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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h59179
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k398
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.3k292
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k299
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k391
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k423
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.3k150
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.4k935
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h894101
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.4k407
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.6k546
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k157
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.6k194
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k232
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h7.7k889
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k194
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.7k231
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.4k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h42342
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.5k437
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.8k629
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.9k368
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k154
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.7k209
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k280
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h825101
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11316
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24718
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1989
8/4/89
Bertha >
6:59
Greatest Story Ever Told
4:42
Althea
10:15
Mama Tried >
2:37
Mexicali Blues
6:17
Never Trust A Woman
7:22
Built To Last
4:59
Queen Jane Approximately
8:17
Jack-A-Roe
5:12
Cassidy
7:46
Deal
8:22
Crowd/Tuning
0:49
Truckin' >
7:16
Wang Dang Doodle >
4:37
Crazy Fingers >
9:20
Cumberland Blues >
5:33
Eyes Of The World >
9:34
Drums >
7:22
Space >
9:02
The Wheel >
4:09
I Need A Miracle >
4:40
Stella Blue >
7:41
Sugar Magnolia
10:04
E: It's All Over Now, Baby Blue
7:03
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:58
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2023
SHNID:
gd1989-08-04.164156.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA static at the end of Never Trust A Woman -- Multiple masters were used to make this show complete -- This is 163489 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:58
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 31, 2023
SHNID:
gd1989-08-04.163489.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 (Set 1) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- PA static at the end of Never Trust A Woman -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:45:24
SBD
Rating:
8.83 / 14 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-08-04.sbd.miller.89884.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: AUD Source from David Minches supplies: Space (3:30 - 3:53) Notes: -- Discs 2 and 3 are seamless
Source 4 of 9
2:42:45
SBD
Rating:
8.91 / 22 ratings
SHNID:
gd89-08-04.sbd.11267.sbeok.shnf
Source:
SBD > MC > DAT > CDR
Taper Notes:
View NotesSBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki
Taper: Bill Bradt
2:39:58
Rating:
10.00 / 1 rating
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-08-04.177547.nak700.neumann.km84i.blend.bradt.miller.clugston.flac2496
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and Lance Deal for the Schoeps CMC44 source which supplies a 3:22 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Bill Bradt
2:39:58
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-08-04.177546.nak700.neumann.km84i.blend.bradt.miller.clugston.flac1648
Lineage:
Master Cassette (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and Lance Deal for the Schoeps CMC44 source which supplies a 3:22 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Ted Mattes
2:43:34
Taper:
Ted Mattes
SHNID:
gd1989-08-04.131470.cmc44.mattes.flac16
Source:
Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal.
Lineage:
Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE's/Flac/md5)
Taper Notes:
View NotesNote: Digital dropout at 7:47-7:48 of Crazy Fingers on DAT.
Taper: Casey Coniff
2:41:25
Taper:
Casey Coniff
Transferrer:
Bill Koucky
SHNID:
gd1989-08-04.senn441.caniff.koucky.92598.sbeok.flac16
Source:
Sennheiser 441 > Marantz PDM 340 w/ dbx > Maxell MX-S 90
Lineage:
MAC > Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] > AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Taper Notes:
View NotesCrossfades applied at tape flips after Good Times, during Drums and before the encore. To burn to 2 discs place encore at end of 1st set disc. To Burn to 3 discs begin d3 with s2t08 (Space).
Taper: Taped and transfered thru CDR by Jon Pasternak.
2:43:03
Taper:
Taped and transfered thru CDR by Jon Pasternak.
Transferrer:
EAC thru FLAC by Andrew F.
SHNID:
gd1989-08-04.nak300.pasternak.andrewf.78877.flac16
Source:
Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high.
Lineage:
MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
Taper Notes:
View NotesNotes: Soundforge was used to make fades. The break between Disc Two and Disc Three is where the MAC tape was flipped. There's some chatter during Drums and Space, and a few spots where the mic stand is bumped; otherwise, it's an excellent FOB.