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June 11th
Years
1995
30.1k
PlaybackListensHours
48h47265
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.8k224
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.1k274
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k200
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.5k453
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.6k1.1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k314
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k131
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2k231
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h918103
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k201
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5k582
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k154
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k146
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.1k266
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k249
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k218
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.7k238
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h13.1k1.8k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h14.3k1.9k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h22724
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k464
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.5k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k247
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.5k173
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k192
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k151
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h59476
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8313
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40726
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h594
7d1076
30d59534
2 shows
2 tapes
1991
9/10/91
Tuning
3:01
Shakedown Street >
13:47
C.C. Rider >
5:45
It Takes A Lot To Laugh It Takes A Train To Cry
6:33
Black Throated Wind
7:09
High Time
9:09
Cassidy
8:26
Deal
9:25
Tuning
1:47
Help On The Way >
4:10
Slipknot >
7:01
Franklin's Tower
10:18
Estimated Prophet >
12:41
Dark Star >
12:43
Drums >
10:39
Jam >
1:59
Dark Star >
2:30
Space >
9:21
I Need A Miracle >
5:04
Standing On the Moon >
9:04
Turn On Your Lovelight
9:21
It's All Over Now, Baby Blue
7:05
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:44:02
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 4, 2018
SHNID:
gd1991-09-10.157119.dsbd.miller.flac1644
Source:
SBD > DAT (44.1k)
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- With Branford Marsalis -- Recorded by Don Pearson and Dan Healy
Taper: Don Pearson and Dan Healy
2:44:32
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 11, 2020
SHNID:
gd1991-09-10.149650.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- With Brandford Marsalis -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:44:32
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 11, 2020
SHNID:
gd1991-09-10.149509.sbd.person-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- With Brandford Marsalis -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:41:49
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1991-09-10.167381.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-APR-2024 - Trader Little Helper - Tagged 13-APR-2024 - Tag&Rename --------------------------------------------------------- rBrain Pro was used for 96/24 > 44/16 encoding.
Transferrer: SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
2:41:40
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
SHNID:
gd1991-09-10.167379.mtx.tobin.flac24
Source:
SBD + AUD Matrix 2 Source Mix (96/24)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-APR-2024 - Trader Little Helper - Tagged 13-APR-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Dan Haugh
2:46:58
SBD
Transferrer:
Dan Haugh
SHNID:
gd1991-09-10.dts.mtx.haugh.gems.98701.flac24
Source:
SBD AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422)
Transferrer: Dan Haugh
2:46:58
SBD
Transferrer:
Dan Haugh
SHNID:
gd1991-09-10.dts.mtx.haugh.gems.98655.flac16
Source:
DTS 5.1 Matrix mix (SBD/AUD)
Taper Notes:
View NotesSource Info SBD (shnID = 89085) SBD Dat(2) stored on Ampex 467 DAT Tape Transfer: DAT from the collection of Todd Evans DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Transferred 12/09/07 Editing: All editing and mastering by Jamie Waddell A **GEMS** Production www.shnflac.net AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke - [email protected] Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. A **GEMS** Production www.shnflac.net --------------------------------------------------------- Tech Notes Jamie Waddell sent me the 16/48 waves files as one long track for both the SBD and the AUD. CEP2.0 was used to align & synch both sources time compress and expand). SF8.0 was used for the EQ setting on the LFE and CTR channels. SF8.0 used to adjust the volume for the center, surround and LFE channels. SF8.0 used to adjust the volume for the center, surround and LFE channels. SF8.0 was used to perform the hard limiting on the LFE channel. Surcode CD Pro DTS was used to encode to DTS. This incorporates 6 channels of DTS encoded 16/44 wave files. - Mixed by [email protected] - FLAC conversion 18-MAR-2000 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear, slim, double CD case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mixdown Left/Right -5db D'EQ SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mono Mixdown Left/Right -3db D'EQ SBD --------------------------------------------------------- Notes d1t06 "High Time" - 2 small digi snits have been fixed --------------------------------------------------------- Lineup Jerry Garcia (guitar, vocals) Bob Weir (guitar, vocals) Phil Lesh (bass) Vince Welnick (keyboards, vocals) Bruce Hornsby (grand piano, according, vocals) Mickey Hart (drums, percussions) Bill Kreutzmann (drums, percussions) --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The SBD and AUD sources listed above at 16/44 2. The AUD sources listed above at 16/48 3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44 4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48 6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)
Transferrer: Jamie Waddell
2:43:52
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Jamie Waddell
SHNID:
gd1991-09-10.sbd.waddell.89085.sbeok.flac16
Source:
SBD > ?? > DAT
Lineage:
DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0
Taper Notes:
View NotesWith Branford Marsalis
Transferrer: Darrin Sacks and Bill Tetzeli
2:43:35
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Darrin Sacks and Bill Tetzeli
SHNID:
gd1991-09-10.sbd.sacks.tetzeli.fix-511.34678.reflac.flac16
Source:
DSBD>DATs>CDRs>EAC>SHN
Taper Notes:
View NotesEntire show with Branford Marsalis Bill Tetzeli made the transition between CD2 and CD3 seamless. SteveSw fixed the REPLAYGAIN.
Source 10 of 25
2:43:50
SBD
Rating:
9.47 / 19 ratings
SHNID:
gd91-09-10.sbd.dan.30755.sbexx.flacf
Source:
SBD: DAT(M) > DAT(1) > DAT(2)
Lineage:
DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by [email protected]
Taper Notes:
View NotesSource: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by [email protected]
Source 11 of 25
2:43:46
SBD
Rating:
9.24 / 68 ratings
SHNID:
gd91-09-10.sbd.sacks.511.sbeok.shnf
Source:
DSBD> DATs> CDRs> EAC> SHN
Taper Notes:
View Notescomplete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks
Taper: Dan Rogosa
2:41:37
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-10.167443.me88.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD AUdio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496
Taper Notes:
View NotesEntire show with Branford Marsalis. Pitch corrected against Dan's DAT, SHNID 150558, which also provides a patch for the tape flip during Drums. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. Enjoy! --mhg: 2024-04-20
Taper: Dan Rogosa
2:41:37
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-10.167442.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD AUdio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesEntire show with Branford Marsalis. Pitch corrected against Dan's DAT, SHNID 150558, which also provides a patch for the tape flip during Drums. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. Enjoy! --mhg: 2024-04-20
Taper: Dan Rogosa
2:45:37
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-10.150558.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesComments: - Whole show with Branford Marsalis. Thanks to Dan Rogosa for sharing his recording. Thanks to Charlie Miller for doing the transfer. edited and mastered SIRMick September 2020
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:41:40
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1991-09-10.167383.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 13-APR-2024 - Trader Little Helper - Tagged 13-APR-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Patched and pitch corrected audience (44/16) Kevin Tobin
2:41:49
Transferrer:
Patched and pitch corrected audience (44/16) Kevin Tobin
SHNID:
gd1991-09-10.167377.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View NotesDuring the 1st Set, patch tuning mainly between songs. Patched close to the end of Drums. This recording was a bit fast - about .75 second per minute. rBrain Pro was used for 96/24 > 44/16 encoding. Brokedown House Production
Transferrer: Patched and pitch corrected audience (24/96) by Kevin Tobin
2:41:51
Transferrer:
Patched and pitch corrected audience (24/96) by Kevin Tobin
SHNID:
gd1991-09-10.167376.PandP-aud.tobin.flac24
Source:
Patched and pitch corrected audience (96/24)
Taper Notes:
View NotesDuring the 1st Set, patch tuning mainly between songs. Patched close to the end of Drums. This recording was a bit fast - about .75 second per minute. Brokedown House Production
Source 18 of 25
2:46:41
SHNID:
gd1991-09-10.153418.mtx.photoleon.flac1644
Source:
A photoLeon Matrix
Taper Notes:
View NotesMatrix Created in Adobe Audition by Joe Noel August 03, 2021 Notes; - Branford Marsalis (saxophone) sat in for both sets. - Thanks to Dan O'Neill & JC Mahoney for the FOB recording & transfer. - Thanks to JB, Keo & Heaton for the OTS recording. - Thanks to Todd Evans & Jamie Waddell for the DAT sourced SBD recording. - Thanks to Jack Schlottman for the critique - Source #2 was pitch corrected.
Taper: Recording by Dan O'Neill
2:49:03
Taper:
Recording by Dan O'Neill
Transferrer:
Transfer by JC Mahoney Edited & Mastered (Adobe Audition) by Joe Noel January 25, 2021
SHNID:
gd1991-09-10.151921.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648
Source:
Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research / Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6')
Lineage:
Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16/48
Taper Notes:
View NotesNotes: - Fresh transfer & mastering of shnid 138917 - Branford Marsalis sits in for both sets - Dan considers this his best solo recording. It’s stellar.
Taper: Dan O'Neill
2:48:58
Taper:
Dan O'Neill
SHNID:
gd1991-09-10.138917.cmc34.flac16
Source:
<b>flac16/48kHz</b>; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k);
Lineage:
(DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3
Taper: Ted Gidley
2:42:39
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1991-09-10.nak300.gidley.122424.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2012
Taper Notes:
View NotesBranford Marsalis, guest through entire show Note: ID-117023 patches, Drums 4:58 > 5:13, and crowd track after Lovelight 0:00 > 0:30
Taper: JB
2:40:08
Rating:
10.00 / 1 rating
Taper:
JB
Transferrer:
Keo;Heaton
SHNID:
gd1991-09-10.Nak300CP4.JB.Keo.117024.Flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A huge thanks out to Heaton for the source tapes and JB for recording this smoking show.This is an excellent recording and the only flaw is a little tape warble at the start of the second set. As always ENJOY!
Taper: JB
2:40:07
Taper:
JB
Transferrer:
Keo;Heaton
SHNID:
gd1991-09-10.Nak300CP4.JB.Keo.117023.Flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Taper Notes:
View Notes* With Branford Marsalis On Saxophone Throughout * Comments:A huge thanks out to Heaton for the source tapes and JB for recording this smoking show.This is an excellent recording and the only flaw is a little tape warble at the start of the second set. As always ENJOY!
Transferrer: Matrix by Dan Haugh
2:47:08
Rating:
9.43 / 8 ratings
Transferrer:
Matrix by Dan Haugh
SHNID:
gd1991-09-10.mtx.amdig.gems.98132.flac16
Source:
Matrix of GEMS sources (See notes)
Taper Notes:
View Notes**Note this matrix was created using the raw non-dithered transfers from the GEMS sources Transfer: DATs > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans January 15, 2009 ([email protected]) Weiss Saracon used for 24-bit, 48kHz SRC (no dither) Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) * Time sych done in CEPro 2.0 * Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. Art: Gyro A **GEMS** Production www.shnflac.net
Taper: James Young and Clay Brennecke
2:47:00
Rating:
9.33 / 3 ratings
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-10.fob.brennecke-young.GEMS.96422.flac16
Source:
B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2
Lineage:
16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans ([email protected]) October 30, 2008 Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] A **GEMS** Production www.shnflac.net