RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1989
8/5/89
Tuning
4:19
One More Saturday Night
5:35
Cold Rain And Snow
8:18
We Can Run
5:22
Stagger Lee
6:32
Stuck Inside Of Mobile With The Memphis Blues Again
11:37
Row Jimmy
11:23
Let It Grow
12:06
Hey Pocky Way ->
8:09
Playin' In The Band ->
7:28
I Know You Rider ->
6:36
Terrapin Station ->
12:52
Drums ->
3:50
Space ->
11:09
Standing On The Moon ->
9:46
Throwing Stones ->
10:14
Not Fade Away
12:58
U.S. Blues
5:51
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:33:16
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] February 11, 2023
SHNID:
gd1989-08-05.164155.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Doug Nawrocki for the patch source -- This is 163643 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:33:16
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] February 11, 2023
SHNID:
gd1989-08-05.163643.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Doug Nawrocki for the patch source
Transferrer: Charlie Miller
2:33:46
SBD
Rating:
9.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-08-05.sbd.miller.89885.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (FOB) Schoeps MK2 (spread) -> Dat > CD (shnid-3871) supplies: Space (8:33 - 9:14) Notes: -- Set 2 is seamless
Transferrer: hansokolow
2:34:05
SBD
Transferrer:
hansokolow
SHNID:
gd1989-08-05.mtx.hansokolow.96341.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid=89885 SBD-> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] February 4, 2008 Patch Info: (FOB) Schoeps MK2 (spread) -> Dat > CD (shnid-3871) supplies: Space (8:33 - 9:14) ----------------------------------- DAUD: shnid=3871 FOB Schoeps MK2 (spread) > dat > cdr Transfer: EAC(range extraction at 100%) > CDWAV > mkwACT ----------------------------------- My Notes: The DAUD is missing the encore, so here it's all SBD. There is a slight bit of phasing at times. I removed Charlie's AUD patch, so as not to conflict with the AUD already there. -Tano ([email protected])
Transferrer: Bill Tetzeli
1:29:37
SBD
Rating:
10.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1989-08-05.sbd-set2.miller.tetzeli.fix-13206.35362.reflac.flac16
Source:
Fix of shnid 13206
Taper Notes:
View NotesThere was a gap of about 40 or 50 seconds in Space (where the break between CDs 2 and 3 was originally) which I filled with a very good AUD from archive.org (shnid 3871). It's hard to hear where the patch is, but if you look at the wave pattern in an editor you can see easily where it is. The usual: SHNs to FLAC, shntool to cleanup the SBE. Bill Tetzeli ([email protected]) 5:41 PM 6/19/2006 -------------------------------------------------------------
Source 6 of 12
2:31:49
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd89-08-05.sbd.18256.sbeok.shnf
Source:
SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
Taper Notes:
View NotesSBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
Source 7 of 12
1:27:09
SBD
Rating:
7.00 / 2 ratings
SHNID:
gd89-08-05.set2-sbd.miller.13206.sbeok.shnf
Source:
Set 2 SBD> CM> DAT> CD> EAC> SHN
Taper Notes:
View Notesset 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White
Taper: OldNeumanntapr
2:25:52
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1989-08-05.168759.nakCM300s.CP4.ont.flac1644
Source:
OTS; Nakamichi CM 300s w/CP 4 Shotgun Capsules >Sony WM-D6C [Sony Metal ES 90s]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Balance Channel Levels, Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This was my second excursion to Cal Expo in Sacramento, the first being May 3rd and 4th 1986. I remember that it was hot as hell in Sacramento in August, and our old 1970 Datsun truck had never heard of air conditioning! This was the very first show that I used my friend Gene's Nakamichi CM 300 shotguns in which to record. I didn't ask him. He volunteered them. I met Gene at the Saturday, June 13 1987 Ventura Fairgrounds Dead show when he patched a Marantz 420 into my Sony TC-153SD. We've been friends ever since. Later in 1989 he would purchase a grey-market Sony TCD-D10 DAT recorder, before the US Government was even letting them into the country. In his words, 'You can buy ANYTHING off a truck in New York City!" The Nakamichi microphones were a definite step up from my old Superscope EC 7 cardioid condensers, but I still think I like the vocals better from the cardioids. (In later years I switched to running the Nakamichi CP 1 cardioid capsules on the CM 300s at venues like Shoreline where we were outdoors and didn't need the extreme side rejection of the 'guns.) The CP 4 shotgun capsules did really help to tame the reverberant sound from large indoor arenas but they could sound midrange heavy and kind of flat and lifeless. In 1990 at Cal Expo we would experiment with mixing one CM 300 with a CP-3 Pinpoint Omni capsule with two CM 300 shotguns and open up the sound a bit more. The three-mic mix worked well for cassette masters, where the analog tape hiss tended to help cover up the noise that the mixer induced, but when we switched to DAT in the 90s' it was really apparent that the mixer lowered the signal-to-noise ratio. This was the night that I met my friend Jack, from Salt Lake City, when he patched his D6 into mine. Again, we have been friends ever since. I'm sure that I'm not the only one who has developed long lasting friendships from meetings in the tapers section at Dead shows! It was either the Saturday or Sunday '89 Cal Expo show that a person wandered into the tapers section while obviously way too high and freaked out and ran through to the other side. Whoever it was just barely missed stepping on my deck. I remember a couple of tapers who ran after the guy, through the right side. I would like to think that the person didn't mean to cause any harm and blundered in by mistake but one never knows. People would often try to walk through the tapers section at outdoor shows in the dark because they would see a big black open area and not realize the vast amounts of recording gear that was there in their way. One of the 'Taper Creeds' was that you ALWAYS helped out your neighbors by turning your flashlight on and pointing it at their gear when someone tried to saunter through the section. I have had drunks try and brace themself by grabbing my microphone stand to steady themselves and I would always cringe and try to get rid of them quickly and send them on their way. The drum solo on the Saturday show was really short, and I have it in my notes that Billy walked off stage abruptly. After the show on Saturday my ex wife Nikki and I stayed the night in the camper shell of our green 1970 Datsun truck while parked in the parking lot of a Denny's restaurant. We were poor and couldn't afford a motel room so I picked a Denny's parking lot because it was a 24 hour restaurant and figured that no one would notice a truck parked there all night. I do remember using the restroom at the Denny's and washing my face and accidentally leaving my eye glasses on the sink. Of course they were gone when I realized what I had done the next morning and I had to deal with my nearsightedness for the Sunday Dead show and also with the 300 mile drive back to San Luis Obispo County. (I had silver 'Art-Craft Circles' which were English glasses that were like the glasses that John Lennon wore. I had to order a new pair immediately.)
Taper: Ted Mattes
2:34:01
Taper:
Ted Mattes
Transferrer:
Will Petty
SHNID:
gd1989-08-05.131471.cmc44.mattes.flac16
Source:
FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal.
Lineage:
Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5)
Taper: Casey Coniff
2:24:50
Rating:
10.00 / 3 ratings
Taper:
Casey Coniff
Transferrer:
Bill Koucky
SHNID:
gd1989-08-05.senn441.coniff.gmb.92636.flac16
Source:
Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded in front of Repeater Stack
Lineage:
Master Cassette > Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Taper Notes:
View Notes- Crossfades applied at tape flips after Mephis Blues Again, during Space and during NFA Chant. - To burn to 2 discs place encore at end of 1st set disc. To Burn to 3 discs begin d3 with s2t07 (Space).
Taper: Taped and transfered thru CDR by Jon Pasternak,
2:25:46
Taper:
Taped and transfered thru CDR by Jon Pasternak,
Transferrer:
EAC thru FLAC by Andrew F.
SHNID:
gd1989-08-05.neumann.pasternak.andrewf.78865.flac16
Source:
Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high.
Lineage:
MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
Source 12 of 12
2:20:43
Rating:
8.50 / 4 ratings
SHNID:
gd89-08-05.schoeps.3871.sbeok.shnf
Source:
FOB Schoeps MK2 (spread) > dat > cdr
Lineage:
EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing
Taper Notes:
View NotesFOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing