1991
1991
Sources
Transferrer: Dan Haugh
2:46:58
SBD
Transferrer:
Dan Haugh
SHNID:
gd1991-09-10.dts.mtx.haugh.gems.98655.flac16
Source:
DTS 5.1 Matrix mix (SBD/AUD)
Taper Notes:
View NotesSource Info SBD (shnID = 89085) SBD Dat(2) stored on Ampex 467 DAT Tape Transfer: DAT from the collection of Todd Evans DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Transferred 12/09/07 Editing: All editing and mastering by Jamie Waddell A **GEMS** Production www.shnflac.net AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke - [email protected] Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. A **GEMS** Production www.shnflac.net --------------------------------------------------------- Tech Notes Jamie Waddell sent me the 16/48 waves files as one long track for both the SBD and the AUD. CEP2.0 was used to align & synch both sources time compress and expand). SF8.0 was used for the EQ setting on the LFE and CTR channels. SF8.0 used to adjust the volume for the center, surround and LFE channels. SF8.0 used to adjust the volume for the center, surround and LFE channels. SF8.0 was used to perform the hard limiting on the LFE channel. Surcode CD Pro DTS was used to encode to DTS. This incorporates 6 channels of DTS encoded 16/44 wave files. - Mixed by [email protected] - FLAC conversion 18-MAR-2000 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear, slim, double CD case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mixdown Left/Right -5db D'EQ SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mono Mixdown Left/Right -3db D'EQ SBD --------------------------------------------------------- Notes d1t06 "High Time" - 2 small digi snits have been fixed --------------------------------------------------------- Lineup Jerry Garcia (guitar, vocals) Bob Weir (guitar, vocals) Phil Lesh (bass) Vince Welnick (keyboards, vocals) Bruce Hornsby (grand piano, according, vocals) Mickey Hart (drums, percussions) Bill Kreutzmann (drums, percussions) --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The SBD and AUD sources listed above at 16/44 2. The AUD sources listed above at 16/48 3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44 4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48 6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)
Taper: Dan Rogosa
2:41:37
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-10.167442.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD AUdio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesEntire show with Branford Marsalis. Pitch corrected against Dan's DAT, SHNID 150558, which also provides a patch for the tape flip during Drums. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. Enjoy! --mhg: 2024-04-20
Transferrer: Matrix by Dan Haugh
2:47:08
Rating:
9.43 / 8 ratings
Transferrer:
Matrix by Dan Haugh
SHNID:
gd1991-09-10.mtx.amdig.gems.98132.flac16
Source:
Matrix of GEMS sources (See notes)
Taper Notes:
View Notes**Note this matrix was created using the raw non-dithered transfers from the GEMS sources Transfer: DATs > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans January 15, 2009 ([email protected]) Weiss Saracon used for 24-bit, 48kHz SRC (no dither) Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) * Time sych done in CEPro 2.0 * Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. Art: Gyro A **GEMS** Production www.shnflac.net
Taper: James Young and Clay Brennecke
2:47:00
Rating:
9.33 / 3 ratings
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-10.fob.brennecke-young.GEMS.96422.flac16
Source:
B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2
Lineage:
16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] A **GEMS** Production www.shnflac.net