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Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h54973
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.4k178
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k432
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.5k330
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k631
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h6.9k863
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k348
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.8k314
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h982111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k212
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4k474
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k174
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.3k289
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.5k284
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k210
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k264
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9.9k1.3k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.7k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h20522
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k499
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h9.8k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.1k261
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k181
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k190
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k167
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56871
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9414
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48431
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1991
6/17/91
Tuning
0:56
Eyes Of The World >
15:01
Walkin' Blues
7:02
Brown Eyed Women
6:10
Dark Star Jam >
1:33
When I Paint My Masterpiece
6:27
Loose Lucy
9:16
Cassidy >
7:12
Might As Well
6:24
Tuning
3:01
Saint Of Circumstance >
7:00
Ship Of Fools >
8:01
Dark Star Jam >
1:14
Truckin' >
6:56
New Speedway Boogie >
10:06
Uncle John's Band >
20:19
Drums >
11:17
Space >
8:25
China Doll >
5:18
Playing In The Band Reprise >
4:18
Dark Star Jam >
0:15
Sugar Magnolia
9:20
Encore Break
2:37
The Weight
6:01
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:44:09
SBD
Rating:
8.00 / 2 ratings
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020
SHNID:
gd1991-06-17.150677.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make the show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:44:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 28, 2020
SHNID:
gd1991-06-17.150633.sbd.pearson-healy.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make the show complete
Transferrer: Charlie Miller
2:37:36
SBD
Transferrer:
Charlie Miller
SHNID:
gd1991-06-17.137547.sbd.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make show complete -- This is the 24bit 137545 > 16bit with r8brain
Transferrer: Charlie Miller
2:37:36
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-06-17.137545.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make show complete
Source 5 of 22
2:44:01
SBD
Rating:
9.25 / 16 ratings
SHNID:
gd91-06-17.sbd.miller.25608.sbeok.shnf
Source:
Recording Info: SBD -> Master Dat (44.1k) -> Dat CloneTransfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Edited By Charlie Miller[Note: This is the only circulating source without an analog gen in i
Taper Notes:
View NotesRecording Info: SBD -> Master Dat (44.1k) -> Dat Clone Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Edited By Charlie Miller [Note: This is the only circulating source without an analog gen in it.]
Transferrer: DTS Mix by Kevin Tobin
2:44:03
SBD
Transferrer:
DTS Mix by Kevin Tobin
SHNID:
gd1991-06-17.135943.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:44:03
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1991-06-17.135942.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Product
Transferrer: 5.1 Surround Sound Mix by Kevin Tobin
2:44:03
SBD
Transferrer:
5.1 Surround Sound Mix by Kevin Tobin
SHNID:
gd1991-06-17.135941.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone;
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) <b>flac16/48</b>; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-JUN-2016 - Trader Little Helper - Tagged 11-JUN-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Matrix by Dave Usborne
2:44:43
SBD
Rating:
9.00 / 6 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1991-06-17.128692.mtx.dusborne.flac16
Source:
3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
Taper Notes:
View NotesMatrix by dusborne 04-30-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 04-30-2014
Transferrer: Dan Haugh
2:44:02
SBD
Rating:
9.80 / 10 ratings
Transferrer:
Dan Haugh
SHNID:
gd1991-06-17.mtx.dan.31606.sbeok.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Source 11 of 22
2:36:16
SBD
Rating:
9.46 / 60 ratings
SHNID:
gd91-06-17.sbd.gardner.3591.sbeok.shnf
Source:
sbd> ?> cdr> eac> shn
Taper Notes:
View Notessbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
Source 12 of 22
2:36:28
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1991-06-17.484.sbd.shnf
Source:
SBD > DAT > CD-R > .SHN
Taper Notes:
View NotesFirst second or two of Eyes is missing Jeff Tiedrich's Tapes in Circulation webpage lists this as a direct Master SBD DAT > circulation show. Lineage is therefore SBD > DAT > CD-R > .SHN
Taper: Dan Rogosa
2:43:11
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-06-17.170673.me88.mc.rogosa.flac2496
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX 90, 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades) > FLAC 2496
Taper: Dan Rogosa
2:43:11
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1991-06-17.170672.me88.mc.rogosa.flac1644_202504
Source:
2x Sennheiser ME 88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)
Lineage:
Transfer: MC (MX 90, 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, resample, Lin dither) > FLAC 1644
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
2:46:06
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel May 04, 2020
SHNID:
gd1991-06-17.150371.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16/48) Location: FOB, Section B, Row 30, Seat 20 (hand held)
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesPatch info; - shnid 134054 (AKG-414) supplies - s2t07; 06:27 - 06:36 Notes: - Thanks to Dave Brotman & Jeff Metchick or recording the show. - Thanks to Charlie Miller for the transfer. - Thanks to Ted Mattes for coordinating this project. - Thanks to Dan Tepper for the patch source - Little Feat opened - There is an Other One tease out of the Uncle John Band jam & after the Dark Star Jam before drums. - last first-set "Eyes": 08-13-75 [1083] - last "Dark Star Jam": 06-23-74 [1110] - thanks to Dan Tepper for the patch source
Taper: Dan Tepper
2:39:16
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1991-06-17.134054.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: Mr. Currier
2:53:11
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-06-17.AKG451.Currier.Keo.122791.Flac1644
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Please Note that we think the first set may be possibly a first generation copy from the Master Dat patched out of Mr. Currier's PDM 430>Sony TCD-D10,still the only AKG source and from cassettes! * Comments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!Some right channel problems first minute or so.What an excellent show this was and a fine share from Mr. Currier's collection of masters!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mr. Currier
2:53:11
Taper:
Mr. Currier
Transferrer:
Keo
SHNID:
gd1991-06-17.AKG451.Currier.Keo.122790.Flac2496
Source:
Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Please Note that we think the first set may be possibly a first generation copy from the Master Dat patched out of Mr. Currier's PDM 430>Sony TCD-D10,still the only AKG source and from cassettes! * Comments:Another Huge Thanks out to Mr. Currier for recording and sharing his source for this show!Some right Channel problems first minute or so.What an excellent show this was and a fine share from Mr. Currier's collection of masters!!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: James Young and Clay Brennecke
2:42:39
Rating:
9.14 / 7 ratings
Taper:
James Young and Clay Brennecke
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1991-06-17.fob.brennecke-young.GEMS.95644.flac16
Source:
B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section
Lineage:
16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
Taper: Andrew F
2:43:23
Rating:
8.00 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-06-17.aud.andrewf.86660.sbeok.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right).
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View NotesNotes: - Several untracked Dark Star hints thru-out the concert. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Seamless break between Discs Two and Three.
Taper: Andrew F
2:43:24
Rating:
8.00 / 1 rating
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-06-17.nak300.andrewf.86659.sbeok.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right).
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Several untracked Dark Star hints thru-out the concert. - Soundforge used to make fades. - TLH used for FLAC compression and making checksums.
Transferrer: Dan Haugh
2:44:02
Rating:
8.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1991-06-17.dts.dan.33670.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix