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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1991
3/20/91
crowd/tuning
2:31
Feel Like A Stranger
8:58
Cold Rain And Snow
7:59
Little Red Rooster
8:44
tuning
2:20
Althea
8:28
tuning
1:43
Black Throated Wind
6:40
Tennessee Jed
8:40
The Music Never Stopped >
7:49
Might As Well
4:51
crowd/tuning
1:30
Eyes Of The World >
20:31
Foolish Heart
10:40
Estimated Prophet >
12:29
He's Gone >
13:12
Drums >
9:52
Space >
4:29
The Other One >
12:17
Wharf Rat >
9:46
Sugar Magnolia
8:33
encore break~~
2:38
The Weight
6:13
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.154460.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152131 2496 > 1644
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.152131.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.fixed-98038.93177.sbeok.flac16
Source:
SBD -> Dat
Lineage:
Dat -> Cassette Master -> Sound Forge -> CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 100 -> Cassette Master -> CD (shnid=76521) supplies: Eyes Of The World (2:02 - 2:09) Notes: -- Set 2 is seamless -- Diginoise in Eyes Of The World fixed with AUD patch
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.93038.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master -> Sound Forge -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Source 5 of 13
2:38:04
SBD
Rating:
8.00 / 15 ratings
SHNID:
gd91-03-20.sbd.oconnor.11272.sbeok.shnf
Source:
SBD>DAT>CDR
Taper Notes:
View NotesSBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:03:02
Rating:
8.00 / 1 rating
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 06, 2020
SHNID:
gd1991-03-20.149506.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: first row center, taper’s section
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Last 'Might As Well'; 4/5/88
Taper: Rich Gastwirt
3:00:53
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-20.138740.Schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
Transferrer: Charlie Miller
18:38
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.aud-schk.miller.34559.sbeok.flac16
Lineage:
Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) ->
Taper Notes:
View NotesNotes: -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck
Taper: Fitzy
2:54:28
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132417.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
2:54:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132416.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Hunter Seamons
2:53:19
Rating:
8.40 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1991-03-20.mtx.seamons.111794.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
Taper Notes:
View Notes1) The cuts in the SBD and AUD in He's Gone overlapped. Boyd McHugh's AUD (shnid=76521) patches about 10 seconds of the AUD here, making the show now complete. 2) There are sound system issues during a portion of Eyes, it appears, particularly in the left channel. 3) There are occasional clicks in the sources. Some were removed or diminished. 4) During Drums, the AUD has different sound effects than the SBD has, for whatever mixing reason. The AUD sounds much more echoey, making the MTX appear to have more of a phasey sound, but this is due to the echoey sound effects used rather than unsyncliness. There's also some 360 degree sound movement.
Taper: Dave Cohen
2:54:55
Rating:
8.00 / 1 rating
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1991-03-20.nak.cohen.107168.flac16
Source:
3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4)
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Boyd McHugh
1:41:07
Rating:
8.00 / 1 rating
Taper:
Boyd McHugh
Transferrer:
Dave Hanscom
SHNID:
gd1991-03-20.aud-set2.mcgugh.hanscom.76521.sbeok.flac16
Source:
Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section.
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks.