Garcia Bob Weir Phil Lesh Bill Kreutzmann Mickey Hart Vince Welnick Bruce Hornsby Sound: Dan Healy originally shared at www.shnflac.net
Transferrer: Matrix by Dave Usborne
2:29:59
SBD
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-09-21.134353.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:000529) SBD->DAT->CDR->EAC->SHN and Audience(shnid:101439)Set 2 Master DAT, Set 1 Clone of Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
Taper Notes:
View NotesMatrix by dusborne 04-27-2015 ------------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2015
Source 5 of 18
2:24:58
SBD
Rating:
8.00 / 14 ratings
SHNID:
gd91-09-21.sbd.mccall.529.sbeok.shnf
Source:
sbd> DAT> CD-R> EAC> SHN (no cass in gen)
Taper Notes:
View Notessbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com
Taper: Dan Rogosa
2:26:10
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-21.172647.me88.rogosa.flac1644
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -19.6 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThe first of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID # 154722) and was used to pitch check this recording and patch Space. Enjoy! --mhg :: 2025-07-20
Taper: Dan Rogosa
2:26:10
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-21.172646.me88.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -19.6 dBFS)) > FLAC 2496
Taper Notes:
View NotesThe first of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID # 154722) and was used to pitch check this recording and patch Space. Enjoy! --mhg :: 2025-07-20
Taper: Dan Rogosa
2:30:59
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-21.154722.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan Rogosa for providing this source. Dan's recordinga are consistently good. Thanks to Charlie Miller for doing the transfer edited and mastered SIRMick December 2021
Taper: Tim Dalton
2:31:28
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-21.149852.Neuman-TLM170.dalton.miller.sirmick.flac1648
Source:
Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton
Lineage:
DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648
Taper Notes:
View Notes Thanks to Tim for sharing his recording. Thanks To Charlie for doing the transfer edited and mastered SIRMick May 2020
Taper: Recording by Dan O'Neill
2:32:27
Taper:
Recording by Dan O'Neill
Transferrer:
Transfer by JC Mahoney Edited & Mastered (Adobe Audition) by Joe Noel January 25, 2021
SHNID:
gd1991-09-21.151923.FOB-Schoeps.Master-DAT.ONeill.Mahoney.Noel.t-flac1648
Source:
Schoeps CMC34 (ORTF) > M1000 cables > Tao Research / Oade supply > Panasonic SV255 (48k) Location: FOB/DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand)
Lineage:
Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16/48
Taper Notes:
View NotesNotes: - New to circulation - Space entertains a 'Shenandoah Lullaby' theme - TOO entertains a 'So What' theme which ends with a hint of 'My Favorite Things'.
Taper: Dan Liff
2:26:15
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1991-09-21.139816.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: daud; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger
Taper: Mr. Currier
2:29:58
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-21.AKG451.Currier.Keo.124450.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Awesome to revisit this show again and remember how much fun was had for this run of shows at the Garden!!!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:29:58
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-21.AKG451.Currier.Keo.124449.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Awesome to revisit this show again and remember how much fun was had for this run of shows at the Garden!!!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Bob Morris and Sam Morris
2:21:35
Taper:
Bob Morris and Sam Morris
Transferrer:
Chuck T.
SHNID:
gd1991-09-21.nak300.morris.crazyfingers.106585.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX-S 90); Recorded from Floor Section BB, Row 31, Seat 14
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: James Young and Clay Brennecke
2:34:13
Rating:
10.00 / 1 rating
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-21.fob.bk4011.brennecke-young.gems.101439.flac16
Source:
Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] --------------------------------------------------------------------------------------------------------- All files have been meta-data tagged appropriately. Please do not manipulate this recording in any way. Please do not dub to analog tape or convert to MP3 (or any other lossy format) and circulate. If you would like to re-seed this torrent in the future, please use the exact files contained in the torrent with no file or ID tag manipulation. This will insure that the FLAC fingerprints, ST5 and MD5 hashes verify, keeping the integrity of the torrent intact.
Taper: John Bleich
2:29:21
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1991-09-21.nak300.bleich.sirmick.94674.sbeok.flac16
Source:
Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S from section V, row K , seat 3
Lineage:
Master Cassette > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac
Taper Notes:
View NotesNotes: - tapeflip at end of d1t05 crossfaded - tapeflip in d3t01 crossfaded - the tape was paused a couple of times during crowd section at end of d3t04 Thanks To John for lending me his masters mastered with iZotope Ozone, downsampled and dithered with iZotope RX Advanced
Taper: Andrew F
2:27:04
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-21.nak300.andrewf.85222.sbeok.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do not downsample and recirculate these files for CDR... - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.
Taper: Andrew F
2:28:53
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-21.nak300.andrewf.85221.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View NotesNotes: - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.