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Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1989
9/30/89
Tuning
1:09
Bertha >
6:50
Greatest Story Ever Told
4:44
West L.A. Fadeaway
9:21
Queen Jane Approximately
6:48
Row Jimmy
10:57
Let It Grow
12:53
Iko Iko
9:59
Estimated Prophet
12:15
Truckin' >
7:53
Smokestack Lightnin' >
6:42
Drums >
8:13
Space >
9:22
I Will Take You Home >
4:29
The Wheel >
4:31
All Along The Watchtower >
6:24
Touch Of Grey
6:47
Encore Break
4:26
U.S. Blues
5:57
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:19:40
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] January 2, 2021
SHNID:
gd1989-09-30.151622.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Thanks to Ted Mattes for the patch source -- 151398 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:19:40
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] January 2, 2021
SHNID:
gd1989-09-30.151398.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Thanks to Ted Mattes for the patch source
Transferrer: Charlie Miller
2:20:25
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-30.sbd.walker-scotton.miller.81719.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Some static in Row Jimmy -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:19:34
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-09-30.166903.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 5 of 10
2:08:04
SBD
Rating:
7.33 / 3 ratings
SHNID:
gd89-09-30.sbd.8964.sbeok.shnf
Source:
SBD>MC>DAT>CDR
Taper Notes:
View NotesSBD>MC>DAT>CDR; Seeded to etree by Tim W
Taper: Ted Mattes
2:19:02
Rating:
2.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-09-30.142503.schoeps.cmc4.mk2s.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 1, 2018
Taper: OldNeumanntapr
1:26:09
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1989-09-30.168517.set2.cm300.cp4.ont.flac1644
Source:
OTS, SEC 202, Row H, Seat 13; Nakamichi CM-300's w/CP-4 Shotguns >Marantz PMD-430
Lineage:
XLIIS Master Transferred; Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Remove & Repair Left-Channel Dropouts In Iko Iko, Minor Edits [Tape Flip], Fades, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes: I remember THIS weekend well. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of bay area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm. We ran to the amphitheater carrying all of the recording equipment with the rest of the stragglers and my ex wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment durning the set break. I ran Nakamichi CM-300s with CP-4 shotgun capsules->Marantz PMD-430. Shoreline was always a good venue in which to see live music, and the Dead in particular. I always got good sounding tapes there and this one was no exception. This was my third year recording the Dead at Shoreline. Thanks to Gene for letting me borrow his Nakamichi CM 300s. I recorded two shows each at Cal Expo, Shoreline, and the Oakland Coliseum Arena NYE run in 1989 with his microphones because I felt they sounded better than my Superscope EC7s.
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:19:33
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-09-30.166905.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------
2:19:34
Transferrer:
--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename ---------------------------------------------------------
SHNID:
gd1989-09-30.166902.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-FEB-2024 - Trader Little Helper - Tagged 11-FEB-2024 - Tag&Rename --------------------------------------------------------- Patching included some dead air for 1st set that included start of West LA, start of Let It Grow and a 44 second portion of Drums/Space. The recording was slightly fast - about .2 seconds per minute as compared to the video which I used as the timing reference. Brokedown House Production
Source 10 of 10
2:12:22
SHNID:
gd1989-09-30.097332