RELISTENTOTHE Grateful Dead
Re
1989
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1989
12/27/89
01 Cold Rain And Snow
6:20
02 Greatest Story Ever Told
4:38
03 Never Trust A Woman
7:18
04 Althea
9:31
05 Me And My Uncle
3:11
06 Big River
7:59
07 Just Like Tom Thumb's Blues
5:45
08 Bird Song
13:32
09 The Promised Land
4:44
10 Tuning
0:52
11 Iko Iko
8:11
12 Playing In The Band
13:43
13 Crazy Fingers
8:46
14 Uncle John's Band
9:12
15 Drums
10:35
16 Space
9:32
17 The Wheel
5:42
18 I Need A Miracle
3:59
19 Bird Song
13:01
20 Johnny B. Goode
4:03
21 Black Muddy River
6:23
FIN
View on archive.org
Sources
Transferrer: Bill Tetzeli
2:32:31
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1989-12-27.sbd.clugston.tetzeli.fix-6662.82051.sbeok.shnf
Source:
Patch fix of shnid 6662
Taper Notes:
View NotesI patched in about 30 secs that were missing from Drums from the LlaMA FOB (shnid 20785), starting at 5:28. Both drum tracks were merged into one at the end of d2. Resulting SBEs were corrected with shntool and the transition between CDs 2 and 3 is now seamless. Many thanks to Scott Clugston for the SBD source as well as to Chris Ladner for the FOB source. Bill Tetzeli ([email protected]) 8:22 AM 11/17/2006 -------------------------------------------------------------------------------- Main Source: Dan Healy's Master Soundboard Cassette > CDR * with Clarence Clemons made possible thru the usual group of suspects and mental patients Original CD Mastering by Scott Clugston 11/25/01 Patch Source: Source: FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3
Taper: AA
2:39:28
Taper:
AA
Transferrer:
AA
SHNID:
gd1989-12-27.140420.fob.AA.toak1.flac1644
Source:
Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands. Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too. No EQ or other effects were applied. Tech Notes: ________________ The first 23 minutes primarily patched with Right as Left (AKA mono). Cold Rain and Snow to Althea Multiple patches in Althea. You will notice patches, but they are better then "dead channel", trust me on that or the sever pops and transient spikes as well as the portions of buzz in the left if it were left untouched. Patches in Big River And the Crowd at the end and the beginning of Tom Thumbs, No further patches.... ! Birdsong intact as 2 channel Very amazing sounding - Check out Birdsong! No patches in second set For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. enjoy - ArchivalAudio
Taper: Archival Audio
2:39:27
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-12-27.140369.AA-fob-toak1.flac2448
Source:
Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands. Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too. No EQ or other effects were applied. Tech Notes: ________________ The first 23 minutes primarily patched with Right as Left (AKA mono). Cold Rain and Snow to Althea Multiple patches in Althea. You will notice patches, but they are better then "dead channel", trust me on that or the sever pops and transient spikes as well as the portions of buzz in the left if it were left untouched. Patches in Big River And the Crowd at the end and the beginning of Tom Thumbs, No further patches.... ! Birdsong intact as 2 channel Very amazing sounding - Check out Birdsong! No patches in second set For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. enjoy - ArchivalAudio