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1991
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June 16th
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1995
30.1k
49 shows
343 tapes
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12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
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45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
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20.3k
82 shows
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42.7k
88 shows
1,025 tapes
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12.5k
47 shows
684 tapes
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24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
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21k
71 shows
1,069 tapes
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42.4k
63 shows
753 tapes
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31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
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267.8k
64 shows
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91.9k
45 shows
298 tapes
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6.3k
25 shows
63 tapes
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89.9k
42 shows
324 tapes
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90.4k
75 shows
445 tapes
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62.9k
88 shows
361 tapes
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33.7k
82 shows
357 tapes
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39.3k
101 shows
376 tapes
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28.3k
112 shows
326 tapes
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8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1991
5/10/91
tuning
4:49
Jack Straw
6:19
They Love Each Other
9:41
Walkin' Blues
6:48
tuning
2:18
Stagger Lee
5:09
tuning
2:37
Me and My Uncle ->
3:11
Maggie's Farm
9:57
Cold Rain and Snow
7:40
Desolation Row
11:33
Don't Ease Me In
3:27
Foolish Heart ->
10:53
Saint of Circumstance ->
6:50
Crazy Fingers ->
8:10
Truckin' ->
8:16
New Speedway Boogie ->
11:30
Drums ->
11:18
Space ->
11:19
The Wheel ->
6:26
All Along The Watchtower ->
8:52
Black Peter ->
11:30
Sugar Magnolia
9:43
encore break
3:12
It's All Over Now, Baby Blue
7:01
FIN
View on archive.org
Sources
Source 4 of 5
3:03:58
SHNID:
gd1991-05-10.166598.mtx.seamons.ht167.flac1644
Source:
Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut for pre- and post-mix EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) December 27, 2023
Taper Notes:
View NotesNotes: Some initial fluctuations in the SBD mix at the beginnings of the sets. The sound improves in set 1 with They Love Each Other. A loud drum boom was reduced in Jack Straw. The #149676 SBD CM patches a dropout in Cold Rain and Snow (transfer by Charlie Miller, 4/24/20). EQ was used to address some boominess in the AUD and two sections of extended high end in the SBD. SBD levels changed at times (more significantly with part of Sugar Magnolia and all of Baby Blue), for which adjustments were made. About a 1:10 segment was repeated during the Space > Wheel transition in the SBD source and was removed. Some clicks and pops were removed. A moment of digi-static was removed at 3:03 in Foolish Heart. The SBD was so darn dry that even the matrix comes off as a little dry at times, but there really is a significant improvement here if one compares it to the original soundboard source. The SBD/AUD mix is pretty standard ratio, and compensatory level adjustments were made as needed. Awesome '91 show! Great second set! Nice choice, Dan!