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June 11th
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1991
3/27/91
Hell In A Bucket
8:30
Cold Rain and Snow
7:41
New Minglewood Blues
10:53
Row Jimmy
12:35
Mama Tried >
2:29
Maggie's Farm
6:36
Loose Lucy
10:14
Picasso Moon
7:01
Reubin and Cherise
7:34
Scarlet Begonias >
10:57
Fire On The Mountain
15:43
Estimated Prophet >
12:49
Uncle John's Band >
9:58
Drums >
12:21
Space >
9:45
All Along The Watchtower >
7:23
Stella Blue >
9:21
Sugar Magnolia
9:50
Box Of Rain
5:05
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:04:19
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 4, 2021
SHNID:
gd1991-03-27.154474.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is 152199 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
3:04:19
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 4, 2021
SHNID:
gd1991-03-27.152199.miller.pearson.healy.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
3:02:36
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1991-03-27.120857.sbd.miller.flac24
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:02:36
SBD
Transferrer:
Charlie Miller
SHNID:
gd1991-03-27.120855.sbd.miller.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Source 5 of 20
2:56:04
SBD
Rating:
7.88 / 17 ratings
SHNID:
gd91-03-27.sbd.miller.14486.sbeok.shnf
Transferrer: Bill Tetzeli
2:56:45
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1991-03-27.sbd.miller.tetzeli.fix-14486.35163.reflac.flac16
Source:
Fix of shnid 14486
Taper Notes:
View NotesI used the FOB on archive.org (shnid 28390) to patch 40 seconds of tape flip in drums (from about 2:00), then to patch another few seconds that were missing in the transition from CD 2 to CD 3. The 2nd set is now seamless. SBEs were fixed using shntool and all SHNs converted to FLAC. I chose a quiet place between drums and space to make the transition between CDs 2 and 3, so no fade tracks were necessary. All patches were done in CE Pro with crossfades. AUD patch source was time/pitch stretched to 98.78%. Bill Tetzeli ([email protected]) 1:13 PM 6/16/2006
Transferrer: Chris Ladner
2:56:17
SBD
Transferrer:
Chris Ladner
SHNID:
gd1991-03-27.sbd.harrison-braverman.ladner.10310.shnf
Source:
Soundboard
Lineage:
sbefix of shnid 9405
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002. ** REPAIR NOTES ** There were sector boundary errors on d1t09, all of disc 2, and the last 2 tracks of disc 3. To correct these, the SHN's were converted to WAV and then the resulting wav's were grouped by set (d1 and d2+d3) and fixed using the command "shntool fix *.wav" run on all of the wav files for each set. Shntool 1.01 was used. Shorten 1.4 was used to make SHN's from the wav's. I also removed the dropout from d2t02 using soundforge 5. The resulting fixed wavs were compressed back to SHN and new md5's were made - Chris L.
Transferrer: Tony Gardner shntool fix of Peter Braverman/Rob Harrison source shnid = 9405
5:52:33
SBD
Transferrer:
Tony Gardner shntool fix of Peter Braverman/Rob Harrison source shnid = 9405
SHNID:
gd1991-03-27.sbd.harrison-braverman.gardner.9980.shnf
Source:
Soundboard
Lineage:
Master Cassette > DAT> CD> SHN
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002. Original seed from Peter had SBE's on many tracks. shntool used to fix SBE's and entire show re-encoded with shnv3 (with seek) by Tony G ([email protected]) 6-9-02.
Source 9 of 20
5:52:32
SBD
SHNID:
gd1991-03-27.sbd.braverman.9405.shnf
Lineage:
Master Cassette > DAT> CD> SHN
Taper Notes:
View NotesQuarter-second dropout at 3:45 of Fire. Cassette flip between drums and space; I'm guessing not much is missing. *Box of Rain is from an audience source: AUD:DAT> CD> SHN Thanks to Rob Harrison for the discs, and to eD for the encore. Normalized and seeded by Peter Braverman ([email protected]), May 2002.
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:08:46
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 18, 2020
SHNID:
gd1991-03-27.149559.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB mics hand held, section B1, row 19, seat 8
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Thanks to Dave Brotman & Jeff Metchick for recording & sharing - Thanks to Ted Mattes for all his efforts coordinating this. - Thanks to Charlie Miller for the transfer.
Taper: Tim Dalton
3:11:09
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-27.146181.neuman-skm150.dalton.miller.sirmick.flac1648
Source:
(FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for providing his master. Thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2019
Taper: Rich Gastwirk
3:07:39
Taper:
Rich Gastwirk
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-27.139159.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.sbeok.flac1648
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
Taper: JC Mahoney
1:47:30
Rating:
4.67 / 3 ratings
Taper:
JC Mahoney
Transferrer:
Charlie Miller
SHNID:
gd91-03-27.set2.fob-schoeps-mahoney-oneill.miller.28390.sbeok.shnf
Source:
Set 2 FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k)
Lineage:
Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View Notesset2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller
Taper: Ray Ackerman
3:00:33
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1991-03-27.141407.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Ray for sharing his excellent recording. - Thanks to Charlie for being the broker. - tape pauses cross faded
Source 15 of 20
3:05:36
Rating:
10.00 / 1 rating
SHNID:
gd1991-03-27.172999.mtx.seamons.ht178.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 1, 2025
Taper Notes:
View NotesNotes: The SBD source was pitch corrected faster, between 0.8% and 0.6%. The SBD mix fluctuates a little for the first couple of songs. Two SBD dropouts, in Minglewood Blues and Row Jimmy, were patched with the AUD. Some static in Row Jimmy was cleaned up. The UltraMatrix SBD source became noticeably dryer beginning with Loose Lucy, which allowed for higher AUD levels in the mix, and even higher thereafter. For a minute during Drums, 0:50 - 1:50, the AUD source suddenly picks up a distinct echo effect from the PA, also present in the other AUD tapes. (The SBD and AUD sources are not out of sync for this section of the matrix.) "Apocalypse Now" bass effects begin midway into Space. Very light EQ applied, with a few areas receiving slightly different configurations in the SBD.
Taper: Fitzy
2:58:34
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-27.133608.Nak300s-Senn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Fitzy
2:58:34
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-27.133607.Nak300s-Senn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!!!!! AS ALWAYS ENJOY!!!!!!!
Taper: Andrew F
3:04:39
Taper:
Andrew F
Transferrer:
AndrewF
SHNID:
gd1991-03-27.nak300.andrewf.113159.flac1644
Source:
AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS.
Lineage:
Transfer: MAD > Sony DTC-690 > Optical Out > Marantz CDR-500 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged.
Taper Notes:
View NotesD1 s1t01 > s1t09, D2 s2t01 > s2t06, D3 s2t07 > s2t12.
Taper: Keith Litzenberger
3:05:20
Taper:
Keith Litzenberger
SHNID:
gd1991-03-27.senn-me80.litzenberger.91484.sbeok.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1 Recorded in the Taper Section by Keith Litzenberger
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades & Sample Rate Conversion)>CDWAV>FLAC
Source 20 of 20
3:01:33
Rating:
8.67 / 3 ratings
SHNID:
gd91-03-27.aud.eD.9189.sbeok.shnf
Source:
AUD>DAT>CDR
Taper Notes:
View NotesAUD>DAT>CDR; Seeded to etree by eD