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Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1989
8/5/89
Hey Pocky Way
7:12
Playin' In The Band >
7:26
I Know You Rider
6:39
Terrapin Station >
12:52
Drums >
3:51
Space >
11:08
More Space >
1:26
Standing On The Moon >
9:53
Throwing Stones >
10:10
Not Fade Away
12:59
U.S. Blues
6:01
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:33:16
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] February 11, 2023
SHNID:
gd1989-08-05.164155.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Doug Nawrocki for the patch source -- This is 163643 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:33:16
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] February 11, 2023
SHNID:
gd1989-08-05.163643.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Doug Nawrocki for the patch source
Transferrer: Charlie Miller
2:33:46
SBD
Rating:
9.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-08-05.sbd.miller.89885.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (FOB) Schoeps MK2 (spread) -> Dat > CD (shnid-3871) supplies: Space (8:33 - 9:14) Notes: -- Set 2 is seamless
Transferrer: hansokolow
2:34:05
SBD
Transferrer:
hansokolow
SHNID:
gd1989-08-05.mtx.hansokolow.96341.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid=89885 SBD-> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] February 4, 2008 Patch Info: (FOB) Schoeps MK2 (spread) -> Dat > CD (shnid-3871) supplies: Space (8:33 - 9:14) ----------------------------------- DAUD: shnid=3871 FOB Schoeps MK2 (spread) > dat > cdr Transfer: EAC(range extraction at 100%) > CDWAV > mkwACT ----------------------------------- My Notes: The DAUD is missing the encore, so here it's all SBD. There is a slight bit of phasing at times. I removed Charlie's AUD patch, so as not to conflict with the AUD already there. -Tano ([email protected])
Transferrer: Bill Tetzeli
1:29:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1989-08-05.sbd-set2.miller.tetzeli.fix-13206.35362.reflac.flac16
Source:
Fix of shnid 13206
Taper Notes:
View NotesThere was a gap of about 40 or 50 seconds in Space (where the break between CDs 2 and 3 was originally) which I filled with a very good AUD from archive.org (shnid 3871). It's hard to hear where the patch is, but if you look at the wave pattern in an editor you can see easily where it is. The usual: SHNs to FLAC, shntool to cleanup the SBE. Bill Tetzeli ([email protected]) 5:41 PM 6/19/2006 -------------------------------------------------------------
Source 6 of 12
2:31:49
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd89-08-05.sbd.18256.sbeok.shnf
Source:
SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
Taper Notes:
View NotesSBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
Source 7 of 12
1:27:09
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd89-08-05.set2-sbd.miller.13206.sbeok.shnf
Source:
Set 2 SBD> CM> DAT> CD> EAC> SHN
Taper Notes:
View Notesset 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White
Taper: OldNeumanntapr
2:25:52
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1989-08-05.168759.nakCM300s.CP4.ont.flac1644
Source:
OTS; Nakamichi CM 300s w/CP 4 Shotgun Capsules >Sony WM-D6C [Sony Metal ES 90s]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Balance Channel Levels, Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This was my second excursion to Cal Expo in Sacramento, the first being May 3rd and 4th 1986. I remember that it was hot as hell in Sacramento in August, and our old 1970 Datsun truck had never heard of air conditioning! This was the very first show that I used my friend Gene's Nakamichi CM 300 shotguns in which to record. I didn't ask him. He volunteered them. I met Gene at the Saturday, June 13 1987 Ventura Fairgrounds Dead show when he patched a Marantz 420 into my Sony TC-153SD. We've been friends ever since. Later in 1989 he would purchase a grey-market Sony TCD-D10 DAT recorder, before the US Government was even letting them into the country. In his words, 'You can buy ANYTHING off a truck in New York City!" The Nakamichi microphones were a definite step up from my old Superscope EC 7 cardioid condensers, but I still think I like the vocals better from the cardioids. (In later years I switched to running the Nakamichi CP 1 cardioid capsules on the CM 300s at venues like Shoreline where we were outdoors and didn't need the extreme side rejection of the 'guns.) The CP 4 shotgun capsules did really help to tame the reverberant sound from large indoor arenas but they could sound midrange heavy and kind of flat and lifeless. In 1990 at Cal Expo we would experiment with mixing one CM 300 with a CP-3 Pinpoint Omni capsule with two CM 300 shotguns and open up the sound a bit more. The three-mic mix worked well for cassette masters, where the analog tape hiss tended to help cover up the noise that the mixer induced, but when we switched to DAT in the 90s' it was really apparent that the mixer lowered the signal-to-noise ratio. This was the night that I met my friend Jack, from Salt Lake City, when he patched his D6 into mine. Again, we have been friends ever since. I'm sure that I'm not the only one who has developed long lasting friendships from meetings in the tapers section at Dead shows! It was either the Saturday or Sunday '89 Cal Expo show that a person wandered into the tapers section while obviously way too high and freaked out and ran through to the other side. Whoever it was just barely missed stepping on my deck. I remember a couple of tapers who ran after the guy, through the right side. I would like to think that the person didn't mean to cause any harm and blundered in by mistake but one never knows. People would often try to walk through the tapers section at outdoor shows in the dark because they would see a big black open area and not realize the vast amounts of recording gear that was there in their way. One of the 'Taper Creeds' was that you ALWAYS helped out your neighbors by turning your flashlight on and pointing it at their gear when someone tried to saunter through the section. I have had drunks try and brace themself by grabbing my microphone stand to steady themselves and I would always cringe and try to get rid of them quickly and send them on their way. The drum solo on the Saturday show was really short, and I have it in my notes that Billy walked off stage abruptly. After the show on Saturday my ex wife Nikki and I stayed the night in the camper shell of our green 1970 Datsun truck while parked in the parking lot of a Denny's restaurant. We were poor and couldn't afford a motel room so I picked a Denny's parking lot because it was a 24 hour restaurant and figured that no one would notice a truck parked there all night. I do remember using the restroom at the Denny's and washing my face and accidentally leaving my eye glasses on the sink. Of course they were gone when I realized what I had done the next morning and I had to deal with my nearsightedness for the Sunday Dead show and also with the 300 mile drive back to San Luis Obispo County. (I had silver 'Art-Craft Circles' which were English glasses that were like the glasses that John Lennon wore. I had to order a new pair immediately.)
Taper: Ted Mattes
2:34:01
Taper:
Ted Mattes
Transferrer:
Will Petty
SHNID:
gd1989-08-05.131471.cmc44.mattes.flac16
Source:
FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal.
Lineage:
Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5)
Taper: Casey Coniff
2:24:50
Rating:
10.00 / 3 ratings
Taper:
Casey Coniff
Transferrer:
Bill Koucky
SHNID:
gd1989-08-05.senn441.coniff.gmb.92636.flac16
Source:
Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded in front of Repeater Stack
Lineage:
Master Cassette > Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Taper Notes:
View Notes- Crossfades applied at tape flips after Mephis Blues Again, during Space and during NFA Chant. - To burn to 2 discs place encore at end of 1st set disc. To Burn to 3 discs begin d3 with s2t07 (Space).
Taper: Taped and transfered thru CDR by Jon Pasternak,
2:25:46
Taper:
Taped and transfered thru CDR by Jon Pasternak,
Transferrer:
EAC thru FLAC by Andrew F.
SHNID:
gd1989-08-05.neumann.pasternak.andrewf.78865.flac16
Source:
Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high.
Lineage:
MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
Source 12 of 12
2:20:43
Rating:
8.50 / 4 ratings
SHNID:
gd89-08-05.schoeps.3871.sbeok.shnf
Source:
FOB Schoeps MK2 (spread) > dat > cdr
Lineage:
EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing
Taper Notes:
View NotesFOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing