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Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h58980
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k269
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k311
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k196
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k444
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h10k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k336
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k139
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k249
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h901101
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k199
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h6k696
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k156
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k155
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k290
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k230
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h2k266
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.8k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37540
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k533
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.8k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.2k282
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k203
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k196
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k166
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h68386
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9014
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42827
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1989
9/30/89
Bertha
7:02
Greatest Story Ever Told
4:44
West L.A. Fadeaway
9:19
Queen Jane Approximately
6:47
Row Jimmy
11:37
Let It Grow
12:32
Iko Iko
10:25
Estimated Prophet
12:15
Truckin'
7:53
Smokestack Lightnin'
6:45
Drums
8:15
Space
9:18
I Will Take You Home
4:33
The Wheel
4:27
All Along The Watchtower
6:26
Touch Of Grey
11:33
U.S. Blues
5:43
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:19:40
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] January 2, 2021
SHNID:
gd1989-09-30.151622.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Thanks to Ted Mattes for the patch source -- 151398 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:19:40
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] January 2, 2021
SHNID:
gd1989-09-30.151398.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Thanks to Ted Mattes for the patch source
Transferrer: Charlie Miller
2:20:25
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-30.sbd.walker-scotton.miller.81719.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Some static in Row Jimmy -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:19:34
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-09-30.166903.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 5 of 10
2:08:04
SBD
Rating:
7.33 / 3 ratings
SHNID:
gd89-09-30.sbd.8964.sbeok.shnf
Source:
SBD>MC>DAT>CDR
Taper Notes:
View NotesSBD>MC>DAT>CDR; Seeded to etree by Tim W
Taper: Ted Mattes
2:19:02
Rating:
2.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-09-30.142503.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 1, 2018
Taper: OldNeumanntapr
1:26:09
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1989-09-30.168517.set2.cm300.cp4.ont.flac1644
Source:
OTS, SEC 202, Row H, Seat 13; Nakamichi CM-300's w/CP-4 Shotguns >Marantz PMD-430
Lineage:
XLIIS Master Transferred; Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Remove & Repair Left-Channel Dropouts In Iko Iko, Minor Edits [Tape Flip], Fades, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: I remember THIS weekend well. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of bay area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm. We ran to the amphitheater carrying all of the recording equipment with the rest of the stragglers and my ex wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment durning the set break. I ran Nakamichi CM-300s with CP-4 shotgun capsules->Marantz PMD-430. Shoreline was always a good venue in which to see live music, and the Dead in particular. I always got good sounding tapes there and this one was no exception. This was my third year recording the Dead at Shoreline. Thanks to Gene for letting me borrow his Nakamichi CM 300s. I recorded two shows each at Cal Expo, Shoreline, and the Oakland Coliseum Arena NYE run in 1989 with his microphones because I felt they sounded better than my Superscope EC7s.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:19:33
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-09-30.166905.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------
2:19:34
Transferrer:
--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------
SHNID:
gd1989-09-30.166902.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Patching included some dead air for 1st set that included start of West LA, start of Let It Grow and a 44 second portion of Drums/Space. The recording was slightly fast - about .2 seconds per minute as compared to the video which I used as the timing reference. Brokedown House Production
Source 10 of 10
2:12:22
SHNID:
gd1989-09-30.097332