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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1991
3/23/91
Crowd/Tuning
3:09
Jack Straw
7:52
Bertha
7:12
Walkin' Blues
7:20
Friend of the Devil
10:23
When I Paint My Masterpiece
7:15
Loser
8:24
Cassidy
6:49
New Speedway Boogie
7:31
Crowd/Tuning
4:31
Iko Iko
9:10
Saint of Circumstance
7:16
Ship of Fools
7:27
Playing in the Band
15:06
Drums
10:10
Space
8:55
All Along the Watchtower
8:32
Morning Dew
12:22
One More Saturday Night
5:07
Crowd
2:56
Knockin' on Heaven's Door
8:30
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:38:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 31, 2021
SHNID:
gd1991-03-23.154461.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is 152177 2496 > 1644
Taper: Don Pearson and Dan Healy
2:38:07
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 31, 2021
SHNID:
gd1991-03-23.152177.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy
Transferrer: Charlie Miller
2:36:46
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-23.sbd.miller.87729.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Schoeps CMC3/MK4 -> Dat -> CD (shnid=9507) supplies: Space (2:29 - 3:46) Notes: -- Disc change is seamless
Taper: Tim Dalton
2:42:23
Rating:
8.00 / 1 rating
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1991-03-23.145316.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648
Source:
Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for this recording Thanks to Charlie Miller for the transfer Edited and mastered SIRMick February 2019
Taper: Unknown
2:42:51
Transferrer:
John Ammons and Joe Noel
Source:
Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone
Lineage:
Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits
Taper Notes:
View NotesMaster Digital FOB recording by uncertain * Clone & Transfer provided by John Ammons Edited & Mastered using Adobe Audition by Joe Noel March 20, 2020 - patch info Source #145316 (NAK 300) supplies; s1t01 - s1t03 (0:00 - 18:05) notes: - Thanks to the tapers for tapin'. _ Thanks to John Ammons for the share & the transfer. - Thanks to Tim Dalton for the patch. - Our gallant FOB archivists were late. - Some minor mic bumps & chit chat was addressed. * Can't say w/ 100% certainty but all roads lead to Dan O'Neil recording this show while running Bob Melomed's rig.
Taper: Fitzy
2:36:40
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-23.133034.Nak300s-Senn441s.Fitzy.Keo.Flac2496
Taper Notes:
View Notes* Patched With Mr. Currier's AKG451 With Shotguns Source From 1 Bit/5.6 MHz DSD Files. Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:36:40
Rating:
8.00 / 1 rating
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-23.133033.Nak300s-Senn441s.Fitzy.Keo.Flac1644
Taper Notes:
View Notes* Patched With Mr. Currier's AKG451 With Shotguns Source From 1 Bit/5.6 MHz DSD Files. Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Keith Litzenberger
2:42:05
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1991-03-23.sennME80.wklitz.94366.flac16
Source:
Sennheiser ME-80's > Technics SVM-D1
Lineage:
DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC
Taper: Bill Koucky
2:34:45
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1991-03-23.aud.koucky-greenberg.gmb.81869.sbeok.flac16
Source:
FOB Nak 700s > Sony D5 > Type IV cassette (Maxell MX100s), no Dolby during recording.
Lineage:
MAC playback on Nakamichi CR-7A with manually adjusted azmimuth > Presonus Firebox Neutrik inputs > Firewire/XP Pro > Wavelab 5, recorded as 24 bit 96 KHz PCM WAV > Waves L3 Multimaximizer (-1.7 dB/-0.1 ceiling > rendered to 16 bit/44.1 KHz WAV using UV22 HR, normal/no autoblack > CDWAV 1.9 > FLAC (level 8)
Taper Notes:
View NotesComments: All flips/pauses were crossfaded. Expertly timed short flip in Space.
Taper: Andrew F
2:41:09
Rating:
10.00 / 2 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1991-03-23.nak300.andrewf.34967.sbeok.flac16
Source:
Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up).
Lineage:
MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree.
Taper Notes:
View NotesSoundforge was used to add fades to the beginning and ending of sets. The second set dat was burned onto two discs with an overlap in drums. Using Soundforge, the wavs were then rejoined with no overlapping material. Disc two and disc three can be reassembled seamlessly onto longer media.
Source 11 of 11
2:45:57
Rating:
6.33 / 7 ratings
SHNID:
gd91-03-23.schoeps.oconnor.9507.sbeok.shnf
Source:
AUD: Schoeps CMC 34’s>DAT
Taper Notes:
View NotesAUD: Schoeps CMC 34Âs>DAT; via Paul; Seeded to etree by eD(efojr)