16 - Morning Dew > | 1991-03-23 | Grateful Dead

1991

Bands

Featured

Grateful Dead

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

1991

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Polo Field, Golden Gate Park

San Francisco, CA, USA

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheater

Mountain View, CA, USA

Sandstone Ampitheatre

Bonner Springs, KS, USA

Sandstone Ampitheatre

Bonner Springs, KS, USA

Pine Knob Music Theater

Pine Knob Music Theater

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Buckeye Lake Music Center

Deer Creek Music Center

Deer Creek Music Center

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Sources

Taper: Don Pearson and Dan Healy

2:38:07

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] March 31, 2021

SHNID:

gd1991-03-23.154461.UltraMatrix.sbd.cm.miller.t.flac16

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- This is 152177 2496 > 1644

Taper: Don Pearson and Dan Healy

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] March 31, 2021

SHNID:

gd1991-03-23.152177.ultramatrix.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy

Transferrer: Charlie Miller

gd1991-03-23.sbd.miller.87729.sbeok.flac16

Source:

SBD -> Dat -> Cassette Master (TDK SA-X100) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
Schoeps CMC3/MK4 -> Dat -> CD (shnid=9507) supplies:
Space (2:29 - 3:46)
Notes:
-- Disc change is seamless

Taper: Tim Dalton

Sirmick and Charlie Miller

SHNID:

gd1991-03-23.145316.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648

Source:

Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesThanks to Tim Dalton for this recording

Thanks to Charlie Miller for the transfer


Edited and mastered
SIRMick
February 2019

Taper: Unknown

2:42:51

Transferrer:

John Ammons and Joe Noel

Source:

Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone

Lineage:

Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits

Taper Notes:

View NotesMaster Digital FOB recording by uncertain *
Clone & Transfer provided by John Ammons
Edited & Mastered using Adobe Audition by Joe Noel
March 20, 2020

- patch info
Source #145316 (NAK 300) supplies;
s1t01 - s1t03 (0:00 - 18:05)

notes:
- Thanks to the tapers for tapin'.
_ Thanks to John Ammons for the share & the transfer.
- Thanks to Tim Dalton for the patch.
- Our gallant FOB archivists were late.
- Some minor mic bumps & chit chat was addressed.
* Can't say w/ 100% certainty but all roads lead to Dan O'Neil recording this show while running Bob Melomed's rig.

Taper: Fitzy

gd1991-03-23.133034.Nak300s-Senn441s.Fitzy.Keo.Flac2496

Taper Notes:

View Notes* Patched With Mr. Currier's AKG451 With Shotguns Source From
    1 Bit/5.6 MHz DSD Files.

 Comments:Another Huge Thanks out to Fitzy 
for recording and sharing his source for 
this show!Another excellent share from the 
Fitzy collection of masters and the Grateful 
Dead's Spring 1991 Tour!!!!
AS ALWAYS ENJOY!!!!!!!!!!

Taper: Fitzy

gd1991-03-23.133033.Nak300s-Senn441s.Fitzy.Keo.Flac1644

Taper Notes:

View Notes* Patched With Mr. Currier's AKG451 With Shotguns Source From
    1 Bit/5.6 MHz DSD Files.

 Comments:Another Huge Thanks out to Fitzy 
for recording and sharing his source for 
this show!Another excellent share from the 
Fitzy collection of masters and the Grateful 
Dead's Spring 1991 Tour!!!!
AS ALWAYS ENJOY!!!!!!!!!!

Taper: Keith Litzenberger

gd1991-03-23.sennME80.wklitz.94366.flac16

Source:

Sennheiser ME-80's > Technics SVM-D1

Lineage:

DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC

Taper: Bill Koucky

gd1991-03-23.aud.koucky-greenberg.gmb.81869.sbeok.flac16

Source:

FOB Nak 700s > Sony D5 > Type IV cassette (Maxell MX100s), no Dolby during recording.

Lineage:

MAC playback on Nakamichi CR-7A with manually adjusted azmimuth > Presonus Firebox Neutrik inputs > Firewire/XP Pro > Wavelab 5, recorded as 24 bit 96 KHz PCM WAV > Waves L3 Multimaximizer (-1.7 dB/-0.1 ceiling > rendered to 16 bit/44.1 KHz WAV using UV22 HR, normal/no autoblack > CDWAV 1.9 > FLAC (level 8)

Taper Notes:

View NotesComments:
All flips/pauses were crossfaded.  Expertly timed short flip in Space.

Taper: Andrew F

gd1991-03-23.nak300.andrewf.34967.sbeok.flac16

Source:

Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up).

Lineage:

MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree.

Taper Notes:

View NotesSoundforge was used to add fades to the beginning and ending of sets. 
The second set dat was burned onto two discs with an overlap in drums. 
Using Soundforge, the wavs were then rejoined with no overlapping 
material. Disc two and disc three can be reassembled seamlessly onto 
longer media.

Source 11 of 11

gd91-03-23.schoeps.oconnor.9507.sbeok.shnf

Source:

AUD: Schoeps CMC 34Âs>DAT

Taper Notes:

View NotesAUD: Schoeps CMC 34Âs>DAT; via Paul; Seeded to etree by eD(efojr)