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Today In History
June 15th
Years
1995
29.8k
PlaybackListensHours
48h1.4k169
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.7k254
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k238
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.7k363
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k357
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k718
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k268
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k137
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.4k545
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h86199
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.4k736
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.4k295
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h958121
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k163
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h1.9k241
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k455
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1k150
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k212
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.4k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h44046
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.1k400
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k527
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k314
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k165
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k148
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h77093
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12517
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h41925
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1989
9/30/89
Bertha
7:00
Greatest Story Ever Told
4:41
West L.A. Fadeaway
8:05
Queen Jane Approximately
6:36
Row Jimmy
10:01
Let It Grow
11:52
Iko Iko
9:44
Estimated Prophet {11:56.51}
11:56
Truckin'-> {7:23.28}
7:23
Smokestack Lightnin'->
6:51
Drums->
8:00
Jam->
9:07
I Will Take You Home->
4:20
The Wheel->
4:16
All Along The Watchtower->
6:12
Touch of Gray
7:04
U.S. Blues
4:56
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:19:40
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] January 2, 2021
SHNID:
gd1989-09-30.151622.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Thanks to Ted Mattes for the patch source -- 151398 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:19:40
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] January 2, 2021
SHNID:
gd1989-09-30.151398.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Thanks to Ted Mattes for the patch source
Transferrer: Charlie Miller
2:20:25
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-30.sbd.walker-scotton.miller.81719.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Some static in Row Jimmy -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:19:34
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-09-30.166903.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 5 of 10
2:08:04
SBD
Rating:
7.33 / 3 ratings
SHNID:
gd89-09-30.sbd.8964.sbeok.shnf
Source:
SBD>MC>DAT>CDR
Taper Notes:
View NotesSBD>MC>DAT>CDR; Seeded to etree by Tim W
Taper: Ted Mattes
2:19:02
Rating:
2.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-09-30.142503.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 1, 2018
Taper: OldNeumanntapr
1:26:09
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1989-09-30.168517.set2.cm300.cp4.ont.flac1644
Source:
OTS, SEC 202, Row H, Seat 13; Nakamichi CM-300's w/CP-4 Shotguns >Marantz PMD-430
Lineage:
XLIIS Master Transferred; Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Remove & Repair Left-Channel Dropouts In Iko Iko, Minor Edits [Tape Flip], Fades, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: I remember THIS weekend well. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of bay area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm. We ran to the amphitheater carrying all of the recording equipment with the rest of the stragglers and my ex wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment durning the set break. I ran Nakamichi CM-300s with CP-4 shotgun capsules->Marantz PMD-430. Shoreline was always a good venue in which to see live music, and the Dead in particular. I always got good sounding tapes there and this one was no exception. This was my third year recording the Dead at Shoreline. Thanks to Gene for letting me borrow his Nakamichi CM 300s. I recorded two shows each at Cal Expo, Shoreline, and the Oakland Coliseum Arena NYE run in 1989 with his microphones because I felt they sounded better than my Superscope EC7s.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:19:33
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-09-30.166905.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------
2:19:34
Transferrer:
--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------
SHNID:
gd1989-09-30.166902.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Patching included some dead air for 1st set that included start of West LA, start of Let It Grow and a 44 second portion of Drums/Space. The recording was slightly fast - about .2 seconds per minute as compared to the video which I used as the timing reference. Brokedown House Production
Source 10 of 10
2:12:22
SHNID:
gd1989-09-30.097332