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June 13th
Years
1995
30.2k
PlaybackListensHours
48h58177
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h785118
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.2k438
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.2k685
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.3k806
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k355
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k357
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k152
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5.1k573
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h997112
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k205
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k424
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k181
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.9k240
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.2k746
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k230
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k274
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.7k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h20.8k2.7k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h29231
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k474
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.4k736
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k308
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k211
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k167
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42453
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15020
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h39828
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h202
7d1268
30d63237
2 shows
2 tapes
1991
3/27/91
crowd/tuning
3:05
Hell In A Bucket
8:30
Cold Rain And Snow
7:58
New Minglewood Blues
11:05
Row Jimmy
13:16
Mama Tried >
2:31
Maggie's Farm
7:49
Loose Lucy
10:08
Picasso Moon
7:00
Reuben And Cherise
7:48
crowd/tuning
4:41
Scarlet Begonias >
11:08
Fire On The Mountain
15:42
Estimated Prophet
13:09
Uncle John's Band
10:03
Drums >
12:29
Space >
9:55
All Along The Watchtower
7:28
Stella Blue
9:28
Sugar Magnolia
9:42
encore break~~
3:00
Box Of Rain
5:14
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:04:19
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 4, 2021
SHNID:
gd1991-03-27.154474.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is 152199 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
3:04:19
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 4, 2021
SHNID:
gd1991-03-27.152199.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
3:02:36
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1991-03-27.120857.sbd.miller.flac24
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:02:36
SBD
Transferrer:
Charlie Miller
SHNID:
gd1991-03-27.120855.sbd.miller.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Source 5 of 20
2:56:04
SBD
Rating:
7.88 / 17 ratings
SHNID:
gd91-03-27.sbd.miller.14486.sbeok.shnf
Transferrer: Bill Tetzeli
2:56:45
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1991-03-27.sbd.miller.tetzeli.fix-14486.35163.reflac.flac16
Source:
Fix of shnid 14486
Taper Notes:
View NotesI used the FOB on archive.org (shnid 28390) to patch 40 seconds of tape flip in drums (from about 2:00), then to patch another few seconds that were missing in the transition from CD 2 to CD 3. The 2nd set is now seamless. SBEs were fixed using shntool and all SHNs converted to FLAC. I chose a quiet place between drums and space to make the transition between CDs 2 and 3, so no fade tracks were necessary. All patches were done in CE Pro with crossfades. AUD patch source was time/pitch stretched to 98.78%. Bill Tetzeli ([email protected]) 1:13 PM 6/16/2006
Transferrer: Chris Ladner
2:56:17
SBD
Transferrer:
Chris Ladner
SHNID:
gd1991-03-27.sbd.harrison-braverman.ladner.10310.shnf
Source:
Soundboard
Lineage:
sbefix of shnid 9405
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002. ** REPAIR NOTES ** There were sector boundary errors on d1t09, all of disc 2, and the last 2 tracks of disc 3. To correct these, the SHN's were converted to WAV and then the resulting wav's were grouped by set (d1 and d2+d3) and fixed using the command "shntool fix *.wav" run on all of the wav files for each set. Shntool 1.01 was used. Shorten 1.4 was used to make SHN's from the wav's. I also removed the dropout from d2t02 using soundforge 5. The resulting fixed wavs were compressed back to SHN and new md5's were made - Chris L.
Transferrer: Tony Gardner shntool fix of Peter Braverman/Rob Harrison source shnid = 9405
5:52:33
SBD
Transferrer:
Tony Gardner shntool fix of Peter Braverman/Rob Harrison source shnid = 9405
SHNID:
gd1991-03-27.sbd.harrison-braverman.gardner.9980.shnf
Source:
Soundboard
Lineage:
Master Cassette > DAT> CD> SHN
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002. Original seed from Peter had SBE's on many tracks. shntool used to fix SBE's and entire show re-encoded with shnv3 (with seek) by Tony G ([email protected]) 6-9-02.
Source 9 of 20
5:52:32
SBD
SHNID:
gd1991-03-27.sbd.braverman.9405.shnf
Lineage:
Master Cassette > DAT> CD> SHN
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002.
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:08:46
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 18, 2020
SHNID:
gd1991-03-27.149559.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section B1, row 19, seat 8
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer.
Taper: Tim Dalton
3:11:09
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-27.146181.neuman-skm150.dalton.miller.sirmick.flac1648
Source:
(FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for providing his master. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2019
Taper: Rich Gastwirk
3:07:39
Taper:
Rich Gastwirk
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-27.139159.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.sbeok.flac1648
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
Taper: JC Mahoney
1:47:30
Rating:
4.67 / 3 ratings
Taper:
JC Mahoney
Transferrer:
Charlie Miller
SHNID:
gd91-03-27.set2.fob-schoeps-mahoney-oneill.miller.28390.sbeok.shnf
Source:
Set 2 FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k)
Lineage:
Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View Notesset2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller
Taper: Ray Ackerman
3:00:33
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-03-27.141407.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - tape pauses cross faded
Source 15 of 20
3:05:36
Rating:
10.00 / 1 rating
SHNID:
gd1991-03-27.172999.mtx.seamons.ht178.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 1, 2025
Taper Notes:
View NotesNotes: The SBD source was pitch corrected faster, between 0.8% and 0.6%. The SBD mix fluctuates a little for the first couple of songs. Two SBD dropouts, in Minglewood Blues and Row Jimmy, were patched with the AUD. Some static in Row Jimmy was cleaned up. The UltraMatrix SBD source became noticeably dryer beginning with Loose Lucy, which allowed for higher AUD levels in the mix, and even higher thereafter. For a minute during Drums, 0:50 - 1:50, the AUD source suddenly picks up a distinct echo effect from the PA, also present in the other AUD tapes. (The SBD and AUD sources are not out of sync for this section of the matrix.) "Apocalypse Now" bass effects begin midway into Space. Very light EQ applied, with a few areas receiving slightly different configurations in the SBD.
Taper: Fitzy
2:58:34
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-27.133608.Nak300s-Senn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Fitzy
2:58:34
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-27.133607.Nak300s-Senn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Andrew F
3:04:39
Taper:
Andrew F
Transferrer:
AndrewF
SHNID:
gd1991-03-27.nak300.andrewf.113159.flac1644
Source:
AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS.
Lineage:
Transfer: MAD > Sony DTC-690 > Optical Out > Marantz CDR-500 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged.
Taper Notes:
View NotesD1 s1t01 > s1t09, D2 s2t01 > s2t06, D3 s2t07 > s2t12.
Taper: Keith Litzenberger
3:05:20
Taper:
Keith Litzenberger
SHNID:
gd1991-03-27.senn-me80.litzenberger.91484.sbeok.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 Recorded in the Taper Section by Keith Litzenberger
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades & Sample Rate Conversion)>CDWAV>FLAC
Source 20 of 20
3:01:33
Rating:
8.67 / 3 ratings
SHNID:
gd91-03-27.aud.eD.9189.sbeok.shnf
Source:
AUD>DAT>CDR
Taper Notes:
View NotesAUD>DAT>CDR; Seeded to etree by eD