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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h62786
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h769104
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.2k421
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.6k327
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8.3k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.8k370
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k357
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k232
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h86295
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k194
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1k134
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k194
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k214
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.2k279
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.5k693
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k179
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.8k247
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.3k456
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85683
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.6k586
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.2k552
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.1k377
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.9k207
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h8.2k836
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k352
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h35543
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11516
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22317
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h382
7d1026
30d57334
2 shows
2 tapes
1989
9/30/89
Tuning
1:12
Bertha ->
6:53
Greatest Story Ever Told
4:46
West L.A. Fadeaway
9:24
Queen Jane Approximately
6:51
Row Jimmy
11:10
Let It Grow
12:48
./-
10:02
Estimated Prophet
12:22
Truckin' ->
7:53
Smokestack Lightnin' ->
6:52
Drums ->
8:27
Space ->
8:58
I Will Take You Home ->
4:31
The Wheel ->
4:32
All Along The Watchtower ->
6:27
Touch Of Grey
11:19
U.S. Blues
5:58
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:19:40
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] January 2, 2021
SHNID:
gd1989-09-30.151622.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Thanks to Ted Mattes for the patch source -- 151398 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:19:40
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] January 2, 2021
SHNID:
gd1989-09-30.151398.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Thanks to Ted Mattes for the patch source
Transferrer: Charlie Miller
2:20:25
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-30.sbd.walker-scotton.miller.81719.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Some static in Row Jimmy -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:19:34
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-09-30.166903.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 5 of 10
2:08:04
SBD
Rating:
7.33 / 3 ratings
SHNID:
gd89-09-30.sbd.8964.sbeok.shnf
Source:
SBD>MC>DAT>CDR
Taper Notes:
View NotesSBD>MC>DAT>CDR; Seeded to etree by Tim W
Taper: Ted Mattes
2:19:02
Rating:
2.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-09-30.142503.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 1, 2018
Taper: OldNeumanntapr
1:26:09
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1989-09-30.168517.set2.cm300.cp4.ont.flac1644
Source:
OTS, SEC 202, Row H, Seat 13; Nakamichi CM-300's w/CP-4 Shotguns >Marantz PMD-430
Lineage:
XLIIS Master Transferred; Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Remove & Repair Left-Channel Dropouts In Iko Iko, Minor Edits [Tape Flip], Fades, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: I remember THIS weekend well. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of bay area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm. We ran to the amphitheater carrying all of the recording equipment with the rest of the stragglers and my ex wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment durning the set break. I ran Nakamichi CM-300s with CP-4 shotgun capsules->Marantz PMD-430. Shoreline was always a good venue in which to see live music, and the Dead in particular. I always got good sounding tapes there and this one was no exception. This was my third year recording the Dead at Shoreline. Thanks to Gene for letting me borrow his Nakamichi CM 300s. I recorded two shows each at Cal Expo, Shoreline, and the Oakland Coliseum Arena NYE run in 1989 with his microphones because I felt they sounded better than my Superscope EC7s.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:19:33
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-09-30.166905.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------
2:19:34
Transferrer:
--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------
SHNID:
gd1989-09-30.166902.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Patching included some dead air for 1st set that included start of West LA, start of Let It Grow and a 44 second portion of Drums/Space. The recording was slightly fast - about .2 seconds per minute as compared to the video which I used as the timing reference. Brokedown House Production
Source 10 of 10
2:12:22
SHNID:
gd1989-09-30.097332