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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h65991
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h756103
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.3k441
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.7k341
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.7k1.2k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k359
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k362
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k149
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k237
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h89098
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.7k198
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k138
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k197
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k218
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k286
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k687
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k179
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.9k258
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.4k468
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h86284
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k579
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.3k562
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.2k388
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k216
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.6k871
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k358
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36144
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11516
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23418
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h352
7d1026
30d57334
2 shows
2 tapes
1991
9/17/91
crowd
0:17
Iko Iko
6:39
Greatest Story Ever Told
5:10
Althea
8:28
Little Red Rooster
9:13
Loser
8:17
It's All Over Now
7:42
Brown Eyed Women
6:12
Picasso Moon
7:22
Box Of Rain
4:46
Cold Rain & Snow >
6:31
Sampson & Delilah >
6:59
Eyes Of The World >
14:06
Drums >
14:33
Space >
11:00
The Last Time >
7:22
Black Peter >
10:23
Throwing Stones >
8:48
Not Fade Away
11:24
U.S. Blues
5:31
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:44:23
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] June 7, 2020
SHNID:
gd1991-09-17.150293.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:44:23
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] June 7, 2020
SHNID:
gd1991-09-17.150054.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: hansokolow
2:45:26
SBD
Rating:
8.67 / 3 ratings
Transferrer:
hansokolow
SHNID:
gd1991-09-17.110644.dmtx.hansokolow.flac16
Source:
This is a matrix of these sources: SBD: shnid=12847 (SBD: DAT> CD> EAC> SHN) // DAUD: shnid=97390 (B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
Source 4 of 12
2:44:28
SBD
Rating:
7.20 / 6 ratings
Source:
SBD: DAT> CD> EAC> SHN
Taper Notes:
View NotesSBD: DAT> CD> EAC> SHN
Taper: Dan Rogosa
2:40:43
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-17.167539.me88.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 151779, which also provides the first seconds of Box of Rain and a patch for the tape flip during Space, as well as about two minutes of the NFA chant before the encore, which has a very cool phasing effect as the audience got out of sync with itself. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a few seconds. Enjoy! --mhg: 2024-05-04
Taper: Dan Rogosa
2:40:43
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-17.167538.me88.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 151779, which also provides the first seconds of Box of Rain and a patch for the tape flip during Space, as well as about two minutes of the NFA chant before the encore, which has a very cool phasing effect as the audience got out of sync with itself. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a few seconds. Enjoy! --mhg: 2024-05-04
Taper: Dan Rogosa
2:43:58
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-17.151779.SennME88.rogosa.miller.sirmick.flac1648
Source:
Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan for providing his recording. Thanks to Charlie for ther transfer. edited and mastered SIRMick February 2021
Taper: Ted Gidley
2:36:49
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1991-09-17.nak300.gidley.121837.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
Taper Notes:
View NotesNotes: Patch from ID-94213, crowd at end of IAON 7:22 > BEW 0:19. Patch from ID-113421, Space 5:40 > 6:13.
Taper: Floater
2:36:21
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-09-17.113422.Nak300CP4.Floater.Keo.Flac1644
Source:
<b>flac16:</b> Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Trader's Little Helper
Taper Notes:
View NotesComment's:Another big thanks to Floater for the source tapes! This is a fun show and an excellent recording!The only flaw is some of the beginning of "Brown Eyed Women" gets cut from the tape flip.As always,ENJOY!
Taper: Floater
2:36:21
Rating:
10.00 / 1 rating
Taper:
Floater
Transferrer:
Keo
SHNID:
gd1991-09-17.113421.Nak300CP4.Floater.Keo.Flac2496
Source:
<b>flac24:</b> Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files
Taper Notes:
View NotesAnother big thanks to Floater for the source tapes! This is a fun show and an excellent recording!The only flaw is some of the beginning of "Brown Eyed Women" gets cut from the tape flip.As always,ENJOY!
Taper: James Young and Clay Brennecke
2:45:31
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-17.fob.brennecke-young.GEMS.97390.flac16
Source:
B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] A **GEMS** Production www.shnflac.net
Taper: Keith Litzenberger
2:41:51
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-09-17.senn-ME80.wklitz.94213.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 (DAT)
Lineage:
DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC