Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64891
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k903
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k791
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k403
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k189
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k706
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k196
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k416
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k710
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87173
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k609
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k660
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k473
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k267
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k618
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10817
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1991
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:39:12
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020
SHNID:
gd1991-09-18.150680.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Recorded by Don Pearson and Dan Healy
2:39:12
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020
SHNID:
gd1991-09-18.150636.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: hansokolow
2:40:33
SBD
Transferrer:
hansokolow
SHNID:
gd1991-09-18.dmtx.hansokolow.110645.flac16
Source:
This is a matrix of these sources: SBD: shnid=2788 (DSBD -> DAT -> CD -> EAC -> SHN) // DAUD: shnid=97391 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
Taper Notes:
View Noteshansokolow's notes: Big thanks to the GEMS Production crew and everyone involved with creating and spreading these gorgeous FOBs! mix notes: At the top of set 1 there are 35sec of crowd noise/tuning on the DAUD before the DSBD kicks in. At the top of set 2 there are 15sec of crowd noise/tuning on the DAUD before the DSBD kicks in. -Tano ([email protected]) completed: 11/19/2010
Source 4 of 10
2:40:50
SBD
Rating:
8.00 / 11 ratings
SHNID:
gd91-09-18.sbd.jerugim.2788.sbeok.shnf
Source:
DSBD -> DAT -> CD -> EAC -> SHN
Taper Notes:
View NotesDSBD -> DAT -> CD -> EAC -> SHN; via Adam Jerugim
Taper: Dan Rogosa
2:32:44
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-18.167541.me88.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 152268, which also provides a patch for the tape flip during Space. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by about a minute Enjoy! --mhg :: 2024-05-04
Taper: Dan Rogosa
2:32:45
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-18.167540.me88.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 152268, which also provides a patch for the tape flip during Space. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by about a minute Enjoy! --mhg :: 2024-05-04
Taper: Dan Rogosa
2:38:33
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-18.152268.sennme88.rogosa.miller.sirmick.flac1648
Source:
Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Don Rogosa fpr this source. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2021
Taper: Ted Gidley
2:34:20
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1991-09-18.nak300.gidley.andrewf.121805.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90/100, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
Taper Notes:
View NotesNotes: Bruce quotes "Blue Monk" in Wang Dang Doodle. Patches from ID-94309; crowd at end of Memphis Blues 8:46 > 9:25, and Drums 7:06 > Space 1:43.
Taper: James Young and Clay Brennecke
2:40:38
Rating:
8.00 / 2 ratings
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-18.fob.brennecke-young.GEMS.97391.flac16
Source:
B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] A **GEMS** Production www.shnflac.net
Taper: Keith Litzenberger
2:40:10
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-09-18.sennME80.wklitz.94309.flac16
Source:
Sennheiser ME-80's > Technics SVM-D1
Lineage:
DAT Master > Sony TCD-D0PROII > Edirol R-4 > Wavelab 5 (Fades and Sample Rate Conversion) > CDWAV > FLAC