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Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1989
8/5/89
One More Saturday Night
5:45
Cold Rain and Snow
7:25
We Can Run But We Can't Hide
5:24
Stagger Lee
6:35
Stuck Inside of Mobile with the Memphis Blues Again
11:31
Row Jimmy
11:36
Let it Grow
11:53
crowd & tuning
0:22
U.S. Blues
5:26
crowd & tuning
0:17
Hey Pocky Way >
6:43
Playin' in the Band >
7:35
I Know You Rider >
6:38
Terrapin >
12:55
Drums >
3:49
Space >
11:12
Standing on the Moon >
9:52
Throwing Stones >
10:19
Not Fade Away
10:29
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:33:16
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] February 11, 2023
SHNID:
gd1989-08-05.164155.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Doug Nawrocki for the patch source -- This is 163643 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:33:16
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] February 11, 2023
SHNID:
gd1989-08-05.163643.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Doug Nawrocki for the patch source
Transferrer: Charlie Miller
2:33:46
SBD
Rating:
9.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-08-05.sbd.miller.89885.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (FOB) Schoeps MK2 (spread) -> Dat > CD (shnid-3871) supplies: Space (8:33 - 9:14) Notes: -- Set 2 is seamless
Transferrer: hansokolow
2:34:05
SBD
Transferrer:
hansokolow
SHNID:
gd1989-08-05.mtx.hansokolow.96341.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid=89885 SBD-> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] February 4, 2008 Patch Info: (FOB) Schoeps MK2 (spread) -> Dat > CD (shnid-3871) supplies: Space (8:33 - 9:14) ----------------------------------- DAUD: shnid=3871 FOB Schoeps MK2 (spread) > dat > cdr Transfer: EAC(range extraction at 100%) > CDWAV > mkwACT ----------------------------------- My Notes: The DAUD is missing the encore, so here it's all SBD. There is a slight bit of phasing at times. I removed Charlie's AUD patch, so as not to conflict with the AUD already there. -Tano ([email protected])
Transferrer: Bill Tetzeli
1:29:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1989-08-05.sbd-set2.miller.tetzeli.fix-13206.35362.reflac.flac16
Source:
Fix of shnid 13206
Taper Notes:
View NotesThere was a gap of about 40 or 50 seconds in Space (where the break between CDs 2 and 3 was originally) which I filled with a very good AUD from archive.org (shnid 3871). It's hard to hear where the patch is, but if you look at the wave pattern in an editor you can see easily where it is. The usual: SHNs to FLAC, shntool to cleanup the SBE. Bill Tetzeli ([email protected]) 5:41 PM 6/19/2006 -------------------------------------------------------------
Source 6 of 12
2:31:49
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd89-08-05.sbd.18256.sbeok.shnf
Source:
SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
Taper Notes:
View NotesSBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
Source 7 of 12
1:27:09
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd89-08-05.set2-sbd.miller.13206.sbeok.shnf
Source:
Set 2 SBD> CM> DAT> CD> EAC> SHN
Taper Notes:
View Notesset 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White
Taper: OldNeumanntapr
2:25:52
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1989-08-05.168759.nakCM300s.CP4.ont.flac1644
Source:
OTS; Nakamichi CM 300s w/CP 4 Shotgun Capsules >Sony WM-D6C [Sony Metal ES 90s]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Balance Channel Levels, Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This was my second excursion to Cal Expo in Sacramento, the first being May 3rd and 4th 1986. I remember that it was hot as hell in Sacramento in August, and our old 1970 Datsun truck had never heard of air conditioning! This was the very first show that I used my friend Gene's Nakamichi CM 300 shotguns in which to record. I didn't ask him. He volunteered them. I met Gene at the Saturday, June 13 1987 Ventura Fairgrounds Dead show when he patched a Marantz 420 into my Sony TC-153SD. We've been friends ever since. Later in 1989 he would purchase a grey-market Sony TCD-D10 DAT recorder, before the US Government was even letting them into the country. In his words, 'You can buy ANYTHING off a truck in New York City!" The Nakamichi microphones were a definite step up from my old Superscope EC 7 cardioid condensers, but I still think I like the vocals better from the cardioids. (In later years I switched to running the Nakamichi CP 1 cardioid capsules on the CM 300s at venues like Shoreline where we were outdoors and didn't need the extreme side rejection of the 'guns.) The CP 4 shotgun capsules did really help to tame the reverberant sound from large indoor arenas but they could sound midrange heavy and kind of flat and lifeless. In 1990 at Cal Expo we would experiment with mixing one CM 300 with a CP-3 Pinpoint Omni capsule with two CM 300 shotguns and open up the sound a bit more. The three-mic mix worked well for cassette masters, where the analog tape hiss tended to help cover up the noise that the mixer induced, but when we switched to DAT in the 90s' it was really apparent that the mixer lowered the signal-to-noise ratio. This was the night that I met my friend Jack, from Salt Lake City, when he patched his D6 into mine. Again, we have been friends ever since. I'm sure that I'm not the only one who has developed long lasting friendships from meetings in the tapers section at Dead shows! It was either the Saturday or Sunday '89 Cal Expo show that a person wandered into the tapers section while obviously way too high and freaked out and ran through to the other side. Whoever it was just barely missed stepping on my deck. I remember a couple of tapers who ran after the guy, through the right side. I would like to think that the person didn't mean to cause any harm and blundered in by mistake but one never knows. People would often try to walk through the tapers section at outdoor shows in the dark because they would see a big black open area and not realize the vast amounts of recording gear that was there in their way. One of the 'Taper Creeds' was that you ALWAYS helped out your neighbors by turning your flashlight on and pointing it at their gear when someone tried to saunter through the section. I have had drunks try and brace themself by grabbing my microphone stand to steady themselves and I would always cringe and try to get rid of them quickly and send them on their way. The drum solo on the Saturday show was really short, and I have it in my notes that Billy walked off stage abruptly. After the show on Saturday my ex wife Nikki and I stayed the night in the camper shell of our green 1970 Datsun truck while parked in the parking lot of a Denny's restaurant. We were poor and couldn't afford a motel room so I picked a Denny's parking lot because it was a 24 hour restaurant and figured that no one would notice a truck parked there all night. I do remember using the restroom at the Denny's and washing my face and accidentally leaving my eye glasses on the sink. Of course they were gone when I realized what I had done the next morning and I had to deal with my nearsightedness for the Sunday Dead show and also with the 300 mile drive back to San Luis Obispo County. (I had silver 'Art-Craft Circles' which were English glasses that were like the glasses that John Lennon wore. I had to order a new pair immediately.)
Taper: Ted Mattes
2:34:01
Taper:
Ted Mattes
Transferrer:
Will Petty
SHNID:
gd1989-08-05.131471.cmc44.mattes.flac16
Source:
FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal.
Lineage:
Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5)
Taper: Casey Coniff
2:24:50
Rating:
10.00 / 3 ratings
Taper:
Casey Coniff
Transferrer:
Bill Koucky
SHNID:
gd1989-08-05.senn441.coniff.gmb.92636.flac16
Source:
Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded in front of Repeater Stack
Lineage:
Master Cassette > Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Taper Notes:
View Notes- Crossfades applied at tape flips after Mephis Blues Again, during Space and during NFA Chant. - To burn to 2 discs place encore at end of 1st set disc. To Burn to 3 discs begin d3 with s2t07 (Space).
Taper: Taped and transfered thru CDR by Jon Pasternak,
2:25:46
Taper:
Taped and transfered thru CDR by Jon Pasternak,
Transferrer:
EAC thru FLAC by Andrew F.
SHNID:
gd1989-08-05.neumann.pasternak.andrewf.78865.flac16
Source:
Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high.
Lineage:
MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
Source 12 of 12
2:20:43
Rating:
8.50 / 4 ratings
SHNID:
gd89-08-05.schoeps.3871.sbeok.shnf
Source:
FOB Schoeps MK2 (spread) > dat > cdr
Lineage:
EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing
Taper Notes:
View NotesFOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing