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June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h49065
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k256
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k579
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k546
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k381
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k370
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.7k925
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k207
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.6k640
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k193
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k230
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.8k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k245
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2.1k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.6k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.2k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h39341
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k509
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k714
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k376
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k207
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k205
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h51664
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30423
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h322
7d956
30d61936
2 shows
2 tapes
1991
8/13/91
Sugaree
12:00
Candyman
6:55
High Time
9:18
tuning
1:10
Foolish Heart ->
10:04
Saint Of Circumstance ->
6:45
Eyes Of The World ->
13:46
Drums ->
19:13
Space ->
6:46
All Along The Watchtower ->
8:49
Black Peter ->
9:57
Sugar Magnolia
9:55
encore break
1:21
Black Muddy River
6:03
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:45:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] June 28, 2020
SHNID:
gd1991-08-13.150331.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB/Split 12') Schoeps MK2 > Master DAT > PCM (shnid=143088) supplies: Drums (19:08 - end of track) Space (0:00 - 0:20) All Along The Watchtower (4:47 - 5:23) Notes: -- Recorded by Don Pearson and Dan Healy -- The SBD feed going to all recorders cut out twice during Set 2 -- Master DAT was used to cover the flips and some tuning at the start of the sets -- Thanks to Tim Dalton and Joe Noel for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:08
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] June 28, 2020
SHNID:
gd1991-08-13.150306.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB/Split 12') Schoeps MK2 > Master DAT > PCM (shnid=143088) supplies: Drums (19:08 - end of track) Space (0:00 - 0:20) All Along The Watchtower (4:47 - 5:23) Notes: -- Recorded by Don Pearson and Dan Healy -- The SBD feed going to all recorders cut out twice during Set 2 -- Master DAT was used to cover the flips and some tuning at the start of the sets -- Thanks to Tim Dalton and Joe Noel for the patch source
Transferrer: Charlie Miller
2:44:47
SBD
Rating:
7.71 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-08-13.sbd.miller.109241.flac16
Source:
SBD -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: PO and Stucco TINA Holmes
2:41:19
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-08-13.137912.sbd.flac16
Source:
DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
Taper Notes:
View NotesIf burning to CD, split set two between 05 and 06. The soundboard recordings of this show all seem to have the same problems in the latter part of Space and the first part of All Along the Watchtower. The left channel starts dropping out and then is gone. It comes back in here and there. And then there is a complete 45 second gap where both channels are gone in Watchtower. To fix this the good channel is used for mono sound. Starting in Space the audio becomes a matrix with aud source shnid91678. So it's a matrix with stereo aud and mono sbd.This goes on until the aud takes over completely for the sdb gap in Watchtower. After the gap the aud fades out leaving the good stereo sound of the sdb. I prefer this fix rather than having nothing but mono sound and then an abrupt switch to an aud source.
Source 5 of 13
2:36:40
SBD
Rating:
8.00 / 6 ratings
SHNID:
gd91-08-13.sbd.oconnor.10927.sbeok.shnf
Source:
SBD>CM>DAT>CDR
Taper Notes:
View NotesSBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr)
Taper: Tim Dalton
2:45:02
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Joe Noel
Lineage:
PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
Taper Notes:
View NotesPatch info; - shnid 91678 (Sennheiser ME-80) supplies - s1t02; all - s1t03; all - shnid; 138191 (Schoeps CMC34) supplies - s2t08; 1:53 - 4:57 Notes: - Thanks to Tim Dalton for sharing his PCM - Thanks to ___________ for recording the show - Thanks to Charlie for his work on the transfer. - Thanks to Keith Litzenberger for the s1 patch source - Thanks to John Ammons for the s2 patch source. - Sadly this digital recording didn't fade gracefully into the sunset. Thanks to Charlie for walking me off the ledge & showing me a way out as it was riddled with drop outs & diginoise. Lost are Sugaree, Walkin' Blues, & a bout a third of Black Peter. This remarkable source has been painstakingly restored. Its not perfect, but I assure you its a hell of lot better then it was. For the most part, I left s1t01's digital deterioration alone to give the listener an idea what needed to be undertaken. Plus, it kinda reminded me of old scratchy vinyl, only difference being scratchy vinyl sounds better.
Transferrer: Pete Ebel
1:22:03
Transferrer:
Pete Ebel
SHNID:
gd1991-08-13.148404.set1.fob.BK4011.ebel.flac1648
Source:
FOB B&K 4011-> Sony D10 Pro II-> DAT
Lineage:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 26, 2019 Notes: Set #1 Only - This DAT Look's be be From One Of Clay Brennecke Master's. Jamie Young? There are 2 Let It Grow's...08. Let it Grow - Edit has filler from Schoeps CMC 32 (Source # 143088) to cover FOB Bust (00:01:21-> 11:48) 08. Let It Grow is What was on The DAT. It has the Mic's placed in bag during FOB bust. No music is missing, just muffled sound. Set #2 is Seamless This is a different Source than # 138191 B&K 4011
Transferrer: Pete Ebel
2:44:11
Transferrer:
Pete Ebel
SHNID:
gd1991-08-13.148403.fob.BK4011.ebel.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 26, 2019 Notes: Set #1 Let it Grow has filler from Schoeps CMC 32 (Source # 143088) to cover FOB Bust (00:01:26-> End Of Song) and Tuning To Start Set #2 Set #2 is Seamless This is a different Source than # 138191 B&K 4011
Taper: Rob Darroch & John Ammons
2:02:02
Taper:
Rob Darroch & John Ammons
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-08-13.138191.BK4011.Schoeps.fob.Darroch.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons
Lineage:
master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Rob, using the B&Ks, got busted after High Time. Like a true pro, however, he retained the partial tape, so there is some filler from set 1. Much like the story from 12-27-90, we realized between sets that we had enough gear left to assemble an emergency rig. It was Pete Oshman's equipment he'd brought as back up. So the set up happened in the OTS, just behind the board, and just before the band came on stage we were making our way back to the sweet spot. No stand was used due to security risk, and Rob couldn't be around the mics, so I hand held. Not the most fun way to see a show. Boy were we obsessed. [aka Deadicated]. - John. - Misery loves company. I did these shows the other not the most fun way, on crutches. - The low end is Philicious. - Good morning Mr Benson I see you're doing well. - Phil is tremendous throughout, but hold onto your hat coming out of Space.
Taper: Mike Darby
2:39:25
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1991-08-13.119112.akg451.darby.flac16
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2
Lineage:
ascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show from the GD 1991 summer tour! As always ENJOY!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:39:25
Rating:
8.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1991-08-13.119111.akg451.darby.flac24
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2
Lineage:
Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show from the GD 1991 summer tour! As always ENJOY!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:24:55
Rating:
6.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1991-08-13.113426.NeumannKMF4.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith Litzenberger
2:46:39
Rating:
9.00 / 5 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-08-13.wklitz.me80.91678.flac
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC