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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.5k208
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59784
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.7k766
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.9k243
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.4k580
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k359
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.2k403
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k147
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h79990
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k234
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k188
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k241
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k274
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k691
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k175
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4k516
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.4k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.6k784
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85872
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k559
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k578
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k425
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.1k920
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60273
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13621
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29322
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1991
9/14/91
Tuning
1:46
Let The Good Times Roll
4:25
Jack Straw
6:23
Friend Of The Devil
9:37
Little Red Rooster
10:41
Jack-A-Roe
4:50
Desolation Row
12:11
Tennessee Jed ->
7:50
The Promised Land
4:54
Tuning
1:09
China Cat Sunflower ->
5:30
I Know You Rider
5:58
Ship Of Fools
7:53
Truckin' ->
8:34
Spoonful ->
4:25
He's Gone ->
9:22
Drums ->
9:38
Space ->
15:26
All Along The Watchtower ->
5:56
China Doll ->
6:16
One More Saturday Night
5:09
Crowd/Tuning
2:32
The Weight
5:20
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:35:50
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020
SHNID:
gd1991-09-14.150163.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:35:40
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 26, 2020
SHNID:
gd1991-09-14.149977.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:35:45
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-09-14.sbd.miller.32904.sbeok.flac16
Source:
SBD -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: Desolation Row patched from 0:48 - 4:07 with SBD Cassette Master Notes: -- Thanks to David Gans for supplying the patch source
Transferrer: hansokolow
2:36:44
SBD
Rating:
10.00 / 1 rating
Transferrer:
hansokolow
SHNID:
gd1991-09-14.110643.dmtx.hansokolow.flac16
Source:
This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
Transferrer: Darryl Hinko
2:35:44
SBD
Transferrer:
Darryl Hinko
SHNID:
gd1991-09-14.sbd.hinko.77789.sbeok.flac16
Source:
Clean up of SHNid=32904 by Darryl Hinko
Taper Notes:
View NotesCleaned up by Darryl Hinko using Cool Edit Pro. Thanks to Charlie Miller for the original files. Most of the bass buzz is gone in this source along with a bunch of other problems. Slight changes to the tracking. Not that there were any problems with the tracking, but I had to join everything together which meant I had to recut it.
Source 6 of 15
2:32:35
SBD
Rating:
8.57 / 15 ratings
SHNID:
gd91-09-14.sbd.kowalski.522.sbeok.shnf
Source:
sbd> dat> cd> eac> shn
Taper Notes:
View Notessbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed
Taper: Dan Rogosa
2:33:15
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-14.167491.me88.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 151340, which also provides a patch for the tape flip during Drums. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. Enjoy! --mhg: 2024-04-26
Taper: Dan Rogosa
2:33:15
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-14.167490.me88.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 151340, which also provides a patch for the tape flip during Drums. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. Enjoy! --mhg: 2024-04-26
Taper: Dan Rogosa
2:36:19
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-14.151340.SennME88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View Notes Many thanks to Dan for another fine recording and to Charliw miller for the transfer edited and mastered SIRMick January 2021
Taper: Tim Dalton
2:37:45
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-14.147629.FOB-BK4011.dalton.miller.sirmick.flac1648
Source:
(FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View Notes02cc55d3c60864cd558c4a5ee42b9d2a *gd1991-09-14s1t01.flac e3c0751bd63b367502f4961c85eafb73 *gd1991-09-14s1t02.flac 815c6f9d3c0ef0b5924cb166572704f5 *gd1991-09-14s1t03.flac af2070755e84985d8cfe44d2cfe76dff *gd1991-09-14s1t04.flac 5541d252705c76ecd9a593c691b487a9 *gd1991-09-14s1t05.flac 07935730e929ac96fc94443a60af9b98 *gd1991-09-14s1t06.flac 413a9a6052aa1735c5b4fb3af9ade4af *gd1991-09-14s1t07.flac 970b805d745c83662b800a5d933b9c5c *gd1991-09-14s1t08.flac dc884b43e9bf85cf05bdba5c952ff26c *gd1991-09-14s1t09.flac f772d4b6d617363b054513e708e899ac *gd1991-09-14s2t01.flac 22220a24f6c9f2f840c99311dc7e56a8 *gd1991-09-14s2t02.flac 50d5fe501eea203a2f229c6ced7726d8 *gd1991-09-14s2t03.flac f7770c9e419ce389e5a3d37bf6d8f0fa *gd1991-09-14s2t04.flac b15a2af9739ee93e942b6b034321a346 *gd1991-09-14s2t05.flac 58f1e425789d2b5475ef693f8dfdee88 *gd1991-09-14s2t06.flac bfb62983fa17a2fcb1d6b97d9e3790c6 *gd1991-09-14s2t07.flac 67d85baeaf626a5599b98f77028fcf7a *gd1991-09-14s2t08.flac a6bee9974c2cac56c58f38a007b1ab17 *gd1991-09-14s2t09.flac da286562f5643f608a2d86b4f013d283 *gd1991-09-14s2t10.flac 04673c0b60a8a3e87af2b9fc153ab028 *gd1991-09-14s2t11.flac 310c22b48a21089a3fd20c8b7c04f356 *gd1991-09-14s2t12.flac 89bd2a2ae2319ca6935bbc4e99a79d7d *gd1991-09-14s2t13.flac eb64f31600127f52280e4781f580faf4 *gd1991-09-14s2t14.flac
Taper: Dan O'Neill
2:38:05
Taper:
Dan O'Neill
SHNID:
gd1991-09-14.138918.cmc34.flac16
Source:
<b>flac16/48kHz</b>; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k);
Lineage:
(DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, FOB/DFC
Taper: Ted Gidley
2:32:47
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1991-09-14.nak300.gidley.122035.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
Taper Notes:
View NotesNote: ID-25318 patches; crowd end of FOTD 8:37 > Rooster 0:04, crowd end of Jackaroe 4:46 > Desolation Row 0:13, and Space 0:04 > 0:23.
Taper: John Bleich
2:35:37
Rating:
8.00 / 1 rating
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1991-09-14.nak300.bleich-sirmick.111250.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC;
Lineage:
MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
Taper Notes:
View NotesPatches: Little Red Rooster 6:18 - 6:21 Jack-A-Roe last 8 seconds Desolation Row first 4.5 seconds Drums 8:48 - 8:53 Patch source: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro (shnid 97388) Recording Location: FOB Lineage: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging - Seamless transition between discs 2 and 3 Many thanks to John edited and mastered SIRMick December 2010
Taper: James Young and Clay Brennecke
2:36:46
Rating:
8.67 / 3 ratings
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-14.fob.brennecke-young.GEMS.97388.flac16
Source:
B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB
Lineage:
16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] A **GEMS** Production www.shnflac.net
Taper: Mark Lynn
2:37:23
Rating:
10.00 / 1 rating
Taper:
Mark Lynn
Transferrer:
Mark Lynn
SHNID:
gd1991-09-14.nak300.lynn.25318.sbeok.flac16
Source:
NAK CM 300s + CP4->Casio DA7
Lineage:
Sony 60 ES-> Emagic AudiowerkII -> Soundforge (record/resample) -> CDWAV (track) -> FLAC
Taper Notes:
View NotesRecorded and converted by Mark Lynn: [email protected] Location:On The Floor Directly Behind The Soundboard In Front Of The Official Taper Section ^^Promised Land is from a different audience source.My first set battery died as they were starting this song. I cloned it from the guy next to me who was running a Sony single point stereo mic into a Sony D 10 Pro.