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Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h43960
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.2k364
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k307
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.4k327
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k369
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k375
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.7k342
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k168
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.4k940
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h928105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.5k292
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h4.8k559
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k159
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.5k185
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k229
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.4k989
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k209
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k252
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.7k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.7k1.4k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h46647
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k474
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.8k635
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.9k364
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k185
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.7k212
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.7k255
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h80999
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11317
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21817
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h352
7d1037
30d62737
2 shows
2 tapes
1991
6/17/91
Tuning >
0:55
Eyes Of The World >
15:02
Walkin' Blues
7:00
Brown Eyed Women >
6:10
Dark Star Tease >
1:33
Masterpiece
6:25
Loose Lucy
9:15
Cassidy >
7:12
Might As Well
6:23
Tuning/St. Jam >
2:59
Saint Of Circumstance >
7:02
Ship Of Fools >
7:55
Dark Star Jam >
1:18
Truckin' >
6:57
New Speedway Boogie >
10:00
Uncle John's Band >
13:19
Dark Star Jam >
6:12
Drums >
12:12
Space >
8:26
China Doll >
5:17
Playin' (Reprise)
4:35
Sugar Magnolia
11:54
The Weight
6:01
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:44:09
SBD
Rating:
8.00 / 2 ratings
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020
SHNID:
gd1991-06-17.150677.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make the show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:44:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020
SHNID:
gd1991-06-17.150633.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make the show complete
Transferrer: Charlie Miller
2:37:36
SBD
Transferrer:
Charlie Miller
SHNID:
gd1991-06-17.137547.sbd.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make show complete -- This is the 24bit 137545 > 16bit with r8brain
Transferrer: Charlie Miller
2:37:36
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-06-17.137545.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make show complete
Source 5 of 22
2:44:01
SBD
Rating:
9.25 / 16 ratings
SHNID:
gd91-06-17.sbd.miller.25608.sbeok.shnf
Source:
Recording Info: SBD -> Master Dat (44.1k) -> Dat CloneTransfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Edited By Charlie Miller[Note: This is the only circulating source without an analog gen in i
Taper Notes:
View NotesRecording Info: SBD -> Master Dat (44.1k) -> Dat Clone Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Edited By Charlie Miller [Note: This is the only circulating source without an analog gen in it.]
Transferrer: DTS Mix by Kevin Tobin
2:44:03
SBD
Transferrer:
DTS Mix by Kevin Tobin
SHNID:
gd1991-06-17.135943.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:44:03
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1991-06-17.135942.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Product
Transferrer: 5.1 Surround Sound Mix by Kevin Tobin
2:44:03
SBD
Transferrer:
5.1 Surround Sound Mix by Kevin Tobin
SHNID:
gd1991-06-17.135941.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) <b>flac16/48</b>; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Matrix by Dave Usborne
2:44:43
SBD
Rating:
9.00 / 6 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-06-17.128692.mtx.dusborne.flac16
Source:
3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
Taper Notes:
View NotesMatrix by dusborne 04-30-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-30-2014
Transferrer: Dan Haugh
2:44:02
SBD
Rating:
9.80 / 10 ratings
Transferrer:
Dan Haugh
SHNID:
gd1991-06-17.mtx.dan.31606.sbeok.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Source 11 of 22
2:36:16
SBD
Rating:
9.46 / 60 ratings
SHNID:
gd91-06-17.sbd.gardner.3591.sbeok.shnf
Source:
sbd> ?> cdr> eac> shn
Taper Notes:
View Notessbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
Source 12 of 22
2:36:28
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1991-06-17.484.sbd.shnf
Source:
SBD > DAT > CD-R > .SHN
Taper Notes:
View NotesFirst second or two of Eyes is missing Jeff Tiedrich's Tapes in Circulation webpage lists this as a direct Master SBD DAT > circulation show. Lineage is therefore SBD > DAT > CD-R > .SHN
Taper: Dan Rogosa
2:43:11
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-06-17.170673.me88.mc.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX 90, 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades) > FLAC 2496
Taper: Dan Rogosa
2:43:11
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-06-17.170672.me88.mc.rogosa.flac1644_202504
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX 90, 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, resample, Lin dither) > FLAC 1644
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:46:06
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel May 04, 2020
SHNID:
gd1991-06-17.150371.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16/48) Location: FOB, Section B, Row 30, Seat 20 (hand held)
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesPatch info; - shnid 134054 (AKG-414) supplies - s2t07; 06:27 - 06:36 Notes: - Thanks to Dave Brotman & Jeff Metchick or recording the show. - Thanks to Charlie Miller for the transfer. - Thanks to Ted Mattes for coordinating this project. - Thanks to Dan Tepper for the patch source - Little Feat opened - There is an Other One tease out of the Uncle John Band jam & after the Dark Star Jam before drums. - last first-set "Eyes": 08-13-75 [1083] - last "Dark Star Jam": 06-23-74 [1110] - thanks to Dan Tepper for the patch source
Taper: Dan Tepper
2:39:16
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1991-06-17.134054.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: Mr. Currier
2:53:11
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-06-17.AKG451.Currier.Keo.122791.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Please Note that we think the first set may be possibly a first generation copy from the Master Dat patched out of Mr. Currier's PDM 430>Sony TCD-D10,still the only AKG source and from cassettes! * Comments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!Some right channel problems first minute or so.What an excellent show this was and a fine share from Mr. Currier's collection of masters!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:53:11
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-06-17.AKG451.Currier.Keo.122790.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Please Note that we think the first set may be possibly a first generation copy from the Master Dat patched out of Mr. Currier's PDM 430>Sony TCD-D10,still the only AKG source and from cassettes! * Comments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!Some right Channel problems first minute or so.What an excellent show this was and a fine share from Mr. Currier's collection of masters!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: James Young and Clay Brennecke
2:42:39
Rating:
9.14 / 7 ratings
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-06-17.fob.brennecke-young.GEMS.95644.flac16
Source:
B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
Taper: Andrew F
2:43:23
Rating:
8.00 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-06-17.aud.andrewf.86660.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right).
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View NotesNotes: - Several untracked Dark Star hints thru-out the concert. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Seamless break between Discs Two and Three.
Taper: Andrew F
2:43:24
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-06-17.nak300.andrewf.86659.sbeok.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right).
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Several untracked Dark Star hints thru-out the concert. - Soundforge used to make fades. - TLH used for FLAC compression and making checksums.
Transferrer: Dan Haugh
2:44:02
Rating:
8.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1991-06-17.dts.dan.33670.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix