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June 10th
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1991
9/9/91
Tuning
2:11
Picasso Moon >
6:36
Sugaree
12:03
Me And My Uncle >
3:13
Mexicali Blues
5:55
They Love Each Other
8:55
Stuck Inside Of Mobile With The Memphis Blues Again
10:54
Loose Lucy >
6:36
The Music Never Stopped
7:20
Tuning
1:33
Iko Iko >
7:46
Looks Like Rain >
8:55
New Speedway Boogie >
7:07
Playing In The Band Reprise >
10:21
Uncle John's Band >
8:43
Drums >
10:56
Space >
12:21
The Last Time >
6:22
Morning Dew
11:32
Encore Break
2:02
The Mighty Quinn (Quinn The Eskimo)
4:40
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:36:01
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 30, 2020
SHNID:
gd1991-09-09.149777.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View Notes-- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:36:01
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] April 30, 2020
SHNID:
gd1991-09-09.149749.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: Charlie Miller and Bill Tetzeli
2:36:29
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller and Bill Tetzeli
SHNID:
gd1991-09-09.sbd.miller.tetzeli.fix-508.34677.reflac.flac16
Source:
DSBD>>DAT>>CDA>>WAV>>SHN>>WAV>>FLAC
Taper Notes:
View NotesSeeded by Charlie Miller, uploaded by Jay Ashley Bill Tetzeli fixed the CD2/CD3 transition SteveSw fixed the replaygain.
Transferrer: hansokolow
2:33:30
SBD
Rating:
8.67 / 3 ratings
Transferrer:
hansokolow
SHNID:
gd1991-09-09.dmtx.hansokolow.110640.flac16
Source:
This is a matrix of these sources: SBD: shnid=508 (DSBD>>DAT>>CDA) // DAUD: shnid=96399 (Recording Equipment: B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
Transferrer: Darryl Hinko
2:36:30
SBD
Rating:
8.00 / 1 rating
Transferrer:
Darryl Hinko
SHNID:
gd1991-09-09.sbd.hinko.75773.sbeok.shnf
Source:
DSBD > DAT > CDA
Taper Notes:
View NotesAdditional notes: I cut out some repeat from d2t07 Drums and d3t01 Space, the discs are now seemless.
Source 6 of 13
2:36:39
SBD
Rating:
8.31 / 15 ratings
SHNID:
gd91-09-09.sbd.ashley-miller.508.sbeok.shnf
Source:
DSBD> DAT> CD
Taper Notes:
View NotesDSBD> DAT> CD; via C. Miller, J. Ashley
Taper: Dan Rogosa
2:31:07
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-09.167423.me88.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (Dolby off) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 150412, which also provides a patch for the tape flip during Drums. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. There is a small snit in Mexicali Blues which is on the master tape. Enjoy! --mhg: 2024-04-19
Taper: Dan Rogosa
2:31:06
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-09.167422.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (Dolby off) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS), resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 150412, which also provides a patch for the tape flip during Drums. The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two. There is a small snit in Mexicali Blues which is on the master tape. Enjoy! --mhg: 2024-04-19
Taper: Dan Rogosa
2:33:48
Taper:
Dan Rogosa
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-09-09.150412.sennme88.rogosa.miller.sirmick.flac1648
Source:
Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa.
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan for providing his recording. Thanks to Charlie for doing the transfer. edited and mastered SIRMick July 2020
Taper: Dan O'Neill
2:41:03
Rating:
8.67 / 3 ratings
Taper:
Dan O'Neill
Transferrer:
Charlie Miller
SHNID:
gd91-09-09.fob-schoeps-oneill.miller.28851.sbeok.shnf
Source:
(FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master)Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHNRecorded By Dan O'N
Lineage:
Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View NotesRecording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Dan O'Neill Transferred By Charlie Miller
Taper: Dan O'Neil
2:41:05
Taper:
Dan O'Neil
Transferrer:
Transfer by JC Mahoney Edited & Mastered (Adobe Audition) by Joe Noel January 25, 2021
SHNID:
gd1991-09-09.151920.FOB.Schoeps.Master.DAT.ONeill.Mahoney.Noel.t-flac1648
Source:
Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research / Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6')
Lineage:
Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16/48
Taper Notes:
View NotesNotes: - upgrade to shnid 28851
Taper: Ted Gidley
2:30:57
Rating:
9.00 / 2 ratings
Taper:
Ted Gidley
Transferrer:
Andrew F
SHNID:
gd1991-09-09.nak300.gidley.123544.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 01/2013
Taper Notes:
View NotesNote: ID-28851 patch Drums 9:02 > 9:28.
Taper: James Young and Clay Brennecke
2:33:29
Rating:
8.00 / 1 rating
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-09.fob.brennecke-young.GEMS.96399.flac16
Source:
B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro (FOB Set 1 Hand Held, Section 3, Row S, On Aisle Set 2 On Stand, Section 3, Row V, Seat 2)
Lineage:
16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected]