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Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
2:39:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 21, 2020
SHNID:
gd1991-09-16.149653.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:39:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 21, 2020
SHNID:
gd1991-09-16.149633.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View Notes Notes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:36:15
SBD
Transferrer:
Charlie Miller
SHNID:
gd1991-09-16.135484.sbd.miller.flac16
Source:
SBD -> Dat -> CD
Lineage:
CD -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- This source has a complete and flawless Bertha
Transferrer: Dan Haugh
2:43:56
SBD
Rating:
6.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1991-09-16.dts.mtx.haugh.100911.flac16
Source:
DTS Matrix mix (SBD/AUD)
Transferrer: Dan Haugh
2:43:56
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Dan Haugh
SHNID:
gd1991-09-16.mtx.haugh.100910.flac16
Source:
SBD(SHNID=525) + AUD(SHNID=97389)
Source 6 of 16
2:36:26
SBD
Rating:
9.33 / 9 ratings
SHNID:
gd91-09-16.sbd.kowalski.525.sbeok.shnf
Source:
sbd> dat> cd> eac> shn
Taper Notes:
View Notessbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed
Taper: Dan Rogosa
2:37:09
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-16.167537.me88.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 151778, which also provides a patch for the tape flip during Space. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. Enjoy! --mhg: 2024-05-04
Taper: Dan Rogosa
2:37:11
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-16.167536.me88.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 151778, which also provides a patch for the tape flip during Space. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. Enjoy! --mhg: 2024-05-04
Taper: Recording by Dave Brotman & Jeff Metchick
2:44:09
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel July 02, 202
SHNID:
gd1991-09-16.152918.FOB-Schoeps.Brotman-Metchick-Miller-Noel.t-flac1648
Source:
FOB Schoeps CMC3 MK4’s (ORTF)> Tao Research PS > MIT cables > Master DAT (Panasonic SV-255mod) (16/48) Location: Set I FOB, Section 3, Row U, Seat 14 (on stand @ 6') Location: Set II FOB, Section 3, Row U, Seat 14 (on stand @ 6'5")
Lineage:
Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - Thanks to Dave Brotman & Jeff Metchick for recording the show. - Thanks to Charlie Miller for the transfer - Thanks to Ted Mattes for organizing this project
Taper: Dan Rogosa
2:43:24
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-16.151778.SennME88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan for providing his recording. Thanks to Charlie for the transfer. edited and mastered SIRMick February 2021
Taper: Rich Gastwirt
2:45:28
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-09-16.139795.schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.flac1648
Source:
<b>flac16/48kHz</b>; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
Source 12 of 16
2:42:26
Rating:
10.00 / 1 rating
SHNID:
gd1991-09-16.153419.mtx.photoleon.flac1644
Source:
A photoLeon Matrix
Taper Notes:
View NotesMatrix Created in Adobe Audition by Joe Noel July 28, 2021 Notes: - Thanks to Dave Brotman & Jeff Metchick for the FOB recording. - Thanks to Rich Gastwirt for the OTS recording. - Thanks to Don Pearson & Dan Healy for the SBD recording. - Thanks to SIRMick for processing the OTS recording. - Thanks to Charlie Miller for all three transfers. - Thanks to Jack Schlottman for the critique
Taper: Ted Gidley
2:39:08
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1991-09-16.nak300.gidley.121949.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
Taper Notes:
View NotesNotes: ID-94246 patches; crowd end of Queen Jane 6:22 > 6:46, and Space 0:35 > 1:30. Some mic-bumps & brief bits of left channel static during Space, attenuated w/Wavelab.
Taper: James Young and Clay Brennecke
2:44:26
Rating:
6.00 / 1 rating
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-16.fob.brennecke-young.GEMS.97389.flac16
Source:
B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] A **GEMS** Production www.shnflac.net
Taper: Keith Litzenberger
2:42:39
Rating:
6.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-09-16.sennME80.wklitz.94246.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 (DAT)
Lineage:
DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC
Source 16 of 16
2:44:35
Rating:
9.25 / 8 ratings
SHNID:
gd91-09-16.bk4011.brennecke-young.4868.sbeok.shnf
Source:
FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k
Lineage:
Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young
Taper Notes:
View NotesFOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young