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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1991
9/8/91
crowd
0:57
Touch Of Grey
6:38
Greatest Story Ever Told
5:33
Loser
8:48
New Minglewood Blues
9:24
Candyman
7:23
Big River >
5:25
Maggie's Farm
8:48
Row Jimmy
9:30
Let It Grow
14:18
Samson + Deliliah
8:40
Eyes Of The World >
14:22
Saint Of Circumstance >
7:13
Jam >
5:36
Drums >
15:12
Space >
6:28
The Other One >
10:44
Wharf Rat >
10:12
Good Lovin' >
6:29
crowd
1:35
Attics Of My Life
5:52
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:49:28
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 2, 2020
SHNID:
gd1991-09-08.149846.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:49:28
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 2, 2020
SHNID:
gd1991-09-08.149783.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View Notes Notes: -- Recorded by Don Pearson and Dan Healy -- Multiple sets of masters were used to make this show complete
Transferrer: Charlie Miller and Bill Tetzeli
2:49:05
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller and Bill Tetzeli
SHNID:
gd1991-09-08.sbd.miller.tetzeli.fix-1069.34661.reflac.flac16
Source:
DSBD>>DAT>>CDA>>WAV>>SHN>>WAV>>FLAC
Taper Notes:
View NotesBill Tetzeli made the transition between CD2 and CD3 seemless. SteveSw fixed the REPLAYGAIN tags.
Transferrer: Bill Guarneri
2:35:37
SBD
Transferrer:
Bill Guarneri
SHNID:
gd1991-09-08.sbd.130711.MrBill.flac16
Source:
Recording Info: DSBD > DAT > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; A fresh transfer of my DAT clone. Upgrade to single source SBD. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014
Taper Notes:
View NotesFIXES AND NOTES: A fresh transfer of my DAT clone. Upgrade to single source SBD. Different tracking and mastering than existing versions. Very nice fidelity, a good mix, and a solid later Dead performance. Bruce Hornsby on piano and keyboards. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014
Transferrer: Dan Haugh
2:51:04
SBD
Transferrer:
Dan Haugh
SHNID:
gd1991-09-08.mtx.haugh.99108.flac16
Source:
SBD/AUD Matrix Mix - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392); 65%-SBD, 20%-AUD1, 15%-AUD2
Transferrer: Dan Haugh
2:51:04
SBD
Transferrer:
Dan Haugh
SHNID:
gd1991-09-08.dts.mtx.haugh.99074.flac16
Source:
DTS-Audio-CD 5.1 Mix - 3 Source Mix of SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392)
Transferrer: Darryl Hinko
2:49:06
SBD
Transferrer:
Darryl Hinko
SHNID:
gd1991-09-08.sbd.hinko.75772.sbeok.shnf
Source:
DSBD > DAT > CDA
Taper Notes:
View NotesNotes: Seeded by [email protected] Set 1 fits on one 80 minute disk. Move track 10 to disk 2 to use 74 minutes disks. Disk 1 is 78:04 as currently tracked. Additional Notes: - I cut out some repeat material between d2t06 Drums and d3t01 Space, the discs are now seemless. d1t01 Tuning Pops Nothing Wrong d1t02 Touch of Grey Pops 00:48.216 - 00:48.221 00:49.924 - 00:49.926 01:18.987 - 01:18.987 01:27.184 - 01:27.189 01:27.319 - 01:27.329 01:28.744 - 01:28.746 01:32.113 - 01:32.115 01:49.087 - 01:49.087 01:55.143 - 01:55.143 03:25.479 - 03:25.481 03:27.576 - 03:27.591 03:34.221 - 03:34.224 04:57.109 - 04:57.111 06:24.738 - 06:24.379 d1t03 Greatest Story Ever Told Pops 00:50.980 - 00:50.986 01:01.277 - 01:01.287 01:02.233 - 01:02.237 03:50.268 - 03:50.272 d1t04 Loser Pops 00:32.160 - 00:32.174 01:09.339 - 01:09.342 01:19.592 - 01:19.632 01:53.377 - 01:53.386 01:54.891 - 01:54.895 01:54.909 - 01:54.914 02:21.077 - 02:21.087 03:36.179 - 03:36.183 03:49.110 - 03:49.110 04:05.901 - 04:05.915 04:22.219 - 04:22.219 07:17.977 - 07:18.025 07:20.109 - 07:20.151 d1t05 Minglewood Blues Pops 01:16.499 - 01:16.518 01:24.935 - 01:24.950 03:04.240 - 03:04.241 04:06.997 - 04:07.001 05:08.565 - 05:08.567 05:18.900 - 05:18.909 05:30.563 - 05:30.568 05:43.446 - 05:43.451 05:45.835 - 05:45.860 07:08.018 - 07:08.019 07:26.755 - 07:26.805 07:27.056 - 07:27.059 08:43.681 - 08:43.686 d1t06 Candyman Pops 02:02.641 - 02:02.645 02:02.736 - 02:02.741 03:15.759 - 03:15.772 03:22.113 - 03:22.118 03:23.708 - 03:23.721 03:53.716 - 03:53.717 04:27.899 - 04:27.901 05:21.168 - 05:21.187 06:02.587 - 06:02.612 06:11.816 - 06:11.821 06:32.677 - 06:32.682 06:34.215 - 06:32.219 06:42.144 - 06:42.148 d1t07 Big River Pops 00:53.133 - 00:53.142 01:01.815 - 01:01.816 01:14.368 - 01:14.370 01:44.823 - 01:44.826 01:45.322 - 01:45.325 01:48.050 - 01:48.053 01:49.455 - 01:49.459 01:49.986 - 01:49.988 01:51.415 - 01:51.417 01:53.020 - 01:53.024 01:53.161 - 01:53.164 01:53.840 - 01:53.843 01:54.365 - 01:54.368 01:58.882 - 01:58.885 02:33.878 - 02:33.880 02:35.415 - 02:35.438 02:43.332 - 02:43.334 03:34.603 - 03:34.605 03:56.020 - 03:56.023 04:18.734 - 04:18.737 04:21.590 - 04:21.593 04:22.256 - 04:22.258 04:22.628 - 04:22.631 04:33.488 - 04:33.490 04:33.673 - 04:33.677 04:34.700 - 04:34.701 04:38.037 - 04:38.041 04:39.253 - 04:39.255 04:39.259 - 04:39.261 04:40.877 - 04:40.877 05:20.615 - 05:20.616 05:22.614 - 05:22.621 d1t08 Maggie's Farm Pops 00:24.140 - 00:24.144 00:32.581 - 00:32.601 00:54.179 - 00:54.181 01:09.324 - 01:09.327 01:09.739 - 01:09.744 01:10.695 - 01:10.699 01:10.820 - 01:10.825 01:12.456 - 01:12.460 01:52.887 - 01:52.896 01:59.294 - 01:59.295 02:11.313 - 02:11.315 02:14.300 - 02:14.304 02:18.497 - 02:18.501 02:18.932 - 02:18.935 02:19.407 - 02:19.411 03:37.490 - 03:37.493 03:45.789 - 03:45.792 03:45.815 - 03:45.819 03:46.646 - 03:46.649 04:14.106 - 04:14.113 04:44.180 - 04:44.181 d1t09 Row Jimmy Pops 01:34.157 - 01:34.251 01:55.006 - 01:55.007 01:55.116 - 01:55.128 02:07.908 - 02:07.913 02:09.439 - 02:09.451 03:20.265 - 03:20.285 03:44.079 - 03:44.088 07:22.958 - 07:22.971 07:40.613 - 07:40.644 08:17.143 - 08:17.153 d1t10 Let it Grow Pops 00:50.282 - 00:50.295 01:55.085 - 01:55.108 01:55.521 - 01:55.528 02:07.873 - 02:07.877 02:14.640 - 02:14.652 04:09.253 - 04:09.258 04:51.483 - 04:51.488 04:53.411 - 04:53.416 09:57.051 - 09:57.058 10:43.093 - 10:43.093 11:31.544 - 11:31.612 11:37.026 - 11:37.063 12:24.502 - 12:24.507 d2t01 Tuning Pops Nothing Wrong d2t02 Samson and Delilah Pops 00:17.920 - 00:17.923 01:39.072 - 01:39.075 01:43.949 - 01:43.952 02:35.110 - 02:35.128 03:12.261 - 03:12.265 03:19.885 - 03:19.888 03:42.877 - 03:42.880 04:20.748 - 04:20.751 04:23.795 - 04:23.813 d2t03 Eyes of the World Pops 01:19.516 - 01:19.518 01:27.578 - 01:27.584 01:38.604 - 01:38.606 01:54.969 - 01:54.974 03:00.529 - 03:00.533 03:00.692 - 03:00.695 03:46.527 - 03:46.528 03:46.773 - 03:46.774 03:55.905 - 03:55.907 04:38.332 - 04:38.341 05:11.652 - 05:11.666 05:12.892 - 05:12.897 05:35.994 - 05:35.996 06:09.948 - 06:09.951 11:03.724 - 11:03.726 11:04.497 - 11:04.502 11:28.914 - 11:28.917 11:35.258 - 11:35.267 d2t04 Saint of Circumstance Pops 01:51.941 - 01:51.943 01:56.660 - 01:56.664 01:57.475 - 01:57.508 02:12.753 - 02:12.762 03:18.768 - 03:18.772 03:19.062 - 03:19.066 03:35.735 - 03:35.784 03:52.769 - 03:52.774 03:52.922 - 03:52.924 03:54.457 - 03:54.462 03:57.025 - 03:57.028 04:24.124 - 04:24.128 05:13.187 - 05:13.189 05:13.635 - 05:13.638 05:16.238 - 05:16.247 07:08.564 - 07:08.569 d2t05 Jam Pops 00:14.923 - 00:14.928 02:31.950 - 02:31.951 02:43.114 - 02:43.137 02:44.623 - 02:44.623 02:51.262 - 02:51.275 03:18.534 - 03:18.536 05:53.309 - 05:53.319 d2t06 Drums Pops 01:36.259 - 01:36.268 02:50.449 - 02:50.459 04:40.544 - 04:40.594 04:41.066 - 04:41.070 04:41.236 - 04:41.239 06:37.874 - 06:37.913 06:53.901 - 06:53.925 d3t01 Space Pops 07:58.196 - 07:58.221 08:21.257 - 08:21.262 d3t02 The Other One Pops 00:52.632 - 00:52.634 02:31.017 - 02:31.018 03:28.290 - 03:28.294 03:29.201 - 03:29.204 03:30.732 - 03:30.734 03:39.174 - 03:39.177 08:42.717 - 08:42.727 08:43.546 - 08:43.554 08:45.505 - 08:45.509 d3t03 Wharf Rat Pops 00:42.352 - 00:42.355 00:42.826 - 00:42.829 01:48.740 - 01:48.743 03:37.197 - 03:37.201 05:05.740 - 05:05.743 06:59.371 - 06:59.373 08:05.323 - 08:05.328 08:06.274 - 08:06.279 09:22.197 - 09:22.198 d3t04 Good Lovin' Pops 00:56.895 - 00:56.895 01:38.081 - 01:38.083 01:38.096 - 01:38.098 01:54.095 - 01:54.119 02:46.169 - 02:46.173 04:11.238 - 04:11.240 04:11.256 - 04:11.271 04:44.467 - 04:44.469 04:45.187 - 04:45.189 05:00.189 - 05:00.213 05:03.911 - 05:03.920 05:10.633 - 05:10.638 d3t05 Attics of my Life Pops 00:40.153 - 00:40.154 02:28.852 - 02:28.857 03:16.824 - 03:16.836 03:22.443 - 03:22.555 03:22.624 - 03:22.649 03:46.959 - 03:46.960
Source 8 of 17
2:49:31
SBD
Rating:
8.40 / 15 ratings
SHNID:
gd91-09-08.sbd.ashley.1069.sbeok.shnf
Source:
DSBD> DAT> CD
Taper Notes:
View NotesDSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments
Transferrer: A. Kowalski
5:20:49
SBD
Transferrer:
A. Kowalski
Source:
dsbd> dat(s)> cd;
Taper: Dan Rogosa
2:49:07
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-08.167445.me88.mc.rogosa.flac2496
Source:
2x Senn ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (Dolby off) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patching, fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 150539, which also provides the first 10:30 of the show and a patch for the tape flip between Drums and Space. The other flips were during crowd noise and were removed, shortening the show compared to the DAT by about 30 seconds. Enjoy! --mhg :: 2024-04-20
Taper: Dan Rogosa
2:49:07
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-09-08.167444.me88.mc.rogosa.flac1644
Source:
x Senn ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (Dolby off) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patching, fades, DDI Codec (Dolby B @ -20.8 dBFS), resample, Lin dither) > FLAC 2496
Taper Notes:
View NotesPitch corrected against Dan's DAT, SHNID 150539, which also provides the first 10:30 of the show and a patch for the tape flip between Drums and Space. The other flips were during crowd noise and were removed, shortening the show compared to the DAT by about 30 seconds. Enjoy!
Source 12 of 17
2:50:29
SHNID:
gd1991-09-08.150539.senn-me88.rogosa.miller.sirmick.flac1648
Source:
Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Lineage:
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
Taper Notes:
View NotesThanks to Dan for making his masters available. Thanks to Charlie for doing the transfer. edited and mastered SIRMick August 2020
Taper: Ted Gidley
2:49:21
Taper:
Ted Gidley
Transferrer:
Andrew F
SHNID:
gd1991-09-08.nak300.gidley.123844.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2013
Taper Notes:
View NotesNote: ID-98392 patches, Touch of Grey 0:00 > 1:54, crowd end of Candyman 6:39 > Big River 0:04, Space 2:13 > 2:28.
Taper: Keith Litzenberger
2:51:34
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-09-08.sennme80.litzenberger.98392.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 from OTS
Lineage:
DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC
Taper: James Young and Clay Brennecke
2:50:42
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-09-08.fob.brennecke-young.GEMS.96398.flac16
Source:
B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro (Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle)
Lineage:
16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
Taper Notes:
View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994. James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time! Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. If you have questions or comments, Clay would love to hear from you - [email protected] - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - [email protected] - [email protected] A **GEMS** Production www.shnflac.net
Taper: Andrew F.
2:50:47
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1991-09-08.schoeps.andrewf.88003.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Soundforge used to make fades. - TLH used for FLAC compression and making checksums.
Taper: Andrew F
2:50:48
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-09-08.aud.andrewf.88002.sbeok.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View Notes- Break between Disc Two and Disc Three is seamless. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums.