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Today In History
June 8th
Years
1995
29.8k
PlaybackListensHours
48h54672
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k138
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k298
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k267
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.8k812
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.8k722
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.2k134
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k191
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78487
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k163
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h1k130
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k188
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k191
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.8k233
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8.2k877
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k201
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k227
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.9k3.1k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k391
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.9k889
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k483
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k318
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k167
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.6k461
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k383
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h65190
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12517
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h18913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h432
7d845
30d56133
2 shows
2 tapes
1991
9/21/91
tuning
1:42
Hell In a Bucket
7:10
They Love Each Other
9:49
New Minglewood Blues
8:02
Peggy-O
6:37
Just Like Tom Thumb’s Blues
6:17
Cassidy->
7:40
Deal
6:47
tuning
1:50
Uncle John’s Band->
7:54
Saint of Circumstance->
7:15
Eyes of the World->
14:11
Bruce Rocks Out Jam->
2:04
Drums->
11:04
Space->
16:26
The Other One->
10:22
Wharf Rat->
10:46
One More Saturday Night
7:36
It’s All Over Now, Baby Blue
7:00
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:29:46
SBD
Rating:
6.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020
SHNID:
gd1991-09-21.150164.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:29:45
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020
SHNID:
gd1991-09-21.149996.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View Notes-- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Taper: PO and Stucco TINA Holmes
2:30:32
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-09-21.138148.dsbd.GEMS.flac16
Source:
DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
Taper Notes:
View Notesa project **GEMS** Beta-DATmania Release April 20, 2017 Band: Jerry Garcia Bob Weir Phil Lesh Bill Kreutzmann Mickey Hart Vince Welnick Bruce Hornsby Sound: Dan Healy originally shared at www.shnflac.net
Transferrer: Matrix by Dave Usborne
2:29:59
SBD
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-09-21.134353.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:000529) SBD->DAT->CDR->EAC->SHN and Audience(shnid:101439)Set 2 Master DAT, Set 1 Clone of Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
Taper Notes:
View NotesMatrix by dusborne 04-27-2015 ------------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2015
Source 5 of 18
2:24:58
SBD
Rating:
8.00 / 14 ratings
SHNID:
gd91-09-21.sbd.mccall.529.sbeok.shnf
Source:
sbd> DAT> CD-R> EAC> SHN (no cass in gen)
Taper Notes:
View Notessbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com
Taper: Dan Rogosa
2:26:10
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-21.172647.me88.rogosa.flac1644
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -19.6 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThe first of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID # 154722) and was used to pitch check this recording and patch Space. Enjoy! --mhg :: 2025-07-20
Taper: Dan Rogosa
2:26:10
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-21.172646.me88.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -19.6 dBFS)) > FLAC 2496
Taper Notes:
View NotesThe first of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID # 154722) and was used to pitch check this recording and patch Space. Enjoy! --mhg :: 2025-07-20
Taper: Dan Rogosa
2:30:59
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-21.154722.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan Rogosa for providing this source. Dan's recordinga are consistently good. Thanks to Charlie Miller for doing the transfer edited and mastered SIRMick December 2021
Taper: Tim Dalton
2:31:28
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-21.149852.Neuman-TLM170.dalton.miller.sirmick.flac1648
Source:
Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton
Lineage:
DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648
Taper Notes:
View Notes Thanks to Tim for sharing his recording. Thanks To Charlie for doing the transfer edited and mastered SIRMick May 2020
Taper: Recording by Dan O'Neill
2:32:27
Taper:
Recording by Dan O'Neill
Transferrer:
Transfer by JC Mahoney Edited & Mastered (Adobe Audition) by Joe Noel January 25, 2021
SHNID:
gd1991-09-21.151923.FOB-Schoeps.Master-DAT.ONeill.Mahoney.Noel.t-flac1648
Source:
Schoeps CMC34 (ORTF) > M1000 cables > Tao Research / Oade supply > Panasonic SV255 (48k) Location: FOB/DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand)
Lineage:
Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16/48
Taper Notes:
View NotesNotes: - New to circulation - Space entertains a 'Shenandoah Lullaby' theme - TOO entertains a 'So What' theme which ends with a hint of 'My Favorite Things'.
Taper: Dan Liff
2:26:15
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1991-09-21.139816.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: daud; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger
Taper: Mr. Currier
2:29:58
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-21.AKG451.Currier.Keo.124450.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Awesome to revisit this show again and remember how much fun was had for this run of shows at the Garden!!!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:29:58
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-21.AKG451.Currier.Keo.124449.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Awesome to revisit this show again and remember how much fun was had for this run of shows at the Garden!!!!!!!!!!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Bob Morris and Sam Morris
2:21:35
Taper:
Bob Morris and Sam Morris
Transferrer:
Chuck T.
SHNID:
gd1991-09-21.nak300.morris.crazyfingers.106585.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX-S 90); Recorded from Floor Section BB, Row 31, Seat 14
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: James Young and Clay Brennecke
2:34:13
Rating:
10.00 / 1 rating
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-21.fob.bk4011.brennecke-young.gems.101439.flac16
Source:
Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] --------------------------------------------------------------------------------------------------------- All files have been meta-data tagged appropriately. Please do not manipulate this recording in any way. Please do not dub to analog tape or convert to MP3 (or any other lossy format) and circulate. If you would like to re-seed this torrent in the future, please use the exact files contained in the torrent with no file or ID tag manipulation. This will insure that the FLAC fingerprints, ST5 and MD5 hashes verify, keeping the integrity of the torrent intact.
Taper: John Bleich
2:29:21
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1991-09-21.nak300.bleich.sirmick.94674.sbeok.flac16
Source:
Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S from section V, row K , seat 3
Lineage:
Master Cassette > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac
Taper Notes:
View NotesNotes: - tapeflip at end of d1t05 crossfaded - tapeflip in d3t01 crossfaded - the tape was paused a couple of times during crowd section at end of d3t04 Thanks To John for lending me his masters mastered with iZotope Ozone, downsampled and dithered with iZotope RX Advanced
Taper: Andrew F
2:27:04
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-21.nak300.andrewf.85222.sbeok.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNOTE: This is the 48kHz file-set for archiving. These files cannot be burned to CDR. To make audio CDs, get the 44.1kHz file-set. Please do not downsample and recirculate these files for CDR... - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.
Taper: Andrew F
2:28:53
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-21.nak300.andrewf.85221.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View NotesNotes: - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.