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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h49767
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k407
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k308
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k303
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k394
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k403
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k163
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k982
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h944107
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.2k380
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.8k568
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k160
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k190
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k232
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.3k967
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k198
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k239
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.3k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h48048
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.7k469
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k650
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k379
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.5k163
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k219
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k281
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h850104
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12218
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24818
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1991
3/27/91
Crowd/Tuning
0:35
Hell In A Bucket
6:35
Cold Rain And Snow
8:30
New Minglewood Blues
9:25
Row Jimmy (Tape Flip After Song)
13:28
Mama Tried >
3:29
Maggie's Farm
6:45
Loose Lucy
9:15
Picasso Moon
8:30
Rubin And Cherise, Set Break
7:58
Scarlet Begonias >
11:12
Fire On The Mountain >
15:45
Fire On The Mountain >
12:52
Estimated Prophet >
10:05
Uncle John's Band >
11:02
D..rums > (Tape Flip Near Start)
10:53
Space >
7:17
All Along The Watchtower >
9:34
Stella Blue >
9:42
Sugar Magnolia > Sunshine Daydream
5:42
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:04:19
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 4, 2021
SHNID:
gd1991-03-27.154474.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is 152199 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
3:04:19
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 4, 2021
SHNID:
gd1991-03-27.152199.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
3:02:36
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1991-03-27.120857.sbd.miller.flac24
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:02:36
SBD
Transferrer:
Charlie Miller
SHNID:
gd1991-03-27.120855.sbd.miller.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Source 5 of 20
2:56:04
SBD
Rating:
7.88 / 17 ratings
SHNID:
gd91-03-27.sbd.miller.14486.sbeok.shnf
Transferrer: Bill Tetzeli
2:56:45
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1991-03-27.sbd.miller.tetzeli.fix-14486.35163.reflac.flac16
Source:
Fix of shnid 14486
Taper Notes:
View NotesI used the FOB on archive.org (shnid 28390) to patch 40 seconds of tape flip in drums (from about 2:00), then to patch another few seconds that were missing in the transition from CD 2 to CD 3. The 2nd set is now seamless. SBEs were fixed using shntool and all SHNs converted to FLAC. I chose a quiet place between drums and space to make the transition between CDs 2 and 3, so no fade tracks were necessary. All patches were done in CE Pro with crossfades. AUD patch source was time/pitch stretched to 98.78%. Bill Tetzeli ([email protected]) 1:13 PM 6/16/2006
Transferrer: Chris Ladner
2:56:17
SBD
Transferrer:
Chris Ladner
SHNID:
gd1991-03-27.sbd.harrison-braverman.ladner.10310.shnf
Source:
Soundboard
Lineage:
sbefix of shnid 9405
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002. ** REPAIR NOTES ** There were sector boundary errors on d1t09, all of disc 2, and the last 2 tracks of disc 3. To correct these, the SHN's were converted to WAV and then the resulting wav's were grouped by set (d1 and d2+d3) and fixed using the command "shntool fix *.wav" run on all of the wav files for each set. Shntool 1.01 was used. Shorten 1.4 was used to make SHN's from the wav's. I also removed the dropout from d2t02 using soundforge 5. The resulting fixed wavs were compressed back to SHN and new md5's were made - Chris L.
Transferrer: Tony Gardner shntool fix of Peter Braverman/Rob Harrison source shnid = 9405
5:52:33
SBD
Transferrer:
Tony Gardner shntool fix of Peter Braverman/Rob Harrison source shnid = 9405
SHNID:
gd1991-03-27.sbd.harrison-braverman.gardner.9980.shnf
Source:
Soundboard
Lineage:
Master Cassette > DAT> CD> SHN
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002. Original seed from Peter had SBE's on many tracks. shntool used to fix SBE's and entire show re-encoded with shnv3 (with seek) by Tony G ([email protected]) 6-9-02.
Source 9 of 20
5:52:32
SBD
SHNID:
gd1991-03-27.sbd.braverman.9405.shnf
Lineage:
Master Cassette > DAT> CD> SHN
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002.
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:08:46
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 18, 2020
SHNID:
gd1991-03-27.149559.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section B1, row 19, seat 8
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer.
Taper: Tim Dalton
3:11:09
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-27.146181.neuman-skm150.dalton.miller.sirmick.flac1648
Source:
(FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for providing his master. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2019
Taper: Rich Gastwirk
3:07:39
Taper:
Rich Gastwirk
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-27.139159.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.sbeok.flac1648
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
Taper: JC Mahoney
1:47:30
Rating:
4.67 / 3 ratings
Taper:
JC Mahoney
Transferrer:
Charlie Miller
SHNID:
gd91-03-27.set2.fob-schoeps-mahoney-oneill.miller.28390.sbeok.shnf
Source:
Set 2 FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k)
Lineage:
Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View Notesset2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller
Taper: Ray Ackerman
3:00:33
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-03-27.141407.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - tape pauses cross faded
Source 15 of 20
3:05:36
Rating:
10.00 / 1 rating
SHNID:
gd1991-03-27.172999.mtx.seamons.ht178.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 1, 2025
Taper Notes:
View NotesNotes: The SBD source was pitch corrected faster, between 0.8% and 0.6%. The SBD mix fluctuates a little for the first couple of songs. Two SBD dropouts, in Minglewood Blues and Row Jimmy, were patched with the AUD. Some static in Row Jimmy was cleaned up. The UltraMatrix SBD source became noticeably dryer beginning with Loose Lucy, which allowed for higher AUD levels in the mix, and even higher thereafter. For a minute during Drums, 0:50 - 1:50, the AUD source suddenly picks up a distinct echo effect from the PA, also present in the other AUD tapes. (The SBD and AUD sources are not out of sync for this section of the matrix.) "Apocalypse Now" bass effects begin midway into Space. Very light EQ applied, with a few areas receiving slightly different configurations in the SBD.
Taper: Fitzy
2:58:34
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-27.133608.Nak300s-Senn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Fitzy
2:58:34
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-27.133607.Nak300s-Senn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Andrew F
3:04:39
Taper:
Andrew F
Transferrer:
AndrewF
SHNID:
gd1991-03-27.nak300.andrewf.113159.flac1644
Source:
AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS.
Lineage:
Transfer: MAD > Sony DTC-690 > Optical Out > Marantz CDR-500 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged.
Taper Notes:
View NotesD1 s1t01 > s1t09, D2 s2t01 > s2t06, D3 s2t07 > s2t12.
Taper: Keith Litzenberger
3:05:20
Taper:
Keith Litzenberger
SHNID:
gd1991-03-27.senn-me80.litzenberger.91484.sbeok.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 Recorded in the Taper Section by Keith Litzenberger
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades & Sample Rate Conversion)>CDWAV>FLAC
Source 20 of 20
3:01:33
Rating:
8.67 / 3 ratings
SHNID:
gd91-03-27.aud.eD.9189.sbeok.shnf
Source:
AUD>DAT>CDR
Taper Notes:
View NotesAUD>DAT>CDR; Seeded to etree by eD