Bands
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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h62984
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.3k378
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.1k277
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k291
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k377
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k428
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.6k333
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.2k146
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h6.8k867
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h85597
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.6k426
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.1k493
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k148
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k186
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k226
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h6.9k798
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.3k184
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.6k220
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.5k1.3k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.5k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41742
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.3k418
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.5k594
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.7k342
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k150
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.6k196
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.7k269
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h813100
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11116
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25318
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.154460.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152131 2496 > 1644
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.152131.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.fixed-98038.93177.sbeok.flac16
Source:
SBD -> Dat
Lineage:
Dat -> Cassette Master -> Sound Forge -> CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 100 -> Cassette Master -> CD (shnid=76521) supplies: Eyes Of The World (2:02 - 2:09) Notes: -- Set 2 is seamless -- Diginoise in Eyes Of The World fixed with AUD patch
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.93038.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master -> Sound Forge -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Source 5 of 13
2:38:04
SBD
Rating:
8.00 / 15 ratings
SHNID:
gd91-03-20.sbd.oconnor.11272.sbeok.shnf
Source:
SBD>DAT>CDR
Taper Notes:
View NotesSBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:03:02
Rating:
8.00 / 1 rating
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 06, 2020
SHNID:
gd1991-03-20.149506.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: first row center, taper’s section
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Last 'Might As Well'; 4/5/88
Taper: Rich Gastwirt
3:00:53
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-20.138740.Schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
Transferrer: Charlie Miller
18:38
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.aud-schk.miller.34559.sbeok.flac16
Lineage:
Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) ->
Taper Notes:
View NotesNotes: -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck
Taper: Fitzy
2:54:28
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132417.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
2:54:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132416.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Hunter Seamons
2:53:19
Rating:
8.40 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1991-03-20.mtx.seamons.111794.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
Taper Notes:
View Notes1) The cuts in the SBD and AUD in He's Gone overlapped. Boyd McHugh's AUD (shnid=76521) patches about 10 seconds of the AUD here, making the show now complete. 2) There are sound system issues during a portion of Eyes, it appears, particularly in the left channel. 3) There are occasional clicks in the sources. Some were removed or diminished. 4) During Drums, the AUD has different sound effects than the SBD has, for whatever mixing reason. The AUD sounds much more echoey, making the MTX appear to have more of a phasey sound, but this is due to the echoey sound effects used rather than unsyncliness. There's also some 360 degree sound movement.
Taper: Dave Cohen
2:54:55
Rating:
8.00 / 1 rating
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1991-03-20.nak.cohen.107168.flac16
Source:
3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4)
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Boyd McHugh
1:41:07
Rating:
8.00 / 1 rating
Taper:
Boyd McHugh
Transferrer:
Dave Hanscom
SHNID:
gd1991-03-20.aud-set2.mcgugh.hanscom.76521.sbeok.flac16
Source:
Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section.
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks.