Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h812114
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h53977
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.8k641
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k343
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h7.3k976
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k353
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.8k352
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k254
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h84093
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k211
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k149
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k177
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k214
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.1k568
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k166
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.4k317
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h13.6k1.9k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.9k530
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h71164
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k537
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k603
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.4k425
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k958
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k397
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h39447
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10115
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31123
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1989
Sources
Taper: Don Pearson and Dan Healy
3:12:42
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-10-20.147902.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 17, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
3:12:42
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-10-20.147749.sbd.ultramatrix.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 17, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete
Transferrer: Kevin Tobin
3:10:49
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-20.dts.tobin.123591.flac16
Source:
<b>DTS Audio 5.1</b>; SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master
Lineage:
S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-JAN-2013 - Trader Little Helper - Tagged 25-JAN-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) Between Tennessee Jed and Stuck Inside Of Mobile With The Memphis Blues Again, 19.486 seconds were added to the soundboard so that it matched the audience. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Transferrer: Kevin Tobin
3:10:49
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-20.123590.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master
Lineage:
S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-JAN-2013 - Trader Little Helper - Tagged 25-JAN-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD +1 SET TWO Stereo Matrix SBD 0 AUD +1 --------------------------------------------------------- Audio Patches: 1) Between Tennessee Jed and Stuck Inside Of Mobile With The Memphis Blues Again, 19.486 seconds were added to the soundboard so that it matched the audience. Brokedown House Production
Transferrer: Charlie Miller
3:14:30
SBD
Rating:
7.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-10-20.sbd.walker-scotton.miller.83317.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD The Other One Jam (9:13 - 9:22) Wharf Rat (4:12 - 4:29) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson -- This was the longest show of the year
Transferrer: Jamie Waddell
3:12:17
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Jamie Waddell
SHNID:
gd1989-10-20.111527.sbd.BEAR.gems.flac16
Source:
SBD Master Cassettes recorded by BEAR; Transferred and Mastered by Jim Blackwood; Tracked in CDWAV Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 by Patrick White
Taper Notes:
View Notes- Patch in Wharfrat by Jamie Waddell supplied by the CM source. BEAR used a 100 min tape for the longest show of 89 by chance, and has a different tape flip spot. Encore from CM source as weLL. Slight crossfade in drums space a **GEMS** Production www.shnflac.net January 2011
Transferrer: Bill Tetzeli
6:04:42
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1989-10-20.sbd.clugston.tetzeli.fix-13032.34579.shnf
Source:
Soundboard
Lineage:
Fix of shnid 13032 by Bill Tetzeli
Taper Notes:
View Notes------------------------------------------------------------------------------------- Fix of shnid 13032 I made the transition between CDs 2 and 3 seamless and fixed the resulting SBEs using shntool. Thanks to Scott Clugston for providing the overlap that made this fix possible. Bill Tetzeli ([email protected]) 4:55 PM 4/8/2006 -------------------------------------
Source 8 of 22
3:02:44
SBD
Rating:
8.67 / 6 ratings
SHNID:
gd89-10-20.sbd-matrix.clugston.13032.sbeok.shnf
Source:
Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR
Taper Notes:
View NotesUltra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer
Source 9 of 22
3:02:55
SBD
Rating:
8.16 / 25 ratings
SHNID:
gd89-10-20.dsbd.eD.7641.sbeok.shnf
Source:
DSBD>C?>DAT>CDR
Taper Notes:
View NotesDSBD>C?>DAT>CDR; via eD O'Connor
Taper: Jim Vita
3:09:58
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-10-20.164837.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Schoeps CMC4 MK4 source which supplies a 0:27 patch in "Drums", as well as a 0:09 patch in the "Wharf Rat > Sugar Magnolia" transition - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Jim Vita
3:09:58
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-10-20.164836.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Schoeps CMC4 MK4 source which supplies a 0:27 patch in "Drums", as well as a 0:09 patch in the "Wharf Rat > Sugar Magnolia" transition - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Ted Mattes
3:16:53
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-10-20.142563.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 3, 2018
Source 13 of 22
3:19:40
SHNID:
gd1989-10-20.154035.mtx.photoleon.flac166
Source:
Matrix by Photoleon
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the FOB DAT recording. - Thanks to Charlie Miller & Scott Clugston for processing Ted's DAT. - Thanks to Bear for the SBD recording. - Thanks to Jim Blackwood & the GEMS team for processing Bear's board. - Thanks to Don Pearson and Dan Healy for the SBD recording - Thanks to Charlie Miller for the transfer. - Thanks to Jack Schlottman for the critique. - Source #3 was only used to patch the first :15 seconds of ToG & for a :50 second gap (8:31-9:18) in TOO jam & to fill in some gaps in between songs during the first set. * First California Earthquake - Last Other One Jam 8/13/75
Taper: Dave Boedicker
3:10:26
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-10-20.149682.DAK.boedicker.flac1644
Source:
Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 MinuteMetal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 107,Row 5,Seat 20.
Taper Notes:
View NotesNotes: 1)Tape Flip After "A Little Light"(No Music Missed On Next Song "Tennesee Jed") 2)1st Second Clipped On Start Of "Stagger Lee" 3)1st Second Cipped On "Promised Land" 4)Tape Flip During "The Other One Jam" 5)Tape Flip After The Last Jam Part Of "The Other One" Lots Of Warts And All This Night.It Was Hard That Night For Analog Tapers Who Brought Only 2 90 Minute Tapes. Regardless,Enjoy!!!!
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:10:47
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-10-20.147739.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-OCT-2019 - Trader Little Helper - Tagged 17-OCT-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
3:10:49
Rating:
6.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-20.123584.NAK300.tobin.flac16
Source:
MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master
Lineage:
S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 24-JAN-2013 - Trader Little Helper - Tagged 24-JAN-2013 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Ted Mattes
3:17:24
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1989-10-20.120500.mk21.sbeok.flac16
Source:
Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- First California Earthquake, in response to the 10/17/89 "Loma Prieta" Earthquake that hit the Bay Area. It was played once more three days later in Charlotte - The DAT was faded and paused during the encore break. I removed a small portion of silence and added a fade back in - 48k version exists Seeded to etree on: 06/06/2012
Taper: Craig Hillwig
3:17:24
Taper:
Craig Hillwig
Transferrer:
Lenny Stubbe
SHNID:
gd1989-10-20.120499.mk21.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- First California Earthquake, in response to the 10/17/89 "Loma Prieta" Earthquake that hit the Bay Area. It was played once more three days later in Charlotte - The DAT was faded and paused during the encore break. I removed a small portion of silence and added a fade back in - 44.1k version exists Seeded to etree on: 06/06/2012
Transferrer: Jeff Bowen;Brad Foster
3:09:50
Rating:
10.00 / 1 rating
Transferrer:
Jeff Bowen;Brad Foster
SHNID:
gd1989-10-20.nak300.juteau.116721.flac
Source:
Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;
Lineage:
DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
Taper Notes:
View NotesNotes: - The first of only two live versions of 'California Earthquake' - Tracked by set, burn to disc however you please. -- Thanks to Gene for sharing his master! Thanks to Jeff for sharing his transfer! All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set. Log and cue files included. Enjoy!
Transferrer: Hunter Seamons
3:12:41
Rating:
9.14 / 7 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1989-10-20.mtx.seamons.102200.sbeok.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Source 21 of 22
2:47:41
SHNID:
gd1989-10-20.099867
Source 22 of 22
5:47:45
Rating:
8.00 / 1 rating
SHNID:
gd1989-10-20.aud.rumrunners.99071.shnf
Source:
possibly Shure M57s > MAC
Lineage:
MAC > > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW
Taper Notes:
View Notesfrom rumrunner: "I downloaded these from an ftp server as is and several years later discovered there was no shnid, so I requested a shnid, and then torrented them. So I neither taped or transferred these."