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June 16th
5 shows
82 tapes
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1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
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1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
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1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1991
8/13/91
Tuning
3:37
Picasso Moon
7:43
Sugaree
13:18
Walkin' Blues
6:28
Candyman
7:25
Stuck Inside Of Mobile With The Memphis Blues Again
9:18
High Time
8:26
Let It Grow
13:14
Tuning
0:53
Foolish Heart >
10:04
Saint Of Circumstance >
6:46
Eyes Of The World >
13:44
Drums >
20:47
Space >
5:54
All Along The Watchtower >
8:49
Black Peter >
9:57
Sugar Magnolia
9:50
Encore Break
2:55
Black Muddy River
6:00
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:45:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] June 28, 2020
SHNID:
gd1991-08-13.150331.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB/Split 12') Schoeps MK2 > Master DAT > PCM (shnid=143088) supplies: Drums (19:08 - end of track) Space (0:00 - 0:20) All Along The Watchtower (4:47 - 5:23) Notes: -- Recorded by Don Pearson and Dan Healy -- The SBD feed going to all recorders cut out twice during Set 2 -- Master DAT was used to cover the flips and some tuning at the start of the sets -- Thanks to Tim Dalton and Joe Noel for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:08
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] June 28, 2020
SHNID:
gd1991-08-13.150306.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB/Split 12') Schoeps MK2 > Master DAT > PCM (shnid=143088) supplies: Drums (19:08 - end of track) Space (0:00 - 0:20) All Along The Watchtower (4:47 - 5:23) Notes: -- Recorded by Don Pearson and Dan Healy -- The SBD feed going to all recorders cut out twice during Set 2 -- Master DAT was used to cover the flips and some tuning at the start of the sets -- Thanks to Tim Dalton and Joe Noel for the patch source
Taper: PO and Stucco TINA Holmes
2:41:19
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Mastering and editing by acetboy
SHNID:
gd1991-08-13.137912.sbd.flac16
Source:
DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
Taper Notes:
View NotesIf burning to CD, split set two between 05 and 06. The soundboard recordings of this show all seem to have the same problems in the latter part of Space and the first part of All Along the Watchtower. The left channel starts dropping out and then is gone. It comes back in here and there. And then there is a complete 45 second gap where both channels are gone in Watchtower. To fix this the good channel is used for mono sound. Starting in Space the audio becomes a matrix with aud source shnid91678. So it's a matrix with stereo aud and mono sbd.This goes on until the aud takes over completely for the sdb gap in Watchtower. After the gap the aud fades out leaving the good stereo sound of the sdb. I prefer this fix rather than having nothing but mono sound and then an abrupt switch to an aud source.
Taper: Tim Dalton
2:45:02
Taper:
Tim Dalton
Transferrer:
Charlie Miller and Joe Noel
Lineage:
PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
Taper Notes:
View NotesPatch info; - shnid 91678 (Sennheiser ME-80) supplies - s1t02; all - s1t03; all - shnid; 138191 (Schoeps CMC34) supplies - s2t08; 1:53 - 4:57 Notes: - Thanks to Tim Dalton for sharing his PCM - Thanks to ___________ for recording the show - Thanks to Charlie for his work on the transfer. - Thanks to Keith Litzenberger for the s1 patch source - Thanks to John Ammons for the s2 patch source. - Sadly this digital recording didn't fade gracefully into the sunset. Thanks to Charlie for walking me off the ledge & showing me a way out as it was riddled with drop outs & diginoise. Lost are Sugaree, Walkin' Blues, & a bout a third of Black Peter. This remarkable source has been painstakingly restored. Its not perfect, but I assure you its a hell of lot better then it was. For the most part, I left s1t01's digital deterioration alone to give the listener an idea what needed to be undertaken. Plus, it kinda reminded me of old scratchy vinyl, only difference being scratchy vinyl sounds better.
Transferrer: Pete Ebel
1:22:03
Transferrer:
Pete Ebel
SHNID:
gd1991-08-13.148404.set1.fob.BK4011.ebel.flac1648
Source:
FOB B&K 4011-> Sony D10 Pro II-> DAT
Lineage:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 26, 2019 Notes: Set #1 Only - This DAT Look's be be From One Of Clay Brennecke Master's. Jamie Young? There are 2 Let It Grow's...08. Let it Grow - Edit has filler from Schoeps CMC 32 (Source # 143088) to cover FOB Bust (00:01:21-> 11:48) 08. Let It Grow is What was on The DAT. It has the Mic's placed in bag during FOB bust. No music is missing, just muffled sound. Set #2 is Seamless This is a different Source than # 138191 B&K 4011
Taper: Rob Darroch & John Ammons
2:02:02
Taper:
Rob Darroch & John Ammons
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1991-08-13.138191.BK4011.Schoeps.fob.Darroch.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons
Lineage:
master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Rob, using the B&Ks, got busted after High Time. Like a true pro, however, he retained the partial tape, so there is some filler from set 1. Much like the story from 12-27-90, we realized between sets that we had enough gear left to assemble an emergency rig. It was Pete Oshman's equipment he'd brought as back up. So the set up happened in the OTS, just behind the board, and just before the band came on stage we were making our way back to the sweet spot. No stand was used due to security risk, and Rob couldn't be around the mics, so I hand held. Not the most fun way to see a show. Boy were we obsessed. [aka Deadicated]. - John. - Misery loves company. I did these shows the other not the most fun way, on crutches. - The low end is Philicious. - Good morning Mr Benson I see you're doing well. - Phil is tremendous throughout, but hold onto your hat coming out of Space.