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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1991
8/13/91
Tuning
3:37
Picasso Moon
7:47
Sugaree
13:13
Walkin' Blues
6:27
Candyman
7:24
Stuck Inside Of Mobile With The Memphis Blues Again
9:16
High Time
8:28
Let It Grow
13:09
Tuning
0:52
Foolish Heart ->
10:04
Saint Of Circumstance ->
6:45
Eyes Of The World ->
13:42
Drums ->
20:45
Space ->
5:53
All Along The Watchtower ->
8:48
Black Peter ->
9:56
Sugar Magnolia
12:43
Black Muddy River
5:58
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:45:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] June 28, 2020
SHNID:
gd1991-08-13.150331.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB/Split 12') Schoeps MK2 > Master DAT > PCM (shnid=143088) supplies: Drums (19:08 - end of track) Space (0:00 - 0:20) All Along The Watchtower (4:47 - 5:23) Notes: -- Recorded by Don Pearson and Dan Healy -- The SBD feed going to all recorders cut out twice during Set 2 -- Master DAT was used to cover the flips and some tuning at the start of the sets -- Thanks to Tim Dalton and Joe Noel for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:08
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] June 28, 2020
SHNID:
gd1991-08-13.150306.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB/Split 12') Schoeps MK2 > Master DAT > PCM (shnid=143088) supplies: Drums (19:08 - end of track) Space (0:00 - 0:20) All Along The Watchtower (4:47 - 5:23) Notes: -- Recorded by Don Pearson and Dan Healy -- The SBD feed going to all recorders cut out twice during Set 2 -- Master DAT was used to cover the flips and some tuning at the start of the sets -- Thanks to Tim Dalton and Joe Noel for the patch source
Transferrer: Charlie Miller
2:44:47
SBD
Rating:
7.71 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-08-13.sbd.miller.109241.flac16
Source:
SBD -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Taper: PO and Stucco TINA Holmes
2:41:19
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-08-13.137912.sbd.flac16
Source:
DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
Taper Notes:
View NotesIf burning to CD, split set two between 05 and 06. The soundboard recordings of this show all seem to have the same problems in the latter part of Space and the first part of All Along the Watchtower. The left channel starts dropping out and then is gone. It comes back in here and there. And then there is a complete 45 second gap where both channels are gone in Watchtower. To fix this the good channel is used for mono sound. Starting in Space the audio becomes a matrix with aud source shnid91678. So it's a matrix with stereo aud and mono sbd.This goes on until the aud takes over completely for the sdb gap in Watchtower. After the gap the aud fades out leaving the good stereo sound of the sdb. I prefer this fix rather than having nothing but mono sound and then an abrupt switch to an aud source.
Source 5 of 13
2:36:40
SBD
Rating:
8.00 / 6 ratings
SHNID:
gd91-08-13.sbd.oconnor.10927.sbeok.shnf
Source:
SBD>CM>DAT>CDR
Taper Notes:
View NotesSBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr)
Taper: Tim Dalton
2:45:02
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Joe Noel
Lineage:
PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
Taper Notes:
View NotesPatch info; - shnid 91678 (Sennheiser ME-80) supplies - s1t02; all - s1t03; all - shnid; 138191 (Schoeps CMC34) supplies - s2t08; 1:53 - 4:57 Notes: - Thanks to Tim Dalton for sharing his PCM - Thanks to ___________ for recording the show - Thanks to Charlie for his work on the transfer. - Thanks to Keith Litzenberger for the s1 patch source - Thanks to John Ammons for the s2 patch source. - Sadly this digital recording didn't fade gracefully into the sunset. Thanks to Charlie for walking me off the ledge & showing me a way out as it was riddled with drop outs & diginoise. Lost are Sugaree, Walkin' Blues, & a bout a third of Black Peter. This remarkable source has been painstakingly restored. Its not perfect, but I assure you its a hell of lot better then it was. For the most part, I left s1t01's digital deterioration alone to give the listener an idea what needed to be undertaken. Plus, it kinda reminded me of old scratchy vinyl, only difference being scratchy vinyl sounds better.
Transferrer: Pete Ebel
1:22:03
Transferrer:
Pete Ebel
SHNID:
gd1991-08-13.148404.set1.fob.BK4011.ebel.flac1648
Source:
FOB B&K 4011-> Sony D10 Pro II-> DAT
Lineage:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 26, 2019 Notes: Set #1 Only - This DAT Look's be be From One Of Clay Brennecke Master's. Jamie Young? There are 2 Let It Grow's...08. Let it Grow - Edit has filler from Schoeps CMC 32 (Source # 143088) to cover FOB Bust (00:01:21-> 11:48) 08. Let It Grow is What was on The DAT. It has the Mic's placed in bag during FOB bust. No music is missing, just muffled sound. Set #2 is Seamless This is a different Source than # 138191 B&K 4011
Transferrer: Pete Ebel
2:44:11
Transferrer:
Pete Ebel
SHNID:
gd1991-08-13.148403.fob.BK4011.ebel.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 26, 2019 Notes: Set #1 Let it Grow has filler from Schoeps CMC 32 (Source # 143088) to cover FOB Bust (00:01:26-> End Of Song) and Tuning To Start Set #2 Set #2 is Seamless This is a different Source than # 138191 B&K 4011
Taper: Rob Darroch & John Ammons
2:02:02
Taper:
Rob Darroch & John Ammons
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-08-13.138191.BK4011.Schoeps.fob.Darroch.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons
Lineage:
master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Rob, using the B&Ks, got busted after High Time. Like a true pro, however, he retained the partial tape, so there is some filler from set 1. Much like the story from 12-27-90, we realized between sets that we had enough gear left to assemble an emergency rig. It was Pete Oshman's equipment he'd brought as back up. So the set up happened in the OTS, just behind the board, and just before the band came on stage we were making our way back to the sweet spot. No stand was used due to security risk, and Rob couldn't be around the mics, so I hand held. Not the most fun way to see a show. Boy were we obsessed. [aka Deadicated]. - John. - Misery loves company. I did these shows the other not the most fun way, on crutches. - The low end is Philicious. - Good morning Mr Benson I see you're doing well. - Phil is tremendous throughout, but hold onto your hat coming out of Space.
Taper: Mike Darby
2:39:25
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1991-08-13.119112.akg451.darby.flac16
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2
Lineage:
ascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show from the GD 1991 summer tour! As always ENJOY!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:39:25
Rating:
8.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1991-08-13.119111.akg451.darby.flac24
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2
Lineage:
Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show from the GD 1991 summer tour! As always ENJOY!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:24:55
Rating:
6.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1991-08-13.113426.NeumannKMF4.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith Litzenberger
2:46:39
Rating:
9.00 / 5 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-08-13.wklitz.me80.91678.flac
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC