1991
1991
Sources
Taper: PO and Stucco TINA Holmes
2:40:45
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1991-09-20.138147.dsbd.GEMS.flac1648
Source:
<b>flac16/48kHz</b>; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
Taper Notes:
View NotesThere are short bits of slight distortion here and there Band: Jerry Garcia Bob Weir Phil Lesh Bill Kreutzmann Mickey Hart Vince Welnick Bruce Hornsby Sound: Dan Healy originally shared at www.shnflac.net
Transferrer: Matrix by Dave Usborne
2:41:32
SBD
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-09-20.133731.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:034799) SBD > DAT > CDR > WAV > SHNv3 and Audience (shnid:101438) Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255; Set 2 - B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro 16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
Taper Notes:
View NotesMatrix by dusborne 04-27-2015 [email protected] ------------------------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-27-2015
Transferrer: SIRMick
2:41:30
SBD
Rating:
8.00 / 1 rating
Transferrer:
SIRMick
SHNID:
gd1991-09-20.111352.mtx.fix.sirmick.sbeok.flac16
Source:
Matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7
Lineage:
mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; editing and matrix by SIRMick
Taper Notes:
View Notes- This is a fix of shnid 111333. Love Light is now properly synced - The sbd has repeated sections in "Bird Song" and "Drums", which have been removed. - The aud has a tape flip in "Drums" which was previously crossfaded. This has now been patched with the sbd. - Seamless transition between discs 2 and 3 Thanks to the tapers for being there. editing and matrix SIRMick December 2010
Transferrer: SIRMick
2:41:54
SBD
Transferrer:
SIRMick
SHNID:
gd1991-09-20.111333.mtx.sirmick.sbeok.flac16
Source:
matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7
Lineage:
mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; <a href="http://db.etree.org/shn/111352">Upgrade</a> in circulation
Taper Notes:
View Notes- The sbd has repeated sections in "Bird Song" and "Drums", which have been removed. - The aud has a tape flip in "Drums" which was previously crossfaded. This has now been patched with the sbd. - Seamless transition between discs 2 and 3 Thanks to the tapers for being there. editing and matrix SIRMick December 2010
Taper: Dan Rogosa
2:38:50
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-20.172563.me88.mc.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -12.7 dBFS), EQ) > FLAC 2496
Taper Notes:
View NotesThe first of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID # 154501) and was used to pitch check this recording but not to patch the second set, because the Set II DAT was missing. A little EQ helped balance the treble after decoding with Dolby B. Nice to have the complete show from this recorder. Enjoy! --mhg :: 2025-07-18
Taper: Dan Rogosa
2:38:50
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-20.172562.me88.mc.rogosa.flac1644
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, DDI Codec (Dolby B @ -12.7 dBFS), EQ, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThe first of six Boston Garden recordings that Dan did on DAT and cassette. The DAT version already circulates (SHNID # 154501) and was used to pitch check this recording but not to patch the second set, because the Set II DAT was missing. A little EQ helped balance the treble after decoding with Dolby B. Nice to have the complete show from this recorder. Enjoy! --mhg :: 2025-07-18
Taper: Mr. Currier
2:37:37
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-20.AKG451.Currier.Keo.124202.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Some of Drums/Space missing but what is here makes up for the missing specially the Help > Slip > Fire, what a sweet unexpected transiton when this happened the crowd went crazy and we all embraced the welcoming sound of those first few notes!Awesome to revisit this show again and remember how much fun was had for this run! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:37:37
Rating:
8.00 / 1 rating
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-09-20.AKG451.Currier.Keo.124201.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show.Some of Drums/Space missing but what is here makes up for the missing specially the Help > Slip > Fire, what a sweet unexpected transiton when this happened the crowd went crazy and we all embraced the welcoming sound of those first few notes!Awesome to revisit this show again and remember how much fun was had for this run! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: James Young and Clay Brennecke and Dan Oneil
2:47:20
Rating:
8.50 / 4 ratings
Taper:
James Young and Clay Brennecke and Dan Oneil
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-20.fob.oneil.brennecke-young.gems.101438.flac16
Source:
Set 2 Master DAT, Set 1 Clone of Master DAT Recording Equipment: Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255 Set 2 - B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: Set 1 FOB - Set 2 FOB Section BB Row 24 Seat 3
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.