RELISTENTOTHE Grateful Dead
Re
1989
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1989
8/5/89
Tuning (stat set 1)
2:10
One More Saturday Night
5:05
Cold Rain & Snow
7:25
We Can Run
5:45
Stagger Lee
6:35
Stuck Inside Of Mobile With The Memphis Blues Again
9:16
Row Jimmy (tape flip)
10:52
Let It Grow
11:59
Tuning (start set 2)
1:35
Hey Pocky Way >
6:50
Playing In The Band >
7:13
I Know You Rider >
7:00
Terrapin Station >
12:55
Drums > [short drums, Billy walks off stage] (tape flip)]
4:30
Space >
7:04
Standing On The Moon >
9:30
Throwing Stones >
10:21
Not Fade Away
14:20
U.S. Blues (encore)
5:27
FIN
View on archive.org
Sources
Transferrer: hansokolow
2:34:05
SBD
Transferrer:
hansokolow
SHNID:
gd1989-08-05.mtx.hansokolow.96341.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid=89885 SBD-> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] February 4, 2008 Patch Info: (FOB) Schoeps MK2 (spread) -> Dat > CD (shnid-3871) supplies: Space (8:33 - 9:14) ----------------------------------- DAUD: shnid=3871 FOB Schoeps MK2 (spread) > dat > cdr Transfer: EAC(range extraction at 100%) > CDWAV > mkwACT ----------------------------------- My Notes: The DAUD is missing the encore, so here it's all SBD. There is a slight bit of phasing at times. I removed Charlie's AUD patch, so as not to conflict with the AUD already there. -Tano ([email protected])
Taper: OldNeumanntapr
2:25:52
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1989-08-05.168759.nakCM300s.CP4.ont.flac1644
Source:
OTS; Nakamichi CM 300s w/CP 4 Shotgun Capsules >Sony WM-D6C [Sony Metal ES 90s]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Balance Channel Levels, Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This was my second excursion to Cal Expo in Sacramento, the first being May 3rd and 4th 1986. I remember that it was hot as hell in Sacramento in August, and our old 1970 Datsun truck had never heard of air conditioning! This was the very first show that I used my friend Gene's Nakamichi CM 300 shotguns in which to record. I didn't ask him. He volunteered them. I met Gene at the Saturday, June 13 1987 Ventura Fairgrounds Dead show when he patched a Marantz 420 into my Sony TC-153SD. We've been friends ever since. Later in 1989 he would purchase a grey-market Sony TCD-D10 DAT recorder, before the US Government was even letting them into the country. In his words, 'You can buy ANYTHING off a truck in New York City!" The Nakamichi microphones were a definite step up from my old Superscope EC 7 cardioid condensers, but I still think I like the vocals better from the cardioids. (In later years I switched to running the Nakamichi CP 1 cardioid capsules on the CM 300s at venues like Shoreline where we were outdoors and didn't need the extreme side rejection of the 'guns.) The CP 4 shotgun capsules did really help to tame the reverberant sound from large indoor arenas but they could sound midrange heavy and kind of flat and lifeless. In 1990 at Cal Expo we would experiment with mixing one CM 300 with a CP-3 Pinpoint Omni capsule with two CM 300 shotguns and open up the sound a bit more. The three-mic mix worked well for cassette masters, where the analog tape hiss tended to help cover up the noise that the mixer induced, but when we switched to DAT in the 90s' it was really apparent that the mixer lowered the signal-to-noise ratio. This was the night that I met my friend Jack, from Salt Lake City, when he patched his D6 into mine. Again, we have been friends ever since. I'm sure that I'm not the only one who has developed long lasting friendships from meetings in the tapers section at Dead shows! It was either the Saturday or Sunday '89 Cal Expo show that a person wandered into the tapers section while obviously way too high and freaked out and ran through to the other side. Whoever it was just barely missed stepping on my deck. I remember a couple of tapers who ran after the guy, through the right side. I would like to think that the person didn't mean to cause any harm and blundered in by mistake but one never knows. People would often try to walk through the tapers section at outdoor shows in the dark because they would see a big black open area and not realize the vast amounts of recording gear that was there in their way. One of the 'Taper Creeds' was that you ALWAYS helped out your neighbors by turning your flashlight on and pointing it at their gear when someone tried to saunter through the section. I have had drunks try and brace themself by grabbing my microphone stand to steady themselves and I would always cringe and try to get rid of them quickly and send them on their way. The drum solo on the Saturday show was really short, and I have it in my notes that Billy walked off stage abruptly. After the show on Saturday my ex wife Nikki and I stayed the night in the camper shell of our green 1970 Datsun truck while parked in the parking lot of a Denny's restaurant. We were poor and couldn't afford a motel room so I picked a Denny's parking lot because it was a 24 hour restaurant and figured that no one would notice a truck parked there all night. I do remember using the restroom at the Denny's and washing my face and accidentally leaving my eye glasses on the sink. Of course they were gone when I realized what I had done the next morning and I had to deal with my nearsightedness for the Sunday Dead show and also with the 300 mile drive back to San Luis Obispo County. (I had silver 'Art-Craft Circles' which were English glasses that were like the glasses that John Lennon wore. I had to order a new pair immediately.)